Digambara
Get Digambara essential facts below. View Videos or join the Digambara discussion. Add Digambara to your PopFlock.com topic list for future reference or share this resource on social media.
Digambara

Image depicting Acharya Kundakunda

Digambara (; "sky-clad") is one of the two major schools of Jainism, the other being ?v?t?mbara (white-clad). The Sanskrit word Digambara means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes.[1]

Digambara and ?v?t?mbara traditions have had historical differences ranging from their dress code, their temples and iconography, attitude towards female monastics, their legends, and the texts they consider as important.[2][3][4]

Digambara monks cherish the virtue of non-attachment and non-possession of any material goods. Monks carry a community-owned picchi, which is a broom made of fallen peacock feathers for removing and thus saving the life of insects in their path or before they sit.[1]

The Digambara literature can be traced only to the first millennium CE, with its oldest surviving sacred text being the mid-second century ?a?khagama "Scripture in Six Parts" of Dharasena (the Moodabidri manuscripts).[5] One of the most important scholar-monks of the Digambara tradition was Kundakunda.

Digambara Jain communities are currently found mainly in Jain temples of Karnataka, parts of south Maharashtra and Madhya Pradesh.[6][4] According to Jeffery D. Long, a scholar of Hindu and Jain studies, less than one fifth of all Jains in India have a Digambara heritage.[7]

Nomenclature

According to Heinrich Zimmer, the word Digambara is a combination of two Sanskrit words: dik (?) (space, sky) and ambara () (garment), referring to those whose garments are of the element that fills the four quarters of space.[8]

Origin in traditional accounts

The Digambaras and Svetambaras disagree on how the Digambara subtradition started in Jainism.[9] According to Digambaras, they are the original followers of Mahavira and Svetambaras branched off later in the time of Bhadrabahu when their forecasted twelve-year famine triggered their migration from central India.[9] One group of Jain monks headed west and north towards Rajasthan, while the second group headed south towards Karnataka. The former became Svetambaras and retained their "heretic" beliefs and practices such as wearing "white clothes" they adopted there, say the Digambaras.[9] In contrast, according to Svetambaras, they are the original followers, and Digambaras arose 609 years after the death of Mahavira (about 1st-century CE) because of an arrogant man named Sivabhuti who became a Jain monk in a fit of pique after a fight at home.[9] He is accused of starting the Digambara Jain tradition with what Svetambara call as "eight concealments", of rejecting Jain texts preserved by the Svetambara tradition, and misunderstanding the Jain ideology including those related to nuns and clothes.[9] Neither of these explanations can be found in early Jain or non-Jain texts. The earliest version of this Digambara story appears in the 10th-century CE, while the earliest version of the Svetambara story appears in the 5th-century CE.[10]

History

In 1943, Heinrich Zimmer proposed that the Greek records of 4th-century BC mention gymnosophists (naked philosophers) which may have links to the tradition of "nude ascetics" claimed by the Digambaras.[8] In 2011, Patrick Olivelle stated that the context in which the Greek records mention gymnosophists include ritual suicide by cremation traceable to ancient Brahmanism, rather than the traditional Jain ritual of suicide by starvation (sallekhana).[11] Dundas talks about the archeological evidences which indicate that Jain monks moved from the practice of total nudity towards wearing clothes in later period. Tirthankara statues found in Mathura and dated to 2nd-century CE or after are naked.[12] The oldest Tirthankara statue wearing a cloth is dated in 5th century CE.[13]Digamabara statues of tirthankara belonging to Gupta period has half-closed eyes.[14]

In 17th-century CE, adhyatma movement in Agra led to rise of terapanthi and bisapanthi sub-sects based on the differences over acceptance of authority of bhattarakas.[15][16][17][18] King Jai Singh II (1688-1743) of Amer kingdom built separate temples for the two sub-sects in his newly established capital of Jaipur.[15]Terapanthis, led by scholars like Pandit Todarmal and Banarasidas, rejected the authority of bhattarakas.[15][19][20]

Lineage

Stela at Marhiaji, Jabalpur, showing the transmission of the oral tradition, erected on the 2500th anniversary of Lord Mahavira's nirvana

