Kelefa Sanneh
Get Kelefa Sanneh essential facts below. View Videos or join the Kelefa Sanneh discussion. Add Kelefa Sanneh to your PopFlock.com topic list for future reference or share this resource on social media.
Kelefa Sanneh
Kelefa Sanneh
Born Kelefa T. Sanneh
1975 (age 42–43)
Birmingham, West Midlands, England, United Kingdom
Nationality English
American
Occupation Journalist, music critic

Kelefa T. Sanneh (born 1975) is an English American journalist and music critic. From 2000 to 2008, he wrote for The New York Times, covering the rock and roll, hip-hop, and pop music scenes.[1] Since 2008 he has been a staff writer for The New Yorker.[2]

Early life

Sanneh was born in Birmingham, West Midlands, England, and spent his early years in Ghana and Scotland, before his family moved to Massachusetts in 1981, then to Connecticut in 1989.[3][4] His father, Lamin Sanneh, was born in Janjanbureh, Gambia, and is now D. Willis James Professor of Missions and World Christianity and professor of history at Yale Divinity School.[4] Kelefa's mother, Sandra, is a white South African linguist who teaches the isiZulu language at Yale.[5]

Sanneh graduated from Harvard University in 1997 with a degree in literature.[6] While at Harvard he worked for Transition Magazine and served as rock director for WHRB's Record Hospital. Sanneh played bass in the Harvard bands Hypertrophie Shitstraw, MOPAR, Fear of Reprisal and TacTic, as well as a Devo cover band that included members of Fat Day, Gerty Farish, Bishop Allen and Lavender Diamond.[7] Sanneh's thesis paper, The Black Galactic: Toward A Greater African America, combined interests in music, literature and culture in writing about The Nation of Islam and the Sun Ra Arkestra as efforts to transcend oppression in the African-American experience with desires to travel into outer space.[8][9]

Career

Sanneh garnered considerable publicity for an article he wrote in the October 31, 2004, edition of The New York Times titled "The Rap against Rockism".[10][11][12][13] The article brought to light to the general public a debate among American and British music critics about rockism, a term Sanneh defined to mean "idolizing the authentic old legend (or underground hero) while mocking the latest pop star; lionizing punk while barely tolerating disco; loving the live show and hating the music video; extolling the growling performer while hating the lip-syncher."[14] In the essay, Sanneh further asks music listeners to "stop pretending that serious rock songs will last forever, as if anything could, and that shiny pop songs are inherently disposable, as if that were necessarily a bad thing. Van Morrison's 'Into the Music' was released the same year as the Sugarhill Gang's 'Rapper's Delight'; which do you hear more often?"[14]

Before covering music for the Times, Sanneh was the deputy editor of Transition, a journal of race and culture, based at the W. E. B. Du Bois Institute for African and African American Research, at Harvard University. His writing has also appeared in The Source; Rolling Stone; Blender; The Village Voice; Man's World ("India's classiest men's magazine"); Da Capo Best Music Writing in 2002, 2005, and 2007; and newspapers around the world.

Sanneh wrote the "Project Trinity," which appeared in The New Yorker's April 7, 2008, edition, to give context to the controversial comments of Reverend Jeremiah Wright, who was Barack Obama's pastor. The article provides a historical context of the Trinity United Church of Christ, Obama's church, and to Wright, the former pastor of Trinity.

In 2008, he left The New York Times to join The New Yorker as a staff writer.[15] As of 2009, Sanneh lived in Brooklyn.[3]

Bibliography

Notes

  1. ^ Kelefa Sanneh | Articles, The New York Times.
  2. ^ "Contributors | Kalefa Sanneh", The New Yorker.
  3. ^ a b "Contributors: Kelefa Sanneh". The New Yorker. Retrieved 2009. 
  4. ^ a b Bonk, Jonathan J. (October 1, 2003). "The Defender of the Good News: Questioning Lamin Sanneh". Christianity Today. 
  5. ^ Micner, Tamara (October 6, 2006). "Zulu program clicks with small group of students". The Yale Herald. Archived from the original on November 29, 2006. 
  6. ^ "Welcome from the Director of Studies". Harvard University Department of Comparative Literature. Archived from the original on April 12, 2011. 
  7. ^ "Incipient Roadkill". The Harvard Crimson. March 24, 1994. 
  8. ^ "Lit Alumni". Department of Comparative Literature. Harvard University. Retrieved 2012. 
  9. ^ Sanneh, Kelefa. The Black Galactic: Towards a Greater African America. Harvard University. Retrieved 2012. 
  10. ^ James Houston, "Rockism of Ages", First Call, Vol. V, No. 7, November 15, 2004.
  11. ^ Ducker, Eric (October 5, 2015). "Poptimism's Unlikely Reign". The Fader. Retrieved . 
  12. ^ Rosen, Jody (2006-05-09). "The Perils of Poptimism". Slate. ISSN 1091-2339. Retrieved . 
  13. ^ Loss, Robert (August 10, 2015). "No Apologies: A Critique of the Rockist v. Poptimist Paradigm". PopMatters. Retrieved . 
  14. ^ a b Sanneh, Kelefa (October 31, 2004). "The Rap Against Rockism". The New York Times. 
  15. ^ Koblin, John (March 4, 2008). "Kelefa Sanneh, Ariel Levy Join New Yorker". New York Observer. Archived from the original on December 4, 2009. Retrieved 2011. 
  16. ^ Reviews "Fringe" and "The Mentalist".
  17. ^ Discusses Kid Rock.
  18. ^ Online version is titled "Is gentrification really a problem?".
  19. ^ Online version is titled "Gucci Mane, reborn".
  20. ^ Online version is titled "The New Evangelical Moral Minority".
  21. ^ Online version is titled "The persistence of prog rock".
  22. ^ Online version is titled "What does Tulsi Gabbard believe?".

External links


  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.

Kelefa_Sanneh
 



 


 
Music Scenes