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The culture of Europe is rooted in the art, architecture, film, different types of music, economic, literature, and philosophy that originated from the continent of Europe. European culture is largely rooted in what is often referred to as its "common cultural heritage".
Because of the great number of perspectives which can be taken on the subject, it is impossible to form a single, all-embracing conception of European culture. Nonetheless, there are core elements which are generally agreed upon as forming the cultural foundation of modern Europe. One list of these elements given by K. Bochmann includes:
Berting says that these points fit with "Europe's most positive realisations". The concept of European culture is generally linked to the classical definition of the Western world. In this definition, Western culture is the set of literary, scientific, political, artistic and philosophical principles which set it apart from other civilizations. Much of this set of traditions and knowledge is collected in the Western canon. The term has come to apply to countries whose history has been strongly marked by European immigration or settlement during the 18th and 19th centuries, such as the Americas, and Australasia, and is not restricted to Europe..
The Nobel Prize laureate in Literature Thomas Stearns Eliot in his 1948 book Notes Towards the Definition of Culture, credited the prominent Christian influence upon the European culture: "It is in Christianity that our arts have developed; it is in Christianity that the laws of Europe have--until recently--been rooted."
Surviving European prehistoric art mainly comprises sculpture and rock art. It includes the oldest known representation of the human body, the Venus of Hohle Fel, dating from 40,000-35,000 BC, found in Schelklingen, Germany and the Löwenmensch figurine, from about 30,000 BC, the oldest undisputed piece of figurative art. The Swimming Reindeer of about 11,000 BCE is among the finest Magdalenian carvings in bone or antler of animals in the art of the Upper Paleolithic. At the beginning of the Mesolithic in Europe figurative sculpture greatly reduced, and remained a less common element in art than relief decoration of practical objects until the Roman period, despite some works such as the Gundestrup cauldron from the European Iron Age and the Bronze Age Trundholm sun chariot. The oldest European cave art dates back 40,800[clarification needed] and can be found in the El Castillo Cave in Spain, but cave art exists across the continent. Rock painting was also performed on cliff faces, but fewer of those paintings have survived because of erosion. One well-known example is the rock paintings of Astuvansalmi in the Saimaa area of Finland.
The Rock art of the Iberian Mediterranean Basin forms a distinct group with the human figure the main focus, often seen in large groups, with battles, dancing and hunting all represented, as well as other activities and details such as clothing. The figures are generally rather sketchily depicted in thin paint, with the relationships between the groups of humans and animals more carefully depicted than individual figures. Prehistoric Celtic art is another distinct grouping from much of Iron Age Europe and survives mainly in the form of high-status metalwork skillfully decorated with complex, elegant and mostly abstract designs, often using curving and spiral forms. Full-length human figures of any size are so rare that their absence may represent a religious taboo. As the Romans conquered Celtic territories the style vanished, except in the British Isles, where it influenced the Insular style of the Early Middle Ages.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in Ancient Greek sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Black-figure pottery and the subsequent red-figure pottery are famous and influential examples of the Ancient Greek decorative arts. Roman art was influenced by Greece and can in part be taken as a descendant of ancient Greek painting and sculpture, but was also strongly influenced by the more local Etruscan art of Italy. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also very highly regarded. Roman sculpture is primarily portraiture derived from the upper classes of society as well as depictions of the gods. However, Roman painting does have important unique characteristics. Among surviving Roman paintings are wall paintings, many from villas in Campania, in Southern Italy, especially at Pompeii and Herculaneum. Such painting can be grouped into four main "styles" or periods and may contain the first examples of trompe-l'oeil, pseudo-perspective, and pure landscape. Early Christian art grew out of Roman popular, and later Imperial, art and adapted its iconography from these sources.
Medieval art can be broadly categorised into the Byzantine art of the Eastern Roman Empire, and the Gothic art that emerged in Western Europe over the same period.
Byzantine art was strongly influenced by its classical heritage, but distinguished itself by the development of a new, abstract, aesthetic, marked by anti-naturalism and a favour for symbolism. The subject matter of monumental Byzantine art was primarily religious and imperial: the two themes are often combined, as in the portraits of later Byzantine emperors that decorated the interior of the sixth-century church of Hagia Sophia in Constantinople. However, the Byzantines inherited the Early Christian distrust of monumental sculpture in religious art, and produced only reliefs, of which very few survivals are anything like life-size, in sharp contrast to the medieval art of the West, where monumental sculpture revived from Carolingian art onwards. Small ivories were also mostly in relief. The so-called "minor arts" were very important in Byzantine art and luxury items, including ivories carved in relief as formal presentation Consular diptychs or caskets such as the Veroli casket, hardstone carvings, enamels, glass, jewelry, metalwork, and figured silks were produced in large quantities throughout the Byzantine era.
