Damnatio Memoriae
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Damnatio Memoriae

The Severan Tondo, a circa AD 199 tondo of the Severan family, with portraits of Septimius Severus, Julia Domna, Caracalla, and Geta. Geta's face has been erased, because of the damnatio memoriae ordered by his brother after the fratricide.

Damnatio memoriae is a modern Latin phrase literally meaning "condemnation of memory", meaning that a person must not be remembered.

It was a form of dishonor that could be passed by the Roman Senate on traitors or others who brought discredit to the Roman State. The intent was to erase all memory of the malefactor.


Damnatio memoriae, or oblivion, as a punishment was originally created by the peoples of Ephesus after Herostratus set fire to the Temple of Artemis, one of the Seven Wonders of antiquity. The Romans, who viewed it as a punishment worse than death, adopted this practice. Felons would literally be erased from history for the crimes they had committed.


Damnatio memoriae of 'Commodus' on an inscription in the Museum of Roman History Osterburken. The abbreviation "CO" was later restored with paint.

The sense of the expression damnatio memoriae and of the sanction is to cancel every trace of the person from the life of Rome, as if he or she had never existed, in order to preserve the honour of the city. In a city that stressed social appearance, respectability, and the pride of being a true Roman as a fundamental requirement of the citizen, it was perhaps the most severe punishment.

In Latin, the term damnatio memoriae was not used by the ancient Romans. The first appearance of the phrase is in a dissertation written in Germany in 1689. The term is used in modern scholarship to cover a wide array of official and unofficial sanctions whereby the physical remnants of a deceased individual were destroyed to differing degrees.[1][2]


Lucius Aelius Sejanus suffered damnatio memoriae following a failed conspiracy to overthrow emperor Tiberius in A.D. 31. His statues were destroyed and his name obliterated from all public records. The above coin from Augusta Bilbilis, originally struck to mark the consulship of Sejanus, has the words L. Aelio Seiano obliterated.

In ancient Rome, the practice of damnatio memoriae was the condemnation of Roman elites and emperors after their deaths. If the senate or a later emperor did not like the acts of an individual, they could have his property seized, his name erased and his statues reworked. Because there is an economic incentive to seize property and rework statues, historians and archaeologists have had difficulty determining when official damnatio memoriae actually took place, although it seems to have been quite rare.

It is unknown whether any damnatio memoriae was totally successful as it would not be noticeable to later historians, since, by definition, it would entail the complete and total erasure of the individual in question from the historical record. It was difficult, however, to implement the practice completely. For instance, the senate wanted to condemn the memory of Caligula, but Claudius prevented this. Nero was declared an enemy of the state by the senate, but then given an enormous funeral honoring him after his death by Vitellius. While statues of some emperors were destroyed or reworked after their death, others were erected. Also, historians often wrote about the deposed emperors. Finally, many coins with the images of the discredited person continued to circulate. A particularly large number exist with Geta's image.[3]

The practice was applied to Elagabalus after his assassination.[4]

In fiction

In the George Orwell novel Nineteen Eighty-Four, the government of Oceania is said to periodically "vaporise" (erase all written memory of) certain condemned people. Only one individual victim of vaporising is ever identified within the novel.

In the 1956 film of The Ten Commandments, the Egyptian royal family issue a damnatio memoriae against their adoptive cousin Moses, who has been exiled for killing a task master. They give up on trying to make it stick even before Moses returns to initiate the Exodus.

The premise of the 1983 BBC-TV action-comedy The Black Adder is a secret history that King Henry VII of England (reigned 1499-1509) erased all evidence of the reign of his immediate predecessor Richard IV (reigned 1485-1499), heir of Richard III (reigned 1483-1485), and that this enforced revisionism left us with the conventionally accepted history that Henry succeeded Richard III directly and reigned 1485-1509.

In modern culture

In 21st-century America, opponents of the widespread removal of Confederate monuments and memorials commonly argue, via internet memes and other media, that such removals "erase history". The movement's advocates have replied that this is an inaccurate straw man, and have issued numerous counter-memes.

See also


  1. ^ Eric R. Varner (2004). Monumenta Graeca et Romana: Mutilation and transformation : damnatio memoriae and Roman imperial portraiture. BRILL. p. 2. 
  2. ^ Elise A. Friedland; Melanie Grunow Sobocinski; Elaine K. Gazda. The Oxford Handbook of Roman Sculpture. Oxford. p. 669. 
  3. ^ Geta: The One Who Died Archived December 3, 2010, at the Wayback Machine.
  4. ^ Hans Willer Laale, Ephesus (Ephesos): An Abbreviated History From Androclus to Constantine XI (2011) p. 269

External links

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.



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