While falling within the strict definition of literature, the Bible is not generally considered literature. However, the Bible has been treated and appreciated as literature; the King James Version in particular has long been considered a masterpiece of English prose, whatever may be thought of its religious significance. Several retellings of the Bible, or parts of the Bible, have also been made with the aim of emphasising its literary qualities.
Devotionals are often used by Christians in order to help themselves grow closer in their relationship with God and learn how to put their faith into practice.
Letters, theological treatises and other instructive and devotional works have been produced by Christian authors since the times of Jesus. For early Christian times almost all writing would be non-fiction, including letters, biblical commentaries, doctrinal works and hagiography. See Patristics.
Since the invention of the printing press non-fictional literature has been used for the dissemination of the Christian message, and also for disseminating different viewpoints within Christianity. The tract (a small pamphlet containing an explanation of some point, or an appeal to the reader) was in use at the time of the Reformation and continues to be used as a part of proselytization.
Allegory is a style of literature having the form of a story, but using symbolic figures, actions, or representations to express truths--Christian truths, in the case of Christian allegory. Beginning with the parables of Jesus, there has been a long tradition of Christian allegory, including Dante Alighieri's Divine Comedy, John Bunyan's The Pilgrim's Progress, and Hannah Hurnard's Hinds' Feet on High Places.
Christian fiction is sometimes harder to define than Christian non-fiction. Christian themes are not always explicit. Some Christian fiction, such as that of C. S. Lewis, draws on the allegorical writings of the past. There can also be argument as to whether the works of a Christian author are necessarily Christian fiction. For example, while there are undoubted Christian themes within J. R. R. Tolkien's The Lord of the Rings, many might not consider this to be a work of Christian fiction. Other possible examples of Christian fiction include the works of G. K. Chesterton and George Macdonald.
In the last few decades the existence of a Christian subculture, particularly in North America, has given rise to a specific genre of Christian novel, written by and for Christians of a particular type (i.e., conservative Evangelical Protestants), and generally with explicit Christian themes. Unlike the works of C.S. Lewis and J.R.R. Tolkien, such novels are often marketed exclusively to Christians and sold in Christian bookshops. The Christy Awards honour excellence in this genre.
In the late 20th century, with the rise of the Christian Right in American society, Christian-themed fiction has thrived. Examples include the works of Tim LaHaye, Jerry B. Jenkins, Frank Peretti, Ted Dekker, Tosca Lee, Randy Alcorn, Francine Rivers, Wayne Thomas Batson, and Janette Oke.
Within the field of Christian fiction smaller niche markets have emerged aimed at specific denominations, notably Catholic fiction and Latter Day Saints Fiction. There are also Christian fiction that is aimed at wider mainstream audiences, such as the best selling Left Behind series.
Throughout the medieval period churches in Europe frequently performed mystery plays, retelling the stories of the Bible. These became widespread in Europe by the end of the fifteenth century. During the fifteenth and sixteenth centuries these developed into the Morality play, an allegorical play intended to exhort the audience to the virtuous life.
In the sixteenth and seventeenth centuries theatre was generally seen as wicked, and the church made attempts to suppress it. In the twentieth century churches, particularly evangelical churches, rediscovered the use of theatre as a form of outreach and as a valid art form.
Christianity & Literature is a peer-reviewed literary periodical, published quarterly, on literature's encounters with Christian thought and history. The journal presupposes no particular theological orientation but respects an orthodox understanding of Christianity as a historically defined faith. It is published by Sage and currently is edited by Mark Eaton, Matthew Smith, and Caleb Spencer, faculty at Azusa Pacific University.
(philosophy, plays, lyrical poetry, biography, narrative writings, novels included, most of the theological and hagiographical works are not included )
Matirxmoments Modern Christian Poetry