Migration Period art includes the art of the Germanic tribes on the continent, as well the start of the distinct Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the Scythian and Germanic animal style. After Christianization, Migration Period art developed into various schools of Early Medieval art in Western Europe which are normally classified by region, such as Anglo-Saxon art and Carolingian art, before the continent-wide styles of Romanesque art and finally Gothic art developed.
Romanesque art and Gothic art dominated Western and Central Europe from approximately 1000 AD to the rise of the Renaissance style in the 15th century or later, depending on region. The Romanesque style was greatly influenced by Byzantine and Insular art. Religious art, such as church sculpture and decorated manuscripts, was particularly prominent. Art of the period was characterised by a very vigorous style in both sculpture and painting. Colours tended to be very striking and mostly primary. Compositions usually had little depth, and needed to be flexible to be squeezed into the shapes of historiated initials, column capitals, and church tympanums. Figures often varied in size in relation to their importance, and landscape backgrounds, if attempted at all, were closer to abstract decorations than realism.
Gothic art developed from Romanesque art in Northern France the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Southern and Central Europe. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially England and Germany, Late Gothic art continued well into the 16th century. Gothic art was often typological in nature, showing the stories of the New Testament and the Old Testament side by side. Saints' lives were often depicted. Images of the Virgin Mary changed from the Byzantine iconic form to a more human and affectionate mother, often showing the refined manners of a courtly lady.
Secular art came into its own during the gothic period alongside the creation of a bourgeois class who could afford to patronize the arts and commission works. Increased literacy and a growing body of secular vernacular literature encouraged the representation of secular themes in art. With the growth of cities, trade guilds were formed and artists were often required to be members of a painters' guild--as a result, because of better record keeping, more artists are known to us by name in this period than any previous.
Renaissance art emerged as a distinct style in northern Italy from around 1420, in parallel with developments which occurred in philosophy, literature, music and science. It took as its foundation the art of Classical antiquity, but was also influenced by the art of Northern Europe and contemporary scientific knowledge. Renaissance artists painted a wide variety of themes. Religious altarpieces, fresco cycles, and small works for private devotion were very popular. Painters in both Italy and northern Europe frequently turned to Jacobus de Voragine's Golden Legend (1260), a highly influential source book for the lives of saints that had already had a strong influence on Medieval artists. Interest in classical antiquity and Renaissance humanism also resulted in many Mythological and history paintings. Decorative ornament, often used in painted architectural elements, was especially influenced by classical Roman motifs.
Techniques characteristic of Renaissance art include the use of proportion and linear perspective; foreshortening, to create an illusion of depth; sfumato, a technique of softening of sharp outlines by subtle blending of tones to give the illusion of depth or three-dimensionality; and chiaroscuro, the effect of using a strong contrast between light and dark to give the illusion of depth or three-dimensionality.
Renaissance Classicism spawned two different movements--Mannerism and the Baroque. Mannerism, a reaction against the idealist perfection of Classicism, employed distortion of light and spatial frameworks in order to emphasize the emotional content of a painting and the emotions of the painter. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. The style is notable for its intellectual sophistication as well as its artificial (as opposed to naturalistic) qualities. It favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting.
In contrast, Baroque art took the representationalism of the Renaissance to new heights, emphasizing detail, movement, lighting, and drama. Perhaps the best known Baroque painters are Caravaggio, Rembrandt, Peter Paul Rubens, and Diego Velázquez. Baroque art is often seen as part of the Counter-Reformation-- the revival of spiritual life in the Roman Catholic Church. Religious and political themes are widely explored within the Baroque artistic context, and both paintings and sculptures are characterised by a strong element of drama, emotion and theatricality. Baroque art was particularly ornate and elaborate in nature, often using rich, warm colours with dark undertones. Dutch Golden Age painting is a distinct subset of Baroque, leading to the development of secular genres such as still life, genre paintings of everyday scenes, and landscape painting.
By the 18th century Baroque art had developed into the Rococo in France. Rococo art was even more elaborate than the Baroque, but it was less serious and more playful. The artistic movement no longer placed an emphasis on politics and religion, focusing instead on lighter themes such as romance, celebration, and appreciation of nature. Furthermore, it sought inspiration from the artistic forms and ornamentation of Far Eastern Asia, resulting in the rise in favour of porcelain figurines and chinoiserie in general. Rococo soon fell out of favor, being seen by many as a gaudy and superficial movement emphasizing aesthetics over meaning.
