Adoration of the Shepherds (Hugo Van Der Goes)
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Adoration of the Shepherds Hugo Van Der Goes
Adoration of the Shepherds
Hugo van der Goes 002.jpg
ArtistHugo van der Goes
Yearc.1480
MediumOils
Dimensions97 cm × 245 cm (38 in × 96 in)
LocationGemäldegalerie, Berlin

Adoration of the Shepherds is a late oil painting by Hugo van der Goes, now in the Gemäldegalerie, Berlin. Unusually large for the painter, it is less well-known than his Portinari Triptych or his Monforte Altarpiece on the same subject. He produced it before renouncing his worldly life and becoming a lay brother at Rouge-Cloître Abbey near Brussels, a daughter house of the Windesheim Congregation in the strict tradition of the Brethren of the Common Life, part of the wider devotio moderna movement.

The scene is flanked by two prophets from the Hebrew scriptures, shown half-length and holding up a green curtain, which they part to show the scene. Standing in front of the scene, they act as intermediaries between it and the viewer, with the right-hand one with his hand and mouth open as if to speak.(Belting 2005, p. 218) As Hans Belting puts it,(Belting 2005, p. 203) "it is indeed a scene in the theatrical sense, as we see the curatins opening on the stable in Bethlehem as if the play is about to begin". The scene itself includes three shepherds as well as a background scene showing the angels announcing Christ's birth to them. The Christ Child looks out at the viewer and behind him, Mary and Joseph is a group of angels.(Belting 2005, p. 212)

Bibliography

  • (in German) Hans Belting, Die Erfindung des Gemäldes. Das erste Jahrhundert der Niederländischen Malerei, Munich, Hirmer Verlag, 1994; chapter 14, "Hugo Van der Goes. A painted theatre"
  • Larousse (ed.). "Hugo van der Goes". Dictionnaire de la peinture (in French). Larousse..
  • (in French) Rivages de Bohême
  • Nevet Dolev (1999). Publication of the Tel-Aviv University Faculty of Fine Arts, Section B (ed.). "Gaspar Ofhuys' chronicle and Hugo van der Goes" (PDF). Assaph B. 4: 125-137. ISSN 0333-6476.[permanent dead link]

References

Belting, Hans; Kruse, Christiane (1994). Die Erfindung des Gemäldes: das erste Jahrhundert der niederländischen Malerei (in German). München: Hirmer. ISBN 3777464503.


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