According to Digambara texts, after liberation of the Lord Mahavira, three Anubaddha Keval?s attained Kevalajñ?na (omniscience) sequentially - Gautama Ga?adhara, Acharya Sudharma, and Jambusvami in next 62 years.[21] During the next hundred years, five ?ch?ryas had complete knowledge of the scriptures, as such, called ?ruta Keval?s, the last of them being ?ch?rya Bhadrabahu.[22][23] Spiritual lineage of heads of monastic orders is known as Pattavali.[24] Digambara tradition consider Dharasena to be the 33rd teacher in succession of Gautama, 683 years after the nirvana of Mahavira.[25]

In the Digambara tradition, the following lineage of teachers are revered: Mahavira, Gautama, Kundakunda,[26]Bhadrabahu, Umaswami, Samantabhadra, Siddhasena Divakara, Pujyapada, Manatunga, Virasena,[27]Jinasena, Nemichandra.[] Kundakunda is considered the most significant scholar monk of the Digambara tradition of Jainism. He authored Prakrit texts such as the Samayas?ra and the Pravacanas?ra. Other prominent Acharyas of this tradition were, Virasena (author of a commentary on the Dhavala), Samantabhadra and Siddhasena Divakara. The Satkhandagama and Kasayapahuda have major significance in the Digambara tradition.[]

There have been several Digambara monastic lineages that all trace their descent to Lord Mahavira. The historical linages included Mula Sangha (further vivided into Nandi, Sena, Simha and Deva Sanghas) and now largely extinct Kashtha Sangha (which included Mathura sangha, ""Lat-Vagad" etc.), Dravida Sangh.[28] The text Darshana-Sara of Devasena discusses the supposed differences among the orders.[29] The Mula sangha orders include Deshiya Gana (Bhattarakas of Shravanabelgola etc.) and Balatkara Gana (Bhattarakas of Humcha, and numerous linages of North/Central India) traditions.[30] The Bhattarakas of Shravanabelagola and Mudbidri belong to Deshiya Gana and the Bhattaraka of Humbaj belongs to the Balatkara Gana.[31]

Scripture and literature

The Digambara sect of Jainism rejects the texts and canonical literature of the Svetambara sect.[32][33] They believe that the words of Mahavira neither survive nor could be recorded. The original teachings went through a rapid period of decline, state the Digambaras, and Svetambara claims of preserving the sacred knowledge and ancient angas is false.[32]

According to the Digambaras, their 33rd ach?rya was Dharasena who knew one anga, and he taught these to Pushpadanta and Bhutabali, 683 years after the moksha of Mahavira.[25] That anga was also lost with the death of those two. Dharasena's teachings that have survived are ?a?khagama (Scripture of Six Parts) and Kasayapahuda (Treatise on the Passions), which were written on palm leaves near a cave in Mount Girnar (Gujarat) and a copy of which with a 12th-century commentary came to Tulu Nadu (south Karnataka).[34] This has survived as the Mudbidri manuscripts, which were used by regional Jains not for reading and study, but as an object of devotional worship for centuries.[34] In the 19th century, the fragile and decaying manuscript was copied and portions of it leaked to scholars between 1896 and 1922 despite objections of Digambara monks. It is considered to be the oldest known Digambara text ultimately traceable to the 2nd-century CE.[34]

These two oldest known Digambara tradition texts - Satkhandagama and Kasayapahuda - are predominantly a treatise about the soul and Karma theory, written in Prakrit language. Philologically, the text belongs to about the 2nd-century, and has nothing that suggests it is of "immemorial antiquity".[34] In details, the text is quite similar in its teachings to those found in Prajnapana - the 4th upanga - of Svetambaras.[32] Between the two, the poetic meter of Satkhandagama suggests it was composed after the Svetambara text.[32]