Neoclassicism began in the 18th century as counter movement opposing the Rococo. It desired for a return to the simplicity, order and 'purism' of classical antiquity, especially ancient Greece and Rome. Neoclassicism was the artistic component of the intellectual movement known as the Enlightenment. Neoclassicism had become widespread in Europe throughout the 18th century, especially in the United Kingdom. In many ways Neoclassicism can be seen as a political movement as well as an artistic and cultural one. Neoclassical art places an emphasis on order, symmetry and classical simplicity; common themes in Neoclassical art include courage and war, as were commonly explored in ancient Greek and Roman art. Ingres, Canova, and Jacques-Louis David are among the best-known neoclassicists.
Just as Mannerism rejected Classicism, Romanticism rejected the aesthetic of the Neoclassicists, specifically the highly objective and ordered nature of Neoclassicism, favouring instead a more individual and emotional approach to the arts. Emphasis was placed on nature, especially when aiming to portray the power and beauty of the natural world, and emotions. Romantic art often used colours in order to express feelings and emotion. Romantic art was inspitred by ancient Greek and Roman art and mythology, but also takes much of its aesthetic qualities from medievalism and Gothicism, as well as later mythology and folklore. Among the greatest Romantic artists were Eugène Delacroix, Francisco Goya, J.M.W. Turner, John Constable, Caspar David Friedrich, and William Blake.
In response to these changes caused by Industrialisation, the movement of Realism emerged, which sought to accurately portray the conditions and hardships of the poor in the hopes of changing society. In contrast with Romanticism, which was essentially optimistic about mankind, Realism offered a stark vision of poverty and despair. While Romanticism glorified nature, Realism portrayed life in the depths of an urban wasteland. Like Romanticism, Realism was a literary as well as an artistic movement. Other contemporary movements were more Historicist in nature, such as the Pre-Raphaelite Brotherhood, who attempted to return art to its state of "purity" prior to Raphael, and the Arts and Crafts Movement, which reacted against the impersonality of mass-produced goods and advocated a return to medieval craftsmanship.
Folk music: Europe has a wide and diverse range of indigenous music, sharing common features in rural, travelling or maritime communities. Folk music is embedded in an unwritten, aural tradition, but was increasingly transcribed from the nineteenth century onwards. Many classical composers used folk melodies, and folk has influenced some popular music in Europe. See the list of European folk musics.
Popular music: Europe has also imported many different genres of music, mainly from the United States, ranging from Blues, Jazz, Soul, Pop, Electronic, Hip-Hop, R'n'B or Dance and creating its own genres like Britpop, Europop, French hip-hop, German hip hop, Italian hip hop or Russian hip hop and many others.
Main articles: List of European television stations
Main articles: Lists of radio stations in Europe
The Neolithic long house was a long, narrow timber dwelling built by the first farmers in Europe beginning at least as early as the period 5000 to 6000 BC. Knap of Howar and Skara Brae, the Orkney Islands, Scotland, are stone-built Neolithic settlement dating from 3,500 BC. Megaliths found in Europe and the Mediterranean were also erected in the Neolithic period. See Neolithic architecture.
Ancient Greek architecture was produced by the Greek-speaking people whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD. Ancient Greek architecture is distinguished by its highly formalised characteristics, both of structure and decoration. The formal vocabulary of ancient Greek architecture, in particular the division of architectural style into three defined orders: the Doric Order, the Ionic Order and the Corinthian Order, was to have profound effect on Western architecture of later periods.
Ancient Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but differed from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and even more so under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well-engineered. Large numbers remain in some form across the empire, sometimes complete and still in use.
Romanesque architecture combines features of ancient Roman and Byzantine buildings and other local traditions. It is known by its massive quality, thick walls, round arches, sturdy pillars, groin vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials, and is most frequently seen in churches. Plenty of examples of this architecture are found alongside the Camino de Santiago.
Gothic architecture flourished in Europe during the High and Late Middle Ages. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. Originating in 12th century France and lasting into the 16th century, Gothic architecture was known during the period as Opus Francigenum ("French work") with the term Gothic first appearing during the later part of the Renaissance. Its characteristics include the pointed arch, the ribbed vault (which evolved from the joint vaulting of Romanesque architecture) and the flying buttress. Gothic architecture is most familiar as the architecture of many of the great cathedrals, abbeys and churches of Europe.
