|Comune di Lucca|
View of Lucca from the Torre Guinigi
|o Mayor||Alessandro Tambellini (PD)|
|o Total||185.5 km2 (71.6 sq mi)|
|Elevation||19 m (62 ft)|
(30 September 2017)
|o Density||480/km2 (1,200/sq mi)|
|Time zone||UTC+1 (CET)|
|o Summer (DST)||UTC+2 (CEST)|
|Patron saint||St. Paulinus|
|Saint day||July 12|
Lucca ( LOO-k?, Italian: ['lukka] ) is a city and comune in Tuscany, Central Italy, on the Serchio, in a fertile plain near the Tyrrhenian Sea. It is the capital of the Province of Lucca. It is famous for its intact Renaissance-era city walls.
Lucca was founded by the Etruscans (there are traces of an earlier Ligurian settlement in the 3rd century BC called Luk meaning marsh in which the name Lucca originated) and became a Roman colony in 180 BC. The rectangular grid of its historical centre preserves the Roman street plan, and the Piazza San Michele occupies the site of the ancient forum. Traces of the amphitheatre may still be seen in the Piazza dell'Anfiteatro.
Frediano, an Irish monk, was bishop of Lucca in the early sixth century. At one point, Lucca was plundered by Odoacer, the first Germanic King of Italy. Lucca was an important city and fortress even in the sixth century, when Narses besieged it for several months in 553. Under the Lombards, it was the seat of a duke who minted his own coins. The Holy Face of Lucca (or Volto Santo), a major relic supposedly carved by Nicodemus, arrived in 742. During the eighth-tenth centuries Lucca was a center of Jewish life, the community being led by the Kalonymos family (which at some point during this time migrated to Germany to become a major component of proto-Ashkenazic Jewry). Lucca became prosperous through the silk trade that began in the eleventh century, and came to rival the silks of Byzantium. During the tenth-eleventh centuries Lucca was the capital of the feudal margraviate of Tuscany, more or less independent but owing nominal allegiance to the Holy Roman Emperor.
After the death of Matilda of Tuscany, the city began to constitute itself an independent commune with a charter in 1160. For almost 500 years, Lucca remained an independent republic. There were many minor provinces in the region between southern Liguria and northern Tuscany dominated by the Malaspina; Tuscany in this time was a part of feudal Europe. Dante's Divine Comedy includes many references to the great feudal families who had huge jurisdictions with administrative and judicial rights. Dante spent some of his exile in Lucca.
In 1273 and again in 1277, Lucca was ruled by a Guelph capitano del popolo (captain of the people) named Luchetto Gattilusio. In 1314, internal discord allowed Uguccione della Faggiuola of Pisa to make himself lord of Lucca. The Lucchesi expelled him two years later, and handed over the city to another condottiero, Castruccio Castracani, under whose rule it became a leading state in central Italy. Lucca rivalled Florence until Castracani's death in 1328. On 22 and 23 September 1325, in the battle of Altopascio, Castracani defeated Florence's Guelphs. For this he was nominated by Louis IV the Bavarian to become duke of Lucca. Castracani's tomb is in the church of San Francesco. His biography is Machiavelli's third famous book on political rule.
In 1408, Lucca hosted the convocation intended to end the schism in the papacy. Occupied by the troops of Louis of Bavaria, the city was sold to a rich Genoese, Gherardino Spinola, then seized by John, king of Bohemia. Pawned to the Rossi of Parma, by them it was ceded to Mastino II della Scala of Verona, sold to the Florentines, surrendered to the Pisans, and then nominally liberated by the emperor Charles IV and governed by his vicar. Lucca managed, at first as a democracy, and after 1628 as an oligarchy, to maintain its independence alongside of Venice and Genoa, and painted the word Libertas on its banner until the French Revolution in 1789.
Lucca had been the second largest Italian city state (after Venice) with a republican constitution ("comune") to remain independent over the centuries.
From 1815 to 1847 it was a Bourbon-Parma duchy. The only reigning dukes of Lucca were Maria Luisa of Spain, who was succeeded by her son Charles II, Duke of Parma in 1824. Meanwhile, the Duchy of Parma had been assigned for life to Marie Louise, Duchess of Parma, the second wife of Napoleon. In accordance with the Treaty of Vienna (1815), upon the death of Marie Louise, Duchess of Parma in 1847, Parma reverted to Charles II, Duke of Parma, while Lucca lost independence and was annexed to the Grand Duchy of Tuscany. As part of Tuscany, it became part of the Kingdom of Sardinia in 1860 and finally part of the Italian State in 1861.
In 1942, during World War II, a prisoner-of-war camp was established at the village of Colle di Compecito, in the municipality of Capannori, about 11 kilometres (6.8 mi) from Lucca. Its official number was P.G. (prigionieri di guerra) 60, and it was usually referred to as PG 60 Lucca. Although it never had permanent structures and accommodation consisted of tents in an area prone to flooding, it housed more than 3,000 British and Commonwealth prisoners of war during the period of its existence. It was handed over to the Germans on 10 September 1943, not long after the signing of the Italian armistice. During the Italian Social Republic, as a puppet state of the Germans, political prisoners, foreigners, common law prisoners and Jews were interned there, and it functioned as a concentration camp. In June 1944 the prisoners were moved to Bagni di Lucca.
The walls encircling the old town remain intact, even as the city expanded and modernized, unusual for cities in the region. Initially built as a defensive rampart, once the walls lost their military importance they became a pedestrian promenade, the Passeggiata delle Mura Urbane, a street atop the walls linking the bastions. It passes through the Bastions of Santa Croce, San Frediano, San Martino, San Pietro/Battisti, San Salvatore, La Libertà/Cairoli, San Regolo, San Colombano, Santa Maria, San Paolino/Catalani, and San Donato; and over the gates (Porte): San Donato, Santa Maria, San Jocopo, Elisa, San Pietro, and Sant'Anna. Each of the four principal sides of the structure is lined with a different tree species than the others.
The walled city is encircled by Piazzale Boccherini, Viale Lazzaro Papi, Viale Carlo Del Prete, Piazzale Martiri della Libertà, Via Batoni, Viale Agostino Marti, Viale G. Marconi (vide Guglielmo Marconi), Piazza Don A. Mei, Viale Pacini, Viale Giusti, Piazza Curtatone, Piazzale Ricasoli, Viale Ricasoli, Piazza Risorgimento (vide Risorgimento), and Viale Giosuè Carducci.
The town includes a number of public squares, most notably the Piazza dell'Anfiteatro, site of ancient Roman amphitheater; but also Piazzale Verdi; Piazza Napoleone'; and Piazza San Michele.
There are many medieval, a few as old as the eighth century, basilica-form churches with richly arcaded façades and campaniles
Lucca is the birthplace of composers Giacomo Puccini (La Bohème and Madama Butterfly), Nicolao Dorati, Francesco Geminiani, Gioseffo Guami, Luigi Boccherini, and Alfredo Catalani. It is also the birthplace of artist Benedetto Brandimarte. Since 2004, Lucca is home to IMT Lucca, a public research institution and a selective graduate school and part of the Superior Graduate Schools in Italy (Grandes écoles).
Other events include: