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The cello suites by Benjamin Britten (Opp. 72, 80, and 87) are a series of three compositions for solo cello, dedicated to Mstislav Rostropovich. The suites were the first original solo instrumental music that Britten wrote for and dedicated to Rostropovich, but Britten had earlier composed a cadenza for Joseph Haydn's Cello Concerto in C major, for Rostropovich, in 1964. Rostropovich gave the first performances of each work, and recorded Suites Nos 1 and 2 commercially.[1]
Cello Suite No. 1, Op. 72
Britten wrote the First Suite at the end of 1964. The premiere was at the Aldeburgh Festival[2] on 27 June 1965.[3] The suite is in nine movements, played without pause:
The Second Suite dates from the summer of 1967. Rostropovich gave the premiere at the Aldeburgh Festival, Snape Maltings, on 17 June 1968. The score was published in 1969.[5] The movements are as follows:
Declamato: Largo
Fuga: Andante
Scherzo: Allegro molto
Andante lento
Ciaccona: Allegro
Cello Suite No. 3, Op. 87
Britten composed the Third Suite in 1971,[6] inspired by Rostropovich's playing of the unaccompanied Cello Suites of Bach. Rostropovich first performed the suite at the Snape Maltings, 21 December 1974.
The Third Suite is in nine movements, performed without pause:
Introduzione: Lento
Marcia: Allegro
Canto: Con Moto
Barcarolla: Lento
Dialogo: Allegretto
Fuga: Andante espressivo
Recitativo: Fantastico
Moto perpetuo: Presto
Passacaglia: Lento solenne
The work incorporates four Russian themes, including three arrangements of folksongs by Pyotr Ilyich Tchaikovsky,[7] reminiscent of Beethoven's use of Russian themes in the Razumovsky quartets. The final Russian tune, stated simply at the end of the set, is the Kontakion, the Russian Orthodox Hymn for the Dead. Philip Brett considers the Third Suite to be the most passionate of the three.[]
References
^Anderson, Robert (1970). "Record Review: Britten: Two Suites for Cello, Op 72 and Op 80. Rostropovich. Decca SXL 6393". The Musical Times. 111 (1532): 1005. ISSN0027-4666. JSTORi239384..
^Walsh, Stephen (Autumn 1965). "First Performances: Three New Britten Works". Tempo (New Ser.) (74): 23-24. ISSN0040-2982.
^Mann, William (1965). "Festival Reports: Aldeburg (August 1965)". The Musical Times. 106 (1470): 615-18. ISSN0027-4666. JSTOR949333.
^Tilmouth, Michael (1967). "Review of Music: Britten, Benjamin, Suite, Op. 72". Music & Letters. 48 (3): 293. JSTOR732740.
^Tilmouth, Michael (1970). "Reviews of Music: Second Suite, Op. 80". Music & Letters. 51 (1): 92-93. JSTOR733210.
^Evans, Peter (July 1977). "Reviews of Music: Canticle V: The Death of Saint Narcissus, Op. 89; Third Suite for Cello, Op. 87". Music & Letters. 58 (3): 352-353. JSTOR734064.
^Anderson, Robert (1981). "Record Reviews: Bridge/Britten/Ireland". The Musical Times. 122 (1660): 388. JSTOR960975.
Sources
Philip Brett: "Benjamin Britten", Grove Music Online, ed. L. Macy.
Aquino, F. Avellar de. "Song of Sorrow". in The Strad Magazine, London, v. 117, Vol. 1391, p. 52-57, 2006. (on Britten's Third Cello Suite)