Renaissance architecture began in the early 14th and lasted until the early 17th century. It demonstrates a conscious revival and development of certain elements of ancient Greek and Roman architectural thought and material culture, particularly the symmetry, proportion, geometry and the regularity of parts of ancient buildings. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact
Baroque architecture began in 16th-century Italy. It took the Roman vocabulary of Renaissance architecture and used it in a new rhetorical and theatrical fashion. It was, initially at least, directly linked to the Counter-Reformation, a movement within the Catholic Church to reform itself in response to the Protestant Reformation. Baroque was characterised by new explorations of form, light and shadow, and a freer treatment of classical elements. It reached its extreme form in the Rococo style.
Palladian Architecture was derived from and inspired by the designs of the Venetian architect Andrea Palladio (1508-1580). Palladio's work was strongly based on the symmetry, perspective and values of the formal classical temple architecture of the Ancient Greeks and Romans. From the 17th century Palladio's interpretation of this classical architecture was adapted as the style known as Palladianism. It continued to develop until the end of the 18th century, and continued to be popular in Europe throughout the 19th and early 20th centuries, where it was frequently employed in the design of public and municipal buildings.
Revivalism was a hallmark of nineteenth-century European architecture. Revivals of the Romanesque, Gothic, Renaissance, and Baroque styles all took place, alongside revivals of the Classical styles. Regional styles, such as English Tudor were also revived, as well as non-European styles, such as Chinese (Chinoiserie) and Egyptian. These revivals often used elements of the original style in a freer way than original examples, sometimes borrowing from multiple styles at once. At Alnwick Castle, for example, Gothic revival elements were added to the exterior of the original medieval castle, while the interiors were designed in a Renaissance style.
Art Nouveau architecture was a reaction against the eclectic styles which dominated European architecture in the second half of the 19th century. It was expressed through decoration. The buildings were covered with ornament in curving forms, based on flowers, plants or animals: butterflies, peacocks, swans, irises, cyclamens, orchids and water lilies. Façades were asymmetrical, and often decorated with polychrome ceramic tiles. The decoration usually suggested movement; there was no distinction between the structure and the ornament.
Art Deco architecture began in Brussels in 1903-4. Early buildings had clean lines, rectangular forms, and no decoration on the facades; they marked a clean break with the art nouveau style. After the First World War, art deco buildings of steel and reinforced concrete began to appear in large cities across Europe and the United States. Buildings became more decorated, and interiors were extremely colorful and dynamic, combining sculpture, murals, and ornate geometric design in marble, glass, ceramics and stainless steel.
Modernist architecture is a term applied to a group of styles of architecture which emerged in the first half of the 20th century and became dominant after World War II. It was based upon new technologies of construction, particularly the use of glass, steeland reinforced concrete; and upon a rejection of the traditional neoclassical architecture and Beaux-Arts styles that were popular in the 19th century. Modernist architecture continued to be the dominant architectural style for institutional and corporate buildings into 1980s, when it was challenged by postmodernism.
Expressionist architecture is a form of modern architecture that began during the first decades of the 20th century, in parallel with the expressionist visual and performing arts that especially developed and dominated in Germany. In the 1950s, a second movement of expressionist architecture developed, initiated by the Ronchamp Chapel Notre-Dame-du-Haut (1950-1955) by Le Corbusier. The style was individualistic, but tendencies include Distortion of form for an emotional effect, efforts at achieving the new, original, and visionary, and a conception of architecture as a work of art.
Postmodern architecture emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Le Corbusier and Ludwig Mies van der Rohe. Embraced in the USA first, it spread to Europe. In contrast to Modernist buildings, Postmodern buildings have curved forms, decorative elements, asymmetry, bright colors, and features often borrowed from earlier periods. Colors and textures unrelated to the structure of function of the building. While rejecting the "puritanism" of modernism, it called for a return to ornament, and an accumulation of citations and collages borrowed from past styles. It borrowed freely from classical architecture, rococo, neoclassical architecture, the Viennese secession, the British arts and crafts movement, the German Jugendstil.
Deconstructivist architecture is a movement of postmodern architecture which appeared in the 1980s, which gives the impression of the fragmentation of the constructed building. It is characterized by an absence of harmony, continuity, or symmetry. Its name comes from the idea of "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Besides fragmentation, Deconstructivism often manipulates the structure's surface skin and creates by non-rectilinear shapes which appear to distort and dislocate elements of architecture. The finished visual appearance is characterized by unpredictability and controlled chaos.
