|Directed by||Fritz Lang|
|Produced by||Kenneth Macgowan|
Darryl F. Zanuck
|Written by||Dudley Nichols|
|Based on||Rogue Male|
by Geoffrey Household
|Music by||Alfred Newman|
|Cinematography||Arthur C. Miller|
|Edited by||Allen McNeil|
|Distributed by||Twentieth Century-Fox Film Corporation|
Man Hunt is a 1941 American thriller film directed by Fritz Lang and starring Walter Pidgeon and Joan Bennett. It is based on the 1939 novel Rogue Male by Geoffrey Household and is set just prior to the Second World War. Lang had fled Germany into exile in the mid-1930s and this was the first of his four anti-Nazi films, which include Ministry of Fear, Hangmen Also Die!, and Cloak and Dagger. It was Roddy McDowall's first Hollywood film. He had been evacuated from London following the Blitz. Man Hunt was one of many movies released in 1941 that was considered so pro-British that it influenced the American public (when the U.S. was officially neutral) towards being more inclined to the British point of view in World War II.
On July 29, 1939, renowned British big game hunter Captain Alan Thorndike (Walter Pidgeon) slips through the forest undetected near the Berghof, Adolf Hitler's residence near Berchtesgaden. Getting the dictator in his telescopic sight, he pulls the trigger on his unloaded rifle and gives a wave. He ponders a moment, then loads a live round, but is discovered at the last second by a guard, and the shot goes wild.
After being beaten, Thorndike is taken to Major Quive-Smith (George Sanders). Quive-Smith is also a devoted hunter and an admirer of Thorndike. Thorndike explains that it was a "sporting stalk", not to kill, but just for the thrill of going after the biggest game of all. The Nazi half-believes him, but insists he sign a confession that he was working for His Majesty's government. When Thorndike refuses, he is tortured, but remains steadfast and warns of "questions being asked in high places" if he is killed, as his brother, Lord Risborough (Frederick Worlock), is a very important diplomat. The phrase gives Quive-Smith the idea to have Thorndike thrown off a cliff to make his death look like an accident.
Thorndike survives when his knapsack gets caught in a tree, breaking his fall. He eludes his pursuers and reaches a port. He steals a rowboat, but is forced to abandon it hastily when a patrol boat comes near. He swims to a Danish ship about to sail for London. Vaner (Roddy McDowall), the British cabin boy, helps Thorndike hide. The Germans find Thorndike's coat and passport aboard the rowboat and search the nearby ship. Though they find nothing, they place agent Mr. Jones (John Carradine) on board using Thorndike's passport to continue looking after the ship departs.
Jones is met by German agents in London. Thorndike, mistakenly believing he is safe, casually debarks and is spotted. He manages to hide in the apartment of Jerry Stokes (Joan Bennett), a young woman. Jerry lends him money so he can reach his brother.
When Lord Risborough tells his brother that the British government, continuing its pre-war policy of appeasement, would have to extradite him if he were found, Thorndike decides to hide in Africa. Jerry tries to refuse a large reward, leading Lady Risborough (Heather Thatcher) to assume that it is payment for other services, but Thorndike insists. He also buys her a new hatpin, as she had lost hers when they first met. She chooses a cheap chromium arrow and insists Thorndike present it to her. Thorndike likens it to her, saying both are "straight and shiny". By this point, Jerry is in love.
Quive-Smith arrives in London to join the hunt. When Thorndike calls on his solicitor, Saul Farnsworthy (Holmes Herbert), the Nazis are once again on his trail. Chased into a London Underground station, Thorndike struggles with Jones, who is killed when he is thrown onto an electrified rail.
Thorndike tells Jerry to have Lord Risborough send him a letter in three weeks time care of Lyme Regis Post Office. Thorndike hides in a cave. However, when he decides to pick up the letter, the postmistress (Eily Malyon) seems alarmed and sends a girl on an errand. Thorndike grabs the letter and beats a hasty retreat. Back at his cave, he finds the letter is from Quive-Smith, who has followed him to his lair.
Quive-Smith seals the only entrance and passes Thorndike the confession and a pen through an air hole, threatening to leave him trapped inside. Quive-Smith also slides in Jerry's beret with the arrow pin, informing Thorndike that she was thrown out a window to her death when she would not betray him. They only tracked him down through the address he had written down for her. Badgered by the Nazi, Thorndike finally admits that he subconsciously intended to assassinate Hitler after all. He then agrees to sign the confession. Quive-Smith unblocks the entrance, but waits to shoot him as he crawls out. Thorndike has other plans; he uses his belt, a slat from his bed, and a stick to fabricate a bow, using Jerry's pin as the tip of a makeshift arrow, and shoots the German through the air hole. When Thorndike emerges, Quive-Smith wounds him before dying. By the time Thorndike recovers, the war has started.
Man Hunt became the first war film to attract the attention of the then-neutral America's Hays Office. Joseph Breen was alarmed by the script when he read it in 1941, calling it a "hate film." Breen felt in the Isolationist atmosphere of 1941 America, the film showed all Germans as evil, unlike other films showing both good non-Nazi Germans as well as evil National Socialists. Breen insisted that the Germans could not be characterised as so brutal; the office would pass the film only if it would "indicate" brutality rather than show it. Therefore, it did not show Thorndike's torture but left it in the mind of the audience.
Darryl F. Zanuck was also worried about Lang's anti-Nazi enthusiasm and banned him from the editing room. However, Lang and his associate Gene Fowler, Jr. secretly edited the film without Zanuck's approval.
Isolationists and Nazi sympathizers took issue with the film, along with films such as That Hamilton Woman and Errol Flynn's The Sea Hawk, they described the movies as "pro-English propaganda" meant to change American public opinion about going to war against Hitler's Germany.
The film features an instrumental version of "A Nightingale Sang in Berkeley Square" by Eric Maschwitz, Manning Sherwin, and Jack Strachey as a recurring romantic theme. The score features a recurring theme for the Nazis which oddly resembles John Williams' "Imperial March (Darth Vader's Theme)" composed by the film's musical director Alfred Newman.