Digambaras, unlike Svetambaras, do not have a canon. They do have a quasi-canonical literature grouped into four literary categories called anuyoga (exposition) since the time of the Digambara scholar Rakshita.[35] The prathmanuyoga (first exposition) contains the universal history, the karananuyoga (calculation exposition) contains works on cosmology, the charananuyoga (behaviour exposition) includes texts about proper behaviour for monks and lay people, while the dravyanuyoga (entity exposition) contains metaphysical discussions.[35] In the Digambara tradition, it is not the oldest texts that have survived in its temples and monasteries that attract the most study or reverence, rather it is the late 9th-century Mahapurana (universal history) of Jinasena that is the most revered and cherished.[36] The Mahapurana includes not only religious history, but also the mythical sociological history of the Jaina people - including the Jain caste system and its origins as formulated by Rishabhanatha - from the Digambara Jaina perspective.[37] The Digamabara tradition maintains a long list of revered teachers, and this list includes Kundakunda, Samantabhadra, Pujyapada, Jinasena, Akalanka, Vidyanandi, Somadeva and Asadhara.[38]

Practices

Monasticism

The lifestyle and behavioral conduct of a Digambara monk is guided by a code called mulacara (mulachara). This includes 28 m?la gu?as (primary attributes) for the monk.[39] The oldest text containing these norms is the 2nd-century Mulachara attributed to Vattekara, that probably originated in the Mathura region.[35]

These are: 5 mah?vratas (great vows); 5 samitis (restraints); 5 indriya nirodha (control of the five senses); 6 ?va?yakas (essential observations); and 7 niyamas (rules).[40]

No. Guna
(attribute)
Remarks
Mahavratas-
Five Great Vows[41][42]
1. Ahimsa neither injure, nor ask, nor encourage another to injure any living being through actions, words or thoughts. This includes injury caused by cooking, starting a fire to cook, plucking a fruit, or any conduct that harms living beings[43]
2. Satya To speak the truth, to remain silent if his speaking the truth will lead to injury to living beings[44]
3. Asteya Not to take anything unless given, and not accepting anything more than what is necessary and needed[45]
4. Brahmacharya No sex, no natural or unnatural sexual gratification through action (viewing, participating, encouraging), words (hearing, reciting, reading, writing), or thoughts[46]
5. Aparigraha Renunciation of all worldly things, property, want, and all possessions external to soul[47]
Samiti-
Regulations[48][49]
6. irya Walk carefully on much trodden paths, after viewing land to the extent of four cubits (2 yards). Do not walk in the dark or on the grass to avoid accidental injury to other living beings.[50] He should not run to save himself if charged by a wild animal or if a violent person is about to injure him, as running can cause injury to other living beings.[50]
7. bhasha Avoid slander, back-biting, false speech. He must avoid intentionally long or short statements that mislead or help create misunderstanding, doubts, misinformation, hypocrisy, bad blood or conceit in his audience.[51]
8. esana To never accept objectionable food nor eat more palatable items from those received.[52]
9. adana-nikshepana Carefulness in the handling the pichchi (feather bundle to remove insects in his path) and kamandalu (hollow vegetable gourd to filter water)
10. pratish?apan To excrete body waste after carefully brushing aside insects and other living beings.[53]
Indrinirodh[40] 11-15. Control of the five senses Shedding all attachment and aversion towards the sense objects pertaining to touch (spar?ana), taste (rasana), smell (ghra), sight (cak?u), and hearing (?rotra). The sadhu (monk) must eradicate all desires and activities that please the mind through his senses.[54] He must end all ties, relationships and entanglements with his family and friends before he renounced.[54]
Avasyakas -
Essential observations[55][40]
16. S?m?yika Practice equanimous dispassion towards everything for eighteen ghari a day (1 ghari = about 24 minutes)[54]
17. stuti Salute the divine (Tirthankaras)
18. vandana Medidate upon and adore acharyas, gurus, idols and images of gods[56][57][58]
19. Pratikramana Confession, repentance and self-censure for having violated any vows and rules of conduct;[59] dissociate one's soul from any virtuous or evil karmas, in the current or past lives.
20. Pratikhayan Recite mantra that lists and promises future renunciation of food, drink and comforts and to forfend future faults[60]
21. Kayotsarga Giving up attachment to the body for a limited period of time.[60] Typically, this is a standing naked and motionless posture of a form common in Bahubali iconography.[61]
Niyama-
Rules[40][62]
22. adantdhavan Never clean teeth[63]
23. bhushayan Sleep on hard ground
24. asn?na Never bathe[62]
25. stithi-bhojan Eat food in standing posture, accept food in open palms (no utensils)[63]
26. ahara Eat food once a day,[64] drink water only when eating meal[65]
27. ke?a-lonch To periodically pluck all hair on his body by his own hand.[66]
28. nudity Remain completely nude all the time (digambara)[67]

Digambara monks do not wear any clothes as it is considered to be parigraha (possession), which ultimately leads to attachment.[68] The monks carry picchi, a broom made up of fallen peacock feathers for removing small insects to avoid causing injury and Kamandalu (the gourd for carrying pure, sterilized water).[69][65] The head of all monastics is called ?ch?rya, while the saintly preceptor of saints is the up?dhy?ya.[70] The ?ch?rya has 36 primary attributes (m?la gu?a) in addition to the 28 mentioned above.[40]

The monks perform kayotsarga daily, in a rigid and immobile posture, with the arms held stiffly down, knees straight, and toes directed forward.[8]

Nuns

Female monastics in Digambara tradition are known as aryikas.[71] Digambara nuns, unlike the monks in their tradition, wear clothes. Given their beliefs such as non-attachment and non-possession, the Digambara tradition has held that women cannot achieve salvation (moksha) as men can, and the best a nun can achieve is to be reborn as a man in the next rebirth.[1] The monks are held to be of higher status than nuns in Digambara monasteries, states Jeffery Long.[1] From the Digambara monk's perspective, both Digambara nuns and Svetambara monastic community are simply more pious Jain layperson, who do not or are unable to fully practice the Jain monastic vows.[72]

Digambara nuns are relatively rare in comparison to the nuns found in Svetambara traditions. According to a 1970s and 1980s survey of Jain subtraditions, there were about 125 Digambara monks in India and 50 Digambara nuns.[73] This compared to 3,400 nuns and 1,200 monks in the Svetambara tradition.[73]

Digambar akhara

The Digambar Akhara, which along with other akharas, also participates in various inter-sectarian (sampradaya) religious activities including Kumbh Melas, is completely unrelated to Digambar Jain tradition, even though they also practice nudity.[74]

Worship

Adinatha image (Badami caves)

The Digambara Jains worship completely nude idols of tirthankaras (omniscient beings) and siddha (liberated souls). The tirthankara is represented either seated in yoga posture or standing in the Kayotsarga posture.[75]

The truly "sky-clad" (digambara) Jaina statue expresses the perfect isolation of the one who has stripped off every bond. His is an absolute "abiding in itself," a strange but perfect aloofness, a nudity of chilling majesty, in its stony simplicity, rigid contours, and abstraction.[76]

Sub-sects

Jain Digambara Sects [77]
A prominent digambara jain monk.

Modern Digambara community is divided into various sub-sects viz. Terapanthi, Bispanthi, Taranpanthi (or Samayiapanthi), Gumanapanthi and Totapanthi.[78] Both the terapanthis and bisapanthis worship with ashta-dravya which includes jal (water), chandan (sandal), akshata (sacred rice), pushp (yellow rice), deep (yellow dry coconut), dhup (kapoor or cloves) and phal (almonds).[79]Bisapanthi religious practices include aarti and offerings of flowers, fruits and prasad whereas terapanthis don't use them.[79]Bispanthis worship minor gods and goddesses like Yaksha and Yakshini like Bhairava and Kshetrapala whereas terapanthis do not.[79]Bisapanthis accept bhattarakas as their religious leaders but terapanthis do not.[79]Terapanthis occur in large numbers in Rajasthan, Uttar Pradesh and Madhya Pradesh.[79] Bidapanthis are concentrated in Rajasthan, Gujarat, Maharastra and South India.[79]

Differences with ?v?t?mbara sect

According to Digambara texts, after attaining Kevala Jnana (omniscience), arihant (omniscient beings) are free from human needs like hunger, thirst, and sleep.[80] In contrast, ?v?t?mbara texts preach that it is not so. According to the Digambara tradition, a soul can attain moksha (liberation) only from the male body with complete nudity being a necessity.[81] While, ?v?t?mbaras believe that women can attain liberation from female body itself and renunciation of clothes is not at all necessary.

See also

Notes

  1. ^ a b c d Jeffery D Long (2013). Jainism: An Introduction. I.B.Tauris. pp. 17-18. ISBN 978-0-85771-392-6.
  2. ^ Paul Dundas (2002). The Jains. Routledge. pp. 53-59, 64-80, 286-287 with footnotes 21 and 32. ISBN 978-0-415-26606-2.
  3. ^ Kristi L. Wiley (2009). The A to Z of Jainism. Scarecrow. pp. 83-84. ISBN 978-0-8108-6821-2.
  4. ^ a b Jyotindra Jain; Eberhard Fischer (1978). Jaina Iconography. BRILL Academic. pp. 1-2, 8-9, xxxiv-xxxv. ISBN 90-04-05259-3.
  5. ^ Paul Dundas (2002). The Jains. Routledge. pp. 63-65. ISBN 978-0-415-26605-5.
  6. ^ Jeffery D Long (2013). Jainism: An Introduction. I.B.Tauris. pp. 60-61. ISBN 978-0-85771-392-6.
  7. ^ Long 2013, p. 20.
  8. ^ a b c Zimmer 1953, p. 210.
  9. ^ a b c d e Dundas 2002, pp. 46-48.
  10. ^ Dundas 2002, pp. 47-48.
  11. ^ Olivelle 2011, pp. 207-208 with footnotes.
  12. ^ Dundas 2002, pp. 113-115.
  13. ^ Upinder Singh 2016, p. 444.
  14. ^ Umakant Premanand Shah 1987, p. 4.
  15. ^ a b c Wiley 2009, p. 215.
  16. ^ Singh, Ghosh & Nath 1996, pp. 258-259.
  17. ^ Martin 1838, p. 216.
  18. ^ Carrithers & Humphrey 1991, p. 205.
  19. ^ Ardhakathanaka: Half a tale, a Study in the Interrelationship between Autobiography and History, Mukunda Lath (trans. and ed.), Jaipur 2005. ISBN 978-8129105660
  20. ^ John E. Cort "A Tale of Two Cities: On the Origins of Digambara Sectarianism in North India." L. A. Babb, V. Joshi, and M. W. Meister (eds.), Multiple Histories: Culture and Society in the Study of Rajasthan, 39-83. Jaipur: Rawat, 2002.
  21. ^ Vijay K. Jain 2012, p. xi-xii.
  22. ^ Pereira 1977, p. 5.
  23. ^ Vijay K. Jain 2012, p. xii.
  24. ^ Cort 2010, p. 335.
  25. ^ a b Dundas 2002, p. 79.
  26. ^ Jaini 1991, pp. 31-32.
  27. ^ Satkhandagama : Dhaval (Jivasthana) Satparupana-I (Enunciation of Existence-I) An English Translation of Part 1 of the Dhavala Commentary on the Satkhandagama of Acarya Pushpadanta & Bhutabali Dhavala commentary by Acarya Virasena English tr. by Prof. Nandlal Jain, Ed. by Prof. Ashok Jain ISBN 978-81-86957-47-9
  28. ^ Carrithers & Humphrey 1991, p. 170.
  29. ^ Nagraj 1986, p. 433.
  30. ^ Vidaydgar Johrapurkar, Bharaka Sampradaya, Solapur, 1958
  31. ^ Sangave 1980, p. 299.
  32. ^ a b c d Dundas 2002, pp. 79-80.
  33. ^ Upinder Singh 2009, p. 444.
  34. ^ a b c d Dundas 2002, pp. 63-65, 79-80.
  35. ^ a b c Dundas 2002, p. 80.
  36. ^ Dundas 2002, pp. 80-81.
  37. ^ Jaini 2000, pp. 32, 229-239.
  38. ^ Jaini 2000, p. 28.
  39. ^ Pramansagar 2008, p. 189-191.
  40. ^ a b c d e Vijay K. Jain 2013, pp. 189-191, 196-197.
