If tomorrow is another day, which and whose?
Singular or plural, definite or indefinite, "future" remains an angular index to time experiencing its own edges and gray turbulences. Join us for a conversation on what runs through radical writing, feminism and black futures, bringing together Saidiya Hartman, Erica Hunt, Dawn Lundy Martin and Claudia Rankine, all of whose visionary writings exemplify the practice of such a radically self-present revolutionary imaginary. Kyoo Lee will join in as a moderator.
This event is free and open to the public, but to attend, please RSVP. However, please be advised that seating is limited and on a first-come, first-served basis.
Claudia Rankine is the author of five collections of poetry, including Citizen: An American Lyric and Don’t Let Me Be Lonely; two plays including The White Card, which premiered in February 2018 (ArtsEmerson/ American Repertory Theater) and will be published with Graywolf Press in 2019, and Provenance of Beauty: A South Bronx Travelogue; as well as numerous video collaborations. She is also the editor of several anthologies including The Racial Imaginary: Writers on Race in the Life of the Mind. In 2016, she co-founded The Racial Imaginary Institute (TRII). Among her numerous awards and honors, Rankine is the recipient of the Bobbitt National Prize for Poetry, the Poets & Writers’ Jackson Poetry Prize, and fellowships from the Guggenheim Foundation, the Lannan Foundation, the MacArthur Foundation, United States Artists, and the National Endowment of the Arts. She is a Chancellor of the Academy of American Poets and teaches at Yale University as the Frederick Iseman Professor of Poetry. She lives in New Haven, Connecticut.
Dawn Lundy Martin is a poet, essayist, and conceptual-video artist. She is the author of four books of poems: Good Stock Strange Blood (Coffee House, 2017); Life in a Box is a Pretty Life (Nightboat Books, 2015); which won the Lambda Literary Award for Lesbian Poetry; DISCIPLINE (Nightboat Books, 2011); A Gathering of Matter / A Matter of Gathering (University of Georgia Press, 2007); and three limited edition chapbooks. Most recently, she co-edited with Erica Hunt an anthology, Letters to the Future: BLACK WOMEN / Radical WRITING (Kore Press, 2018). Her nonfiction can be found in The New Yorker, Harper's, n+1, and elsewhere. Martin is a Professor of English in the writing program at the University of Pittsburgh and Co-director of the Center for African American Poetry and Poetics. She is also the recipient of a 2018 NEA Grant in Creative Writing.
Saidiya Hartman is the author of Scenes of Subjection: Terror, Slavery, and Self-making in Nineteenth Century America (Oxford University Press, 1997) and Lose Your Mother: A Journey Along the Atlantic Slave Route (Farrar, Straus and Giroux, 2007), and her newest book is Wayward Lives, Beautiful Experiments (forthcoming, Norton 2019). She is on the editorial board of Callaloo, a journal of literature, art, and culture of the African Diaspora. She is a Professor of English and Comparative Literature at Columbia University. She is currently a 2018 Guggenheim Fellow and has been awarded a Cullman, Fulbright, Rockefeller, Whitney Oates, and University of California President’s Fellow.
Erica Hunt is the author of Local History, Arcade, Piece Logic, A Day and Its Approximates, & Time Slips Right Before Your Eyes. With Dawn Lundy Martin, she co-edited the anthology Letters to the Future, Radical Writing by Black Women. Hunt is the Parsons Family Professor of Creative Writing at LIU Brooklyn.
This event is co-sponsored by mp3: Poetry, Philosophy, Performativity research team as part of the Seminar on Public Engagement and Collaborative Research from the Center for the Humanities at the Graduate Center, CUNY.