Aloysius Parker
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Aloysius Parker
Aloysius Parker
Thunderbirds character
Parker Thunderbirds.png
First appearance"Trapped in the Sky"
Created byGerry and Sylvia Anderson
Portrayed byRon Cook
Voiced byDavid Graham
In-universe information
OccupationButler and chauffeur to Lady Penelope Creighton-Ward

Aloysius "Nosey" Parker is a fictional character introduced in the British 1960s Supermarionation television series Thunderbirds, who also appears in the film sequels Thunderbirds Are Go (1966) and Thunderbird 6 (1968) and the 2004 live-action adaptation Thunderbirds. He is the butler and chauffeur to Lady Penelope Creighton-Ward and, like her, a field agent of the secret organisation International Rescue.

The puppet character of the TV series and first two films was voiced by David Graham. In the live-action film, Parker is portrayed by Ron Cook. Graham reprised his role for the part-computer-animated, part-live-action remake series Thunderbirds Are Go!, which first aired in the UK in 2015.[1]

The character is known for his hypercorrected Cockney speech and frequent use of the phrase "Yes, M'Lady" to acknowledge Penelope's orders.[2][3][4][5][6]

Character biography

Parker is employed at Creighton-Ward Mansion by Lady Penelope, serving as her butler and chauffeur (driving FAB 1, a modified, pink Rolls-Royce). Like Penelope, he is an International Rescue field agent. Born in London, Parker speaks with a heavy Cockney accent, although he frequently attempts to speak with Received Pronunciation (most notably for his catchphrase, "Yes, M'Lady").

Parker is a reformed criminal, having served prison sentences for cat burglary and safecracking. His criminal exploits, coupled with a prominent facial feature, earned him the nickname "Nosey" (this may also be a reference to his nosiness - he eavesdrops on his employer's conversations in "Vault of Death" and Thunderbird 6). He was rescued from a life of crime by Penelope, who recruited him as an aide in her espionage activities. Parker's underworld contacts frequently prove useful during the pair's missions (such as in "The Cham-Cham", when he blackmails a talent agent to have an undercover Penelope pass off as a nightclub singer). It is revealed in "The Cham-Cham" that Parker suffers from vertigo. In the episode "The Man from MI.5" it is revealed he still has the temptation to return to his burglar ways as he was caught with a suitcase full of safecracking equipment, much to Penelope's chagrin. He later complained to himself about the situation, saying "'Ow she expects me to keep my 'and in I don't know".

He is very "old school" in the ways of safecracking, as the equipment consisted of a brick, various wrenches, a bit and brace etc. In "Vault of Death" he is shown to use a stethoscope instead of a modern detector. He stated that it was good enough for his father, his grandfather and his great-grandfather. This implies that cat burglary and safecracking were a family business and probably explains where he got his skills. In the same episode it is revealed Parker knew a fellow burglar nicknamed "light-fingered Fred" when he was in prison and he further claimed that Fred was the only one who could possibly rival him in the skills of his criminal expertise.

It is revealed in the episode "Danger at Ocean Deep" that Parker has an upper-class connoisseur-like taste for fine beverages as he manages to pilfer a bottle of vintage 1998 champagne, right under Penelope's nose no less, and swap it with pure tonic water without her knowing anything. During the launching of the ship he and another fellow chauffeur, a friend named Stevens, share in drinking the entire bottle together. Penelope later finds Parker asleep and hiccupping. A slurring Parker then (drunkenly) reveals his theft. He says he did this on the grounds that it was such a good year it seemed a shame to see it go to waste.



Although Lady Penelope and Parker were among the first characters to be developed, neither was conceived as a central character.[7][8] The inspiration for Parker came from director David Elliott, who had been reading a spy novel about a safecracker who unwittingly becomes a government agent.[9] The character's Cockney speech (dubbed "Parkerese" by Graham and series creator Gerry Anderson) was based on the voice of a wine waiter at the Kings Arms in Cookham, Berkshire, which was regularly visited by members of the crew.[8][10][11] Anderson said that Arthur, who was once in the service of Elizabeth II at Windsor Castle, spoke with a "warm patter, dropping his 'aitches' and putting them back in the wrong places, and this intrigued me ... I thought [his] voice would be perfect."[8][12] He therefore had Graham dine at the establishment to learn the style.[10] Anderson did not inform Arthur of his contribution to Parker's characterisation, worried that he would dislike the public recognition that it might bring if it became widely known.[13][14]

The look of the character was based mainly on comedian Ben Warriss, a member of the Crazy Gang.[15][16] John Blundall, who sculpted the puppet, also drew inspiration from Miles Malleson, Ronald Shiner and "typical, clichéd butlers in black-and-white English comedy films".[9] Blundall said that he "made Parker look so unlike the other puppets just to be bloody-minded, because I wanted to prove that to produce really strong characters in puppets, you need to stylise them and find two or three characteristics to combine and communicate with."[17]