See: Classical literature
See: Medieval literature
Antoine Lumière realized, on 28 December 1895, the first projection, with the Cinematograph, in Paris. In 1897, Georges Méliès established the first cinema studio on a rooftop property in Montreuil, near Paris. Some notable European film movements include German Expressionism, Italian neorealism, French New Wave, Polish Film School, New German Cinema, Portuguese Cinema Novo, Movida Madrileña, Czechoslovak New Wave, Dogme 95, New French Extremity, and Romanian New Wave.
Cinecittà film studios
The cinema of Europe has its own awards, the European Film Awards. Main festivals : Cannes Film Festival (France), Berlin International Film Festival (Germany). The Venice Film Festival (Italy) or Mostra Internazionale d'Arte Cinematografica di Venezia, is the oldest film festival in the world. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe.
European philosophy is a predominant strand of philosophy globally, and is central to philosophical enquiry in the Americas and most other parts of the world which have fallen under its influence. The Greek schools of philosophy in antiquity provide the basis of philosophical discourse that extends to today. Christian thought had a huge influence on many fields of European philosophy (as European philosophy has been on Christian thought too), sometimes as a reaction. Many political ideologies were theorised in Europe such as capitalism, communism, fascism, socialism or anarchism.
See: Ancient philosophy
See: Medieval philosophy
See: Age of Enlightenment.
The Eurobarometer Poll 2005 found that, on average, 52% of the citizens of EU member states state that they "believe in God", 27% believe there is some sort of spirit or life force while 18% do not believe there is any sort of spirit, God or life force. 3% declined to answer. According to new polls about Religiosity in the European Union in 2012 by Eurobarometer, Christianity is the largest religion in the European Union accounting 72% of EU citizens.Non believer/Agnostic account 16%,Atheist account's 7%, and Muslim 2%.
Christianity has been the dominant religion shaping European culture for at least the last 1700 years. Modern philosophical thought has very much been influenced by Christian philosophers such as St Thomas Aquinas and Erasmus. And throughout most of its history, Europe has been nearly equivalent to Christian culture, The Christian culture was the predominant force in western civilization, guiding the course of philosophy, art, and science. The notion of "Europe" and the "Western World" has been intimately connected with the concept of "Christianity and Christendom" many even attribute Christianity for being the link that created a unified European identity.
The cuisines of European countries are diverse by themselves, although there are common characteristics that distinguishes European cooking from cuisines of Asian countries and others. Compared with traditional cooking of Asian countries, for example, meat is more prominent and substantial in serving-size. Steak in particular is a common dish across Europe. European cuisines also put substantial emphasis on sauces as condiments, seasonings, or accompaniments (in part due to the difficulty of seasonings penetrating the often larger pieces of meat used in European cooking). Many dairy products are utilized in the cooking process, except in nouvelle cuisine. Wheat-flour bread has long been the most common sources of starch in this cuisine, along with pasta, dumplings and pastries, although the potato has become a major starch plant in the diet of Europeans and their diaspora since the European colonization of the Americas. The common way to eat a beef or pork chop is with a knife in the right hand and a fork in the left way. To begin a such meal by first chopping the meat up, and then just use a fork with the right hand, is generally considered to be bad manners, especially at restaurants.
Austrian Wiener Schnitzel
Northern European Rollmops
The earliest definite examples of needles originate from the Solutrean culture, which existed in France and Spain from 19,000 BC to 15,000 BC. The earliest dyed flax fibers have been found in a cave the Republic of Georgia and date back to 36,000 BP. See Clothing in ancient Rome, 1100-1200 in fashion, 1200-1300 in fashion, 1300-1400 in fashion, 1400-1500 in fashion, 1500-1550 in fashion, 1550-1600 in fashion, 1600-1650 in fashion, 1650-1700 in fashion, Textile manufacture during the Industrial Revolution
In addition, Europe has numerous national or regional sports which do not command a large international following outside of emigrant groups. These include:
Some sport competitions feature a European team gathering athletes from different European countries. These teams use the European flag as an emblem. The most famous of these competitions is the Ryder Cup in golf. Some sporting organisations hold European Championships like European Cricket Council, the European Games, the European Rugby Cup (Club/Regional competition), the European SC Championships, the FIRA - Association of European Rugby, the IIHF, the Mitropa Cup, the Rugby league European Federation - European Nations Cup, the Sport in the European Union and the UEFA.
See: History of Europe
Each year since 1985 one or more cities across Europe are chosen as European Capital of Culture, an EU initiative. Here are the past and future capitals:
Unquestionably the greatest filmmaker to emerge from these islands, Hitchcock did more than any director to shape modern cinema, which would be utterly different without him. His flair was for narrative, cruelly withholding crucial information (from his characters and from the audience) and engaging the emotions of the audience like no one else.