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Hot Modern Rock Tracks
Alternative Songs (also called Alternative and formerly known as Modern Rock Tracks and Hot Modern Rock Tracks) is a music chart in the United States that has appeared in Billboard magazine since September 10, 1988. It lists the 40 most-played songs on alternative and modern rock radio stations. The chart was introduced as a companion to the Mainstream Rock Tracks chart and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more "mainstream" (particularly spearheaded by the grunge explosion in the early 1990s), the Alternative Songs and Mainstream Rock Songs charts began featuring more of the same songs. However, the formats would differentiate themselves by the late 2000s. Today, the Alternative Songs chart favors more indie rock, indie pop, and synth-pop bands while the Mainstream Rock Songs chart favors more hard rock and heavy metal music.
The chart is based solely on radio airplay. As of 2012, approximately 80 radio stations are electronically monitored 24 hours a day, seven days a week by Nielsen Broadcast Data Systems. Songs are ranked by a calculation of the total number of spins per week with its "audience impression", which is based upon exact times of airplay and each station's Arbitron listener data. The chart had 30 positions when it was introduced in September 1988, and was expanded to 40 positions on September 10, 1994.
The chart was renamed Alternative Songs beginning with the June 20, 2009 issue after Billboard fully absorbed Radio & Records, whose similar chart was called "Alternative" instead of "Modern Rock".
The first Alternative Songs chart appeared in the September 10, 1988 edition of Billboard magazine, then known as "Modern Rock Tracks". The first song to reach the chart's No. 1 position was Siouxsie and the Banshees' "Peek-a-Boo", which topped the charts for two weeks. In the chart's early years, the chart was closely associated with college rock, new wave, post-punk and electronic genres with a large presence of British, Irish and Australian artists, as only 24 of the chart's first 82 number-one hits were by American acts. Bands including Depeche Mode, Pixies, The Cure, New Order and R.E.M. were amongst the most popular acts on Alternative radio in the late 1980s and early 1990s. Many rock artists do not release commercial singles in the United States. Several popular songs which were not released as commercial singles did not qualify for the Hot 100 before December 1998, but performed very well on the Modern Rock Tracks chart.
In 1991, with the release of "Smells Like Teen Spirit" by Nirvana (which reached No. 1 on November 23, 1991), grunge became a new form of alternative rock to chart. However, grunge did not have a dominating presence on the chart in its heyday; over time, grunge would grow into popularity as a representation of alternative rock in the mainstream. Iconic grunge songs fared decently on the Alternative Songs chart but better on the Mainstream Rock Songs. For example, "Black" by Pearl Jam peaked only at No. 20 on the former but No. 3 on the latter. This was because the college rock and new wave of the 1980s remained the dominant styles of the format, while grunge became an alternative rock style that was popular on the Mainstream Rock format.
At the turn of the century, alternative radio embraced nu-metal/rap rock with bands including Korn, Limp Bizkit and most famously, Linkin Park. Chris Molanphy of Pitchfork stated that "possibly the most loathed period for music of the last half-century, the rap-rock years-- when looked through the prism of the Modern Rock chart's evolution-- are a logical endpoint to a decade when alt-culture steadily de-wussified itself." Garage rock from the likes of The White Stripes and The Strokes also became hits in the early-2000s as a counter to the over-aggression of rap rock.
In the 2010s, the Alternative charts were led by softer indie pop and folk, and crossed over new acts to pop radio for the first time since the late-'90s; these acts being Foster the People, Imagine Dragons, fun., and Gotye. The chart also began to diverge from the Mainstream Rock chart, as only 10 of 40 songs were shared between the two in November 2012, compared to 23 of 40 in November 2002. For the chart's 25th anniversary in 2013, Billboard published a list of the 100 biggest hits in the history of the Alternative chart. "Uprising" by Muse was listed at No. 1, having spent 17 weeks on the top of the chart and 53 weeks in total. "Savior" by Rise Against was listed at No. 2, peaking at #3 but staying on the chart for a record-breaking 65 weeks.
Although Soundgarden's "Black Hole Sun" did not hit number one on the chart where it only peaked at number two on July 2, 1994, it actually became the Modern Rock Tracks year-end number one single of 1994, the only song to do so without ever being number one on the weekly chart.
In August 2013, Lorde became the first woman to top the Alternative Songs chart since Tracy Bonham in 1996 when her song "Royals" reached the top of the chart in August 2013; the second woman to do the same was Elle King with her song "Ex's & Oh's" which reached the top of the chart in September 2015. In September 2013, Lorde surpassed Alanis Morissette to become the woman with the longest-running single at number one on the Alternative Songs chart when "Royals" spent its sixth week at number one.