In the 2004 live-action film, in which Parker is played by Ron Cook, the character retains his Cockney accent but no longer hypercorrects his words. In an interview, Cook explained that "we thought his tendency to talk posh wasn't really relevant to this day and age."[18]

Reception and influence

Acknowledging Parker's role as a peripheral comic foil, as well as the heavy caricature of the original puppet character, David Garland likens him to the Victorian-era stock character Pantaloon, "a low, comic figure that functioned as a butt of jokes, and did not mix with regular dramatic characters."[19] Series co-creator Sylvia Anderson described Parker as a "lovable rogue with doubtful connections who had gone straight."[7] While speaking as a guest on BBC 6 Music in December 2007, she cast doubt on the assertion that the character's first name was Aloysius, stating that he was "only ever 'Nosey' Parker".

The puppet character is known for his Cockney speech, which he would often hypercorrect by adding non-standard aitches in an attempt to imitate prestigious English.[2] He is also remembered for his frequent use of the expression "Yes, M'Lady" in acknowledging Penelope's instructions.[3][5] Commentators Jim Sangster and Paul Condon write that the character's "adenoidal" delivery of this line "became synonymous with the show." They also describe Penelope and Parker as the "best characters in the Anderson collection", stating that the duo "managed to steal every episode they appeared in."[4]

In 2003 Virgin Trains West Coast named locomotive 57311 Parker.[20] It retained the name when sold to Direct Rail Services in 2013.[21]


  1. ^ Plunkett, John (30 September 2013). "Thunderbirds Are Go! Blends Old and New for Return of Classic Series". The Guardian. London, UK: Guardian Media Group. Archived from the original on 12 October 2013. Retrieved 2014.
  2. ^ a b Hornsby, David (2014). Linguistics: A Complete Introduction: Teach Yourself. Teach Yourself. John Murray Learning (Hachette UK). ISBN 9781444180343.
  3. ^ a b Evans, Jeff (2006) [2001]. The Penguin TV Companion. Penguin Reference (3rd ed.). London, UK: Penguin Books. p. 827. ISBN 978-0-141-02424-0.
  4. ^ a b Cornell, Paul; Day, Martin; Topping, Keith (1996) [1996]. Marshall, Anne (ed.). The Guinness Book of Classic British TV (2nd ed.). Middlesex, UK: Guinness Publishing. p. 331. ISBN 978-0-851126-28-9.
  5. ^ a b Sangster, Jim; Condon, Paul (2005). Collins Telly Guide. London, UK: HarperCollins. p. 759. ISBN 978-0-00-719099-7.
  6. ^ "Parker actor back for Thunderbirds remake". BBC News Online. 30 September 2013. Archived from the original on 7 April 2019. Retrieved 2020.
  7. ^ a b Anderson 2007, p. 30.
  8. ^ a b c Archer, Simon; Nicholls, Stan (1996). Gerry Anderson: The Authorised Biography. London, UK: Legend Books. p. 92. ISBN 978-0-09-922442-6.
  9. ^ a b La Rivière, p. 107.
  10. ^ a b Marriott 1993, p. 122.
  11. ^ "Archived copy". Archived from the original on 2015-12-08. Retrieved .CS1 maint: archived copy as title (link)
  12. ^ Archer and Hearn, p. 116.
  13. ^ Marriott 1993, p. 124.
  14. ^ La Rivière, p. 108.
  15. ^ Bentley, Chris (2005) [2000]. The Complete Book of Thunderbirds (2nd ed.). London, UK: Carlton Books. p. 16. ISBN 978-1-84442-454-2.
  16. ^ Anderson 2007, p. 49.
  17. ^ Archer and Hearn, p. 113.
  18. ^ Payne, Stephen, ed. (August 2004). "Very Good, M'Lady". Starburst Special. No. 65. London, UK: Visual Imagination. p. 27. ISSN 0955-114X. OCLC 79615651.
  19. ^ Garland, David (2009). "Pulling the Strings: Gerry Anderson's Walk from 'Supermarionation' to 'Hypermarionation'". In Geraghty, Lincoln (ed.). Channeling the Future: Essays on Science Fiction and Fantasy Television. Lanham, Maryland: Scarecrow Press. p. 64. ISBN 978-0-8108-6922-6.
  20. ^ Brush Class 57/3 Thunderbird locomotives Entrain issue 19 July 2003 page 22
  21. ^ Remaining Class 57/3s snapped up by DRS and West Coast Co The Railway Magazine issue 1343 March 2013 page 80

Works cited

External links

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