theatrical release poster
|Directed by||Elliot Silverstein|
|Produced by||Harold Hecht|
|Written by||Walter Newman|
|Based on||The Ballad of Cat Ballou (novel)|
by Roy Chanslor
Nat King Cole
|Music by||Frank De Vol (score)|
Mack David (songs)
Jerry Livingston (songs)
|Cinematography||Jack A. Marta|
|Edited by||Charles Nelson|
|Distributed by||Columbia Pictures|
|Box office||$20.7 million|
Cat Ballou is a 1965 American western musical comedy film starring Jane Fonda and Lee Marvin, who won an Academy Award for Best Actor for his dual role. The story involves a woman who hires a notorious gunman to protect her father's ranch, and later to avenge his murder, only to find that the gunman is not what she expected. The supporting cast features Tom Nardini, Michael Callan, Dwayne Hickman, and singers Nat King Cole and Stubby Kaye, who together perform the film's theme song, onscreen, throughout the film.
The film was directed by Elliot Silverstein from a screenplay by Walter Newman and Frank Pierson adapted from the 1956 novel The Ballad of Cat Ballou by Roy Chanslor, who also wrote the novel filmed as Johnny Guitar. Chanslor's novel was a serious Western, and though it was turned into a comedy for the film, the filmmakers retained some darker elements. The film references many classic Western films, notably Shane. The film was selected by the American Film Institute as the 10th greatest Western of all time in its AFI's 10 Top 10 list in 2008.
Catherine "Cat" Ballou, who wants to be a schoolteacher, is returning home from boarding school by train to (fictional) Wolf City, Wyoming, to the ranch of her father, Frankie Ballou. On the way, she unwittingly helps accused cattle rustler Clay Boone elude his captor, Sheriff Maledon, when Boone's Uncle Jed, a drunkard disguised as a preacher, distracts the lawman.
Arriving home, Cat learns that the Wolf City Development Corporation is scheming to take the ranch from her father, whose sole defender is his ranch hand, educated Native American Jackson Two-Bears. Clay and Jed appear and reluctantly offer to help Catherine, and she hires legendary gunfighter Kid Shelleen to help protect her father from gunslinger Tim Strawn, the hired killer who is threatening him.
Shelleen arrives, and proves to be a drunken bum whose pants fall down when he draws his gun, and who is unable to hit a barn when he shoots unless sufficiently inebriated, in which state he reveals himself as still being a crack shot. Strawn kills Frankie, and when the townspeople refuse to bring Strawn to justice, Catherine becomes a revenge-seeking outlaw known as Cat Ballou. She and her gang rob a train carrying the Wolf City payroll, then take refuge in "Hole-in-the-Wall", where desperados go to hide from the law, but are thrown out when it is learned what they have done, since Hole-in-the-Wall can only continue to exist on the sufferance of Wolf City. Shelleen, inspired by his caring affection for Cat, works himself into shape, dresses up in his finest gunfighting outfit, goes into town and kills Strawn, casually revealing later that Strawn is his brother.
Cat poses as a prostitute and confronts Sir Harry Percival, the head of the Wolf City Development Corporation. A struggle ensues, Sir Harry is killed, and Cat is sentenced to be hanged. With Sir Harry dead, there is no hope for Wolf City's future, and the townspeople have no mercy for Cat. As the noose is placed around her neck, Uncle Jed appears, again dressed as a preacher, and cuts the rope just as the trapdoor is opened. Cat falls through and onto a wagon and her gang spirits her away in a daring rescue.
Cole and Kaye, billed simply as "Shouters", act as a Greek chorus, intermittently appearing onscreen to narrate the story through ongoing verses of "The Ballad of Cat Ballou", one of the songs written by Mack David and Jerry Livingston for the film.
Ann-Margret was the first choice for the title role but her manager turned it down without letting the actress know. Ann-Margret wrote in her autobiography that she would have wanted the part. Among others, Kirk Douglas allegedly turned down the role of Shelleen. Years later he played a similar double role in The Man from Snowy River.
The film was well received by critics and was popular with moviegoers and earned over $20.6 million in ticket sales in 1965, making it one of the top ten moneymaking films that year at the US box office.
Bosley Crowther of The New York Times called it "a breezy little film" which "does have flashes of good satiric wit. But, under Elliott Silverstein's direction, it is mostly just juvenile lampoon."Variety wrote that the film "emerges middlingly successful, sparked by an amusing way-out approach and some sparkling performances."Richard L. Coe of The Washington Post praised the film as a "springy satire," adding, "What makes this fun is the style. Forming a mighty cool duo, Nat King Cole and Stubby Kaye sing their way in and out of the plot with folk songs which Cole 'Don't Fence Me In' Porter would have relished. The format is novel and stylishly delivered."Pauline Kael in Film Quarterly called it "lumpen, coy, and obvious, a self-consciously cute movie," adding that "mainly it is full of sort-of-funny and trying-to-be-funny ideas and a movie is not just ideas." Philip K. Scheuer of the Los Angeles Times wrote, "I'm in the minority, apparently. 'Cat Ballou,' which is being hailed as a cowboy Tom Jones or something of the sort, seems to me about as funny as a soundtrack burp."The Monthly Film Bulletin wrote, "The jokes in Cat Ballou are uneven, but the mood behind the film is happily consistent."
Two separate television pilots were filmed. A 1970 pilot written and produced by Aaron Ruben featured Lesley Ann Warren as Cat, Jack Elam as Kid Shelleen and Tom Nardini repeating his role whilst a 1971 pilot starred Jo Ann Harris as Cat, Forrest Tucker as Kid Shelleen and Lee J. Casey as Jackson Two-Bears.
In his Oscar acceptance speech, Lee Marvin concluded by saying, "I think, though, that half of this belongs to a horse somewhere out in San Fernando Valley," a reference to the horse Kid Shelleen rode, which appeared to be as drunk as Shelleen was.
At the 38th Academy Awards, the film also generated nominations for:
At the 23rd Golden Globe Awards, the film also generated nominations for:
The film is recognized by American Film Institute in these lists: