|Church of the Good Shepherd|
|Location||1116 E Lancaster Avenue, Rosemont, Pennsylvania|
|Website||The Church of the Good Shepherd, Rosemont, Pennsylvania|
|Architect(s)||Baily & Truscott (Philadelphia) (main church); Samuel Fowler and Samuel Mountford (Trenton, New Jersey) (Baptistry, Cloister, and Lady Chapel)|
|Architectural type||Gothic Revival|
|Bells||11 in bell tower|
|Parish||Church of the Good Shepherd|
|Diocese||Episcopal Diocese of Pennsylvania|
|Priest in charge||Nazareno Javier|
Church of the Good Shepherd of Rosemont, Pennsylvania, is an inclusive Episcopal parish church in the Anglo-Catholic tradition. It is part of the Episcopal Diocese of Pennsylvania and is located in the Philadelphia Main Line. The parish proclaims that "Hate Has No Home Here," and welcomes all persons, including members of the LGBTQ community.
Above the main (north) entrance to the church is a polychrome statue depicting the boy Jesus as the Good Shepherd. The crenellated tower contains bells playing the Cambridge Quarters each quarter of the hour, as well as ringing the Angelus and chiming during the eucharistic consecration. The chime of 11 bells, donated in 1913, are playable from a console in the Lady Chapel. Ten of the bells are stationary; the largest (the 11th bell) can be swung.
A large carved wooden rood screen surmounted with a crucifixion separates the chancel from the nave. The screen was added to the church in 1912. Its gates are by celebrated blacksmith Samuel Yellin (1884-1940).
The high altar is made of Caen stone, and was installed in 1905. In 1929 artist and parishioner George Fort Gibbs created seven paintings for the church's high altar reredos as a memorial to his parents. The center panel is a Virgin and Child, flanked by panels depicting other biblical figures from the New Testament (left of the tabernacle) and Old Testament (right of the tabernacle): Saint Francis of Assisi; Saint Peter; King Saint Edward the Confessor (last king of the English House of Wessex); Moses; Aaron; and King David.
There is a separate Lady Chapel entered at the top of the south aisle, dedicated in 1918. The space was originally a sacristy and choir room. The current limestone altar was installed in 1954. The tabernacle and tripych, as well as the carved double-desk, are by parishioner Davis d'Ambly, and date from the 1980s.
An octagonal baptistry with carved font and stained glass was added off the south side of the church in 1932. The chandelier is by Samuel Yellin, and the glazing and polychrome are by Valentine d'Ogries (1889-1959).
The Memorial, created in 1942, honors parishioners who have served in the armed forces in and since World War II. It was installed at the urging of parishioner Lt. Gen. Milton Baker, who also established the nearby Valley Forge Military Academy and College.
As at other High Church, Anglo-Catholic churches, worship at Good Shepherd incorporates the later Catholic Revival's devotional and eucharistic practices:
The choir comprises a professional core with auditioned volunteer singers. The choir sings weekly at the 10:30 High Mass on Sunday, and at special liturgies throughout the year, including Advent, Christmas, Epiphany, Ash Wednesday, the solemn liturgies of Holy Week, Easter and Pentecost. The choir offers a sung setting of the Mass on most Sundays and feast days ranging from Palestrina and Victoria to Stanford and Parry and the great English cathedral repertoire, as well as sacred music being written for the church today such as James MacMillan, Eriks Esenvalds and local Philadelphia composers. The music program has a Choral Scholar Program for talented students from nearby colleges, including male and female choral scholars from, e.g., Bryn Mawr College, Villanova University, and Haverford College, to support them in their studies.
GREAT 16? Violone, 8? Principal, 8? Violone, 8? Hohlflöte, 4? Octave, 4? Rohrflöte, 2? Super Octave, IV Fourniture, III Cymbale, 16? Bombarde, 8? Trompette, 4? Clairon, 16? Bombarde, 8? Trompette, 8? Hautbois, 4? Hautbois Clairon, Tremulant.
SWELL 16? Bourdon Doux, 8? Principal, 8? Flûte à Cheminée, 8? Viole de Gambe, 8? Voix Céleste, 4? Prestant, 4? Flûte à Fuseau, 2 2/3? Nasard, 2? Quarte de Nasard, 1 3/5? Tierce, IV Plein Jeu, II Cymbale.
