The Château de Sceaux is a grand country house in Sceaux, Hauts-de-Seine, approximately six miles from the center of Paris, France. Located in a park laid out by André Le Nôtre, visitors can tour the house, outbuildings and gardens.
The Petit Château operates as the Musée de l'Île-de-France, a museum of local history. The commune operates the site as Musée du Domaine départemental de Sceaux.
The former château was built for Jean-Baptiste Colbert, Louis XIV's minister of finance, who purchased the domaine in 1670. The present château, designed to evoke the style of Louis XIII, dates from the Second Empire. Some of Colbert's outbuildings remain, and the bones of the garden layout.
The seigneurie of Sceaux appears in 15th century documents, but little remains above ground of the château built for the family Potier de Gesvres in 1597. Colbert turned to some of the premier royal architects and craftsmen to design a seat worthy of his station, the architect brothers Claude and Charles Perrault and Antoine Lepautre, and the premier peintre du roi Charles Le Brun.
Jean-Baptiste Colbert, Marquis de Seignelay, son of Colbert and minister of the Navy, inherited Sceaux in 1683. He added sculpture by François Girardon and Antoine Coysevox. His embellishments to the grounds extended the formal terraced layout, the bones of which remain, and excavated the Grand Canal, a kilometre in length, along the valley bottom. Le Nôtre laid out a main axis centered on the château and descending in a series of terraces to the valley bottom, then rising on the far side. The main axis is crossed by two grand secondary axes at right angles, one delineated by the allée de la Duchesse and the formal stone Cascade that flows down to fill an octagonal basin, the other the Grand Canal.
Jules Hardouin-Mansart built the Orangerie, which was inaugurated by the King at a fête in 1685. Sceaux was sold in 1699 to Louis' illegitimate son, the duc du Maine, whose wife, Anne, duchesse du Maine made it the setting for her glittering salon in the first decades of the eighteenth century, which reached its apogee in the Grandes Nuits of 1714-15, sixteen fêtes of music and opera-ballets that unfolded every two weeks and drew the best musicians of France, under the direction of Jean-Joseph Mouret. The salon at Sceaux attracted the young Voltaire. The duchesse du Maine had the pavilion of the Ménagerie built, to designs by Jacques de La Guépière, and gave it a garden setting, to the north of the château; only its foundations remain.
During the French Revolution the property was confiscated as a bien national, its contents sold for the benefit of the nation, and the building bought by M. Lecomte, a merchant of Saint-Malo. Under the Consulat, the original château was demolished, but the pavilion of Aurore, the Orangerie, the stables, and outbuildings were preserved. Crops were grown on Le Nôtre's terraces.
The duc de Trévise, son of Napoleon's Maréchal Mortier, who had married the daughter of M. Lecomte, inherited the domaine and set to restoring the park and the pavilion and Orangerie. The gardens were restored, with parterres and gravel largely replaced by clipped lawns. In 1856-62 he erected the present smaller château in brick with stone quoins, designed to evoke the style of Louis XIII, designed by the architect Augustin Théophile Quantinet and built by Joseph-Michel Le Soufaché.
In 1922, the heiress of Trévise, princesse de Faucigny-Cystra, planned to give up Sceaux to real estate developers; through the efforts of the mayor Jean-Baptiste Bergeret de Frouville it was preserved and opened to the public of the town that had grown up around the park.
Since 2010, the Petit Château contains the Musée de l'Île-de-France. This museum contains one of the largest collections of the painters of the School of Paris.