  41. ^ Vijay K. Jain 2011, p. 93-100.
  42. ^ Champat Rai Jain 1926, p. 26.
  43. ^ Champat Rai Jain 1926, pp. 27-28.
  44. ^ Champat Rai Jain 1926, p. 29.
  45. ^ Champat Rai Jain 1926, p. 30.
  46. ^ Champat Rai Jain 1926, pp. 30-31.
  47. ^ Champat Rai Jain 1926, pp. 31-32.
  48. ^ Vijay K. Jain 2012, p. 144-145.
  49. ^ Champat Rai Jain 1926, pp. 32-38.
  50. ^ a b Champat Rai Jain 1926, p. 33.
  51. ^ Champat Rai Jain 1926, pp. 34-35.
  52. ^ Champat Rai Jain 1926, pp. 35-36.
  53. ^ Champat Rai Jain 1926, pp. 37-38.
  54. ^ a b c Champat Rai Jain 1926, pp. 38-39.
  55. ^ Vijay K. Jain 2012, p. 143.
  56. ^ Champat Rai Jain 1926, pp. 26, 38-39.
  57. ^ Colette Caillat; Nalini Balbir (2008). Jaina Studies. Motilal Banarsidass. pp. 236-241 with footnotes. ISBN 978-81-208-3247-3.
  58. ^ Kristi L. Wiley (2009). The A to Z of Jainism. Scarecrow. pp. 226-227. ISBN 978-0-8108-6337-8.
  59. ^ Kristi L. Wiley (2009). The A to Z of Jainism. Scarecrow. p. 170. ISBN 978-0-8108-6337-8.
  60. ^ a b Robert Williams (1991). Jaina Yoga: A Survey of the Mediaeval ?r?vak?c?ras. Motilal Banarsidass. p. 184. ISBN 978-81-208-0775-4.
  61. ^ Umakant Premanand Shah (1987). Jaina-r?pa-maana. Abhinav Publications. pp. 79-80. ISBN 978-81-7017-208-6.
  62. ^ a b Champat Rai Jain 1926, p. 46-47.
  63. ^ a b Champat Rai Jain 1926, p. 47-48.
  64. ^ Champat Rai Jain 1926, p. 48-49.
  65. ^ a b Champat Rai Jain 1926, p. 36.
  66. ^ Champat Rai Jain 1926, p. 44-45.
  67. ^ Champat Rai Jain 1926, p. 45-46.
  68. ^ Dundas 2002, p. 45.
  69. ^ Upinder Singh 2009, p. 316.
  70. ^ Champat Rai Jain 1926, p. 21.
  71. ^ Champat Rai Jain 1926, p. 141.
  72. ^ Dundas 2002, pp. 49-50.
  73. ^ a b Veena R. Howard (2019). The Bloomsbury Research Handbook of Indian Philosophy and Gender. Bloomsbury Academic. pp. 105-106. ISBN 978-1-4742-6959-9.
  74. ^ [South Asian Religions on Display: Religious Processions in South Asia and in the Diaspora, Knut A. Jacobsen, ISBN hardback 978-0-415-4373-3, ISBN ebook ISBN hardback 978-0-203-93059-5]
  75. ^ Zimmer 1953, p. 209-210.
  76. ^ Zimmer 1953, p. 213.
  77. ^ Glasenapp, Helmuth (1999). Jainism: An Indian Religion of Salvation. Motilal Banarsidass Publ. p. 382. ISBN 9788120813762. Retrieved 2012.
  78. ^ Sangave 1980, pp. 51-56.
  79. ^ a b c d e f Sangave 1980, p. 52.
  80. ^ Upinder Singh 2009, p. 314.
  81. ^ Upinder Singh 2009, p. 319.

Sources

External links

  • Media related to Digambara at Wikimedia Commons

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.

Digambara
 



 



 
Music Scenes