PEDAL 32? Bourdon Resultant, 16? Contra Bass, 16? Bourdon, 16? Violone, 16? Bourdon Doux, 8? Octave, 8? Bourdon, 8? Violone, 8? Bourdon Doux, 4? Choralbass, 4? Koppelflöte, IV Fourniture, 32? Contre Bombarde, 16? Bombarde, 16? Bombarde SW, 8? Trompette, 8? Rohrschalmei, 4? Rohrschalmei, 4? Festival Clarion.
POSITIV 8? Principal, 8? Melodia, 4? Octave, 4? Koppelflöte, 2? Superoctave, 1 1/3? Larigot, III Scharf, II Cymbel, 8? Clarinet, Tremulant, Zymbelstern, 8? Festival Trumpet.
The parish was founded in 1869 as part of the Anglo-Catholic Oxford Movement revival in the Anglican Church, and was admitted to the Diocese of Pennsylvania in 1871. Its original church building was on the North side of Lancaster Avenue, just east of the present football stadium of Villanova University. Through a donation of $27,000 (approximately $748,000 in 2018 dollars) from parishioner Harry Banks French of the Smith, Kline & French company, the present church building was designed by the Philadelphia architectural firm of Baily & Truscott, and constructed between 1893 and 1894 in the Gothic Revival style of a 14th-Century English country church. The first services were held in 1894, and the building was consecrated in 1910.
The parish set up Good Shepherd Hospital in the 1870s, originally to care for children whose parents could not afford to give them medical services. In 1903 the name was changed to the Home and Hospital of the Good Shepherd, and in 1915 admissions were restricted to boys between 7 and 14. The Hospital was conducted as a parochial institution until June 1922 when it merged with the Church Farm School, an Episcopal Church institution farther west in the Philadelphia suburbs.
|"||The stained glass at Good Shepherd shows sheer delight in technique, exquisite draughtsmanship, playful details, and crystalline color.||"|
The original church building near Villanova was in use for about 20 years. It had been informally intended to be, in part, a memorial to two distinguished Episcopal bishops (Jackson Kemper and Samuel Bowman). A window honoring the bishops was installed in the church. In the 1890's, the vestry decided to move to a more spacious location in neighboring Rosemont, Pennsylvania, and received the donation from Harry Banks French to erect what is today the church building. Although the memorial windows were to be removed and used in the new church, some members of the congregation objected, arguing that they had donated funds for the original church with the understanding that it alone would be a memorial to the two bishops, and that a charitable trust existed for that purpose, prohibiting the move to Rosemont. Litigation followed, including two decisions by the Supreme Court of Pennsylvania, finally permitting the move. The supreme court ultimately ruled that the parish's 1870 articles of incorporation described it as existing for the purposes of worship, but not as a vehicle for memorializing persons, and that the vestry had control of the property subject to the Canon Law of the Episcopal Church.[a]
|Henry Palethorp Hay||1869 - 1883|
|Arthur B. Conger||1883 - 1912|
|Charles Townsend Jr.||1912 - 1930|
|Thomas A. Sparks||1930 - 1932|
|William P.S. Lander||1933 - 1962|
|James H. Cupit, Jr.||1963 - 1971|
|George William Rutler||1971 - 1978|
|Andrew Craig Mead||1978 - 1985|
|Jeffrey N. Steenson||1986 - 1989|
|David Moyer||1989 - 2002|
|vacant[b]||2002 - 2012|
|Richard C. Alton||2012 - 2014|
|Ian Montgomery||2014 - 2018|
As a community outreach, Good Shepherd hosts the Main Line Early Music chamber music series, featuring early music ensembles performing on period instruments.
The boy Jesus as the Good Shepherd; image above the North door of the church
Good Shepherd Votive Shrine, is based on a marble statuette in the Lateran Museum, and honors three children from the same family who all died in infancy
Marian Votive Shrine of Our Lady, Mother of the Good Shepherd. Carved in Caen stone, it was installed in 1923 in honor of a parishioner's child who died in infancy
Church Door at Good Shepherd showing (from left) arms of the parish; Marian monogram; the IHS Christogram; and arms of the Episcopal Diocese of Pennsylvania
St. Alban window
Triptych in the Lady Chapel
Anglican Service Book published by Church of the Good Shepherd
Lamb of God window