|St Michael's Church Framlingham|
|Denomination||Church of England|
|Diocese||St Edmundsbury & Ipswich|
|Rector||The Revd Canon Mark Sanders|
|Curate(s)||The Revd Mary Lamb, The Revd Michael Womack|
|Reader(s)||Terry Gilder, Jean Ellison-Taylor|
|Organist/Director of music||Paul Narey|
St Michael's Church in Framlingham, Suffolk is a Church of England church dedicated to Saint Michael. It was the burial site of the Howard family. The church was declared a Grade I listed building in 1966.
The Church of Saint Michael, Framlingham, has been built, rebuilt and added to down the ages. A surviving feature, the capitals of the chancel arch, date from the twelfth century, but the majority of the church was built in the Perpendicular style between 1350 and 1555. The roof is especially glorious with intricate fan tracery which conceal hammer beams. The roof itself dates from about 1521.
Framlingham was a major seat of the Earls and Dukes of Norfolk. Vast estates of the Norman Bigods were forfeited to Edward I and Framlingham came to Thomas of Brotherton, eldest son of Edward and Margaret of France. After many other changes of inheritance, in about 1635 Sir Robert Hitcham bequeathed the Framlingham estate to Pembroke College, Cambridge, who remain Lords of the Manor to this day. The church contains many fine tombs including that of Thomas Howard, 3rd Duke of Norfolk.
One of the most noted features of the church is the world-famous Thamar organ. Only eight large-scale organs in total survived the English Civil War, and only three of those are Thamars. The other examples being in Gloucester Cathedral and St Nicholas's church in the hamlet of Stanford upon Avon, Northamptonshire.
The painted front pipes belong to the Thamar organ first built for the church's patrons, Pembroke College, Cambridge, by Thomas Thamar in 1674 just after the Restoration (celebrated by the hatchment on the south wall); the only other painted pipes of this style are to be found in Gloucester Cathedral. The case is believed to date back to before 1630 (maybe much earlier - 1580 has been mentioned) and some of the pipework may at least pre-date the Commonwealth.
In 1707 the College decided it would like a larger and more up to date organ by Father Smith for their Wren chapel; the Thamar organ came to St. Michael's in 1708 along with its case. It was placed on a gallery where it stayed until 1898. For a period the organ was moved about the church first to the north aisle and then into the chancel until 1970 when the gallery was recovered from the castle and reunited with the organ in its present position under the leadership of Michael Gillingham and with the aid of the Pilgrim Trust.
The organ's history contains many mysteries. One concerns the famous and historic organ builder John Byfield who worked on the organ during 1740 according to reports in the Ipswich Journal. When Hunter rebuilt the organ in 1898 he used most of Thamar's pipework on the great organ except for the cornet and trumpet which he replaced with a harmonic flute and gamba. The cornet went missing and the trumpet was lost. The swell incorporated at least three eighteenth-century stops.
The restoration by Bishop and Son of Ipswich in 1970 was sensitive and imaginative. The Thamar organ was restored with no additions or subtractions (apart from a board for bottom C#). The cornet was rediscovered in the Rectory attic and repaired, restored and reconstructed. A very old rank of trumpet pipes was found to replace the lost set. The swell was matched up to complement the great and based on its 18th-century content. The pedal was likewise treated. The Cromorne was introduced by John Budgen of Bishops and is an excellent and versatile addition to the swell organ. A pedal reed was also added. The organ specification is available at the National Pipe Organ Register.
The organ has illustrious associations: Mendelssohn is believed to have given lessons to Caroline Attwood when he visited her elder brother George Attwood, then Rector. Mendelssohn knew George's father, Thomas Attwood, composer and organist of St. Paul's Cathedral and one time pupil of Mozart.
The tomb of Thomas Howard stands immediately to the south of the high altar. It shares English and French features and is uncommon for Northern European legacy, rather reminiscent of Italian tombs. Around the four sides are the figures of the twelve apostles together with Aaron and St. Paul the Apostle, the last major display of religious imagery in England before the iconoclastic phases of the English Reformation. Significant for being the commission of an 'over mighty subject' rather than a royal, parts may be taken from the monument of his father Thomas Howard, 2nd Duke of Norfolk, at Thetford. Three male bodies interred in the 3rd Duke's monument, perhaps the 1st, 2nd and 3rd dukes, were all removed here after the dissolution.
He himself is buried at St Peter ad Vincula at the Tower of London, executed there for trying to make a 4th marriage to Mary, Queen of Scots. In their robes of state and resting their heads and feet on emblems connected with their Houses, his wives Mary FitzAlan and Margaret Audley are represented, though only Margaret is buried here. The large space between the effigies is said to have been reserved for Norfolk himself, his third wife, or even Mary, Queen of Scots. The sides are decorated with their heraldic quarterings. It would seem that at some former period there were columns which supported a canopy over the monument which must have rendered it highly magnificent.
In 1842 this vault was opened and found to be empty but for a skull and some ashes. Tradition has it that the inhabitants of the town hid some of their valuables in the monument during the Jacobite rising of 1745 and swept it clean afterwards.
Before his own death in 1613 Henry Howard, 1st Earl of Northampton, Surrey's youngest son made arrangements for his father's and mother's remains to be removed to Framlingham and this monument portraying them both to be erected in 1614. The Latin inscription refers to Surrey as being the son of the Second Duke, which is technically correct as after the Battle of Bosworth the Dukedom was rendered extinct and the Second Duke became the First Duke of the new creation.
The tomb chest is not a religious example but rather extolling the virtues of its subjects. His two sons kneel at the foot end. At the head end are Howard's three daughters:
By about 1976 the whole monument was subsiding in the centre and the ends collapsing in on itself. The restoration was entrusted to John Green and the monument was duly cleaned and restored to its full brilliance. It was when it was being cleaned that Mr Green found the dowel holes next to Surrey's calf where there once was a coronet (not worn, since he died in disgrace). A new coronet was made of lead casting with large fish weights for the baubles, the whole thing was then painted, gilded, and placed in position.
The church is one of a number of locations in Framlingham that plays a role in the mystery novel Magpie Murders by Anthony Horowitz.