Masculinity (also called manhood or manliness) is a set of attributes, behaviors, and roles associated with boys and men. As a social construct, it is distinct from the definition of the male biological sex. Standards of manliness or masculinity vary across different cultures and historical periods. Both males and females can exhibit masculine traits and behavior.
Traits traditionally viewed as masculine in Western society include strength, courage, independence, leadership, and assertiveness.Machismo is a form of masculinity that emphasizes power and is often associated with a disregard for consequences and responsibility.Virility (from the Latin vir, "man") is similar to masculinity, but especially emphasizes strength, energy, and sex drive.
Masculine qualities and roles are considered typical of, appropriate for, and expected of boys and men.
The academic study of masculinity received increased attention during the late 1980s and early 1990s, with the number of courses on the subject in the United States rising from 30 to over 300. This has sparked investigation of the intersection of masculinity with concepts from other fields, such as the social construction of gender difference (prevalent in a number of philosophical and sociological theories).
Both males and females can exhibit masculine traits and behavior. Those exhibiting both masculine and feminine characteristics are considered androgynous, and feminist philosophers have argued that gender ambiguity may blur gender classification.
The concept of masculinity varies historically and culturally. For example, although the dandy was seen as a 19th-century ideal of masculinity, he is considered effeminate by modern standards.:1-3
Ancient literature dates back to about 3000 BC, with explicit expectations for men in the form of laws and implied masculine ideals in myths of gods and heroes. In the Hebrew Bible of 1000 BC, King David of Israel told his son, "I go the way of all the earth: be thou strong therefore, and shew thyself a man;" after David's death. Throughout history, men have met exacting cultural standards. Kate Cooper wrote about ancient concepts of femininity, "Wherever a woman is mentioned a man's character is being judged - and along with it what he stands for." According to the Code of Hammurabi (about 1750 BC):
Scholars cite integrity and equality as masculine values in male-male relationships and virility in male-female relationships. Legends of ancient heroes include the Epic of Gilgamesh, the Iliad and the Odyssey. The stories demonstrate qualities in the hero which inspire respect, such as wisdom and courage: knowing things other men do not know and taking risks other men would not dare.
Jeffrey Richards describes a European "medieval masculinity which was essentially Christian and chivalric". Courage, respect for women of all classes and generosity characterize the portrayal of men in literary history. The Anglo-Saxons Hengest and Horsa and Beowulf are examples of medieval masculine ideals. According to David Rosen, the traditional view of scholars (such as J. R. R. Tolkien) that Beowulf is a tale of medieval heroism overlooks the similarities between Beowulf and the monster Grendel. The masculinity exemplified by Beowulf "cut[s] men off from women, other men, passion and the household".
During the Victorian era, masculinity underwent a transformation from traditional heroism. Scottish philosopher Thomas Carlyle wrote in 1831: "The old ideal of Manhood has grown obsolete, and the new is still invisible to us, and we grope after it in darkness, one clutching this phantom, another that; Werterism, Byronism, even Brummelism, each has its day".
Boxing was professionalized in America and Europe in the 19th century, and emphasized the physical and confrontational aspects of masculinity. Bare-knuckle fighting without gloves represented "the manly art" in 19th-century America.
At the beginning of the twentieth century, a traditional family consisted of the father as breadwinner and the mother as homemaker. Despite women's increasing participation in the paid labor force and contributions to family income, men's identities remained centered on their working lives and specifically their economic contributions. Central to adult men's identities is the provider role, as masculinity is often measured by the size of one's paycheck/economic contribution to the family. Masculinity is also secured by denying any semblance of softness, emotion, femininity, or any characteristic associated with women and femininity.
Overwhelmingly, the construction of masculinity most valued in the latter part of the twentieth century to today is one that is independent, sexually assertive, and athletic, among other normative markers of manhood. Social theorist Erving Goffman's seminal work on stigma management presents a list of traits prescribed as categorically masculine for contemporary men:
In an important sense there is only one complete unblushing male in America: a young, married, white, urban, northern, heterosexual Protestant father of college education, fully employed, or good complexion, weight and height, and a recent record in sports.:128
There is some evidence of masculinities undergoing shifts in the contemporary social landscape. Characteristic of present-day masculinity is men's willingness to counter stereotypes. Regardless of age or nationality, men more frequently rank good health, a harmonious family life and a good relationship with their spouse or partner as important to their quality of life.[better source needed]
In many cultures, displaying characteristics not typical of one's gender may be a social problem. In sociology, this labeling is known as gender assumptions and is part of socialization to meet the mores of a society. Non-standard behavior may be considered indicative of homosexuality, despite the fact that gender expression, gender identity and sexual orientation are widely accepted as distinct concepts.[when?][where?] When sexuality is defined in terms of object choice (as in early sexology studies), male homosexuality is interpreted as effeminacy. Social disapproval of excessive masculinity may be expressed as "machismo" or by neologisms such as "testosterone poisoning".
The relative importance of socialization and genetics in the development of masculinity is debated. Although social conditioning is believed to play a role, psychologists and psychoanalysts such as Sigmund Freud and Carl Jung believed that aspects of "feminine" and "masculine" identity are subconsciously present in all human males.[a]
The historical development of gender roles is addressed by behavioural genetics, evolutionary psychology, human ecology, anthropology and sociology. All human cultures seem to encourage gender roles in literature, costume and song; examples may include the epics of Homer, the Hengist and Horsa tales and the normative commentaries of Confucius. More specialized treatments of masculinity may be found in the Bhagavad Gita and the bushid? of Hagakure.
The sources of gender identity are debated. Some believe that masculinity is linked to the male body; in this view, masculinity is associated with male genitalia.:3 Others have suggested that although masculinity may be influenced by biology, it is also a cultural construct. Proponents of this view argue that women can become men hormonally and physically,:3 and many aspects of masculinity assumed to be natural are linguistically and culturally driven. On the nurture side of the debate, it is argued that masculinity does not have a single source. Although the military has a vested interest in constructing and promoting a specific form of masculinity, it does not create it.:17-21 Facial hair is linked to masculinity through language, in stories about boys becoming men when they begin to shave.:30-31
In contrast to earlier perspectives of the nature versus nurture debate, contemporary social scientists suggest masculinity to stem from both nature and nurture, as both biological predispositions and social factors intersect to give rise to masculine gender identities. Scholars suggest that innate differences between the sexes are compounded and/or exaggerated by the influences of social factors.
Some social scientists conceptualize masculinity (and femininity) as a performance. Gender performances may not necessarily be intentional and people may not even be aware of the extent to which they are performing gender, as one outcome of lifelong gender socialization is the feeling that one's gender is "natural" or biologically-ordained.
The social construction of gender also conceptualizes gender as a continuum. Theorists suggest one is not simply masculine or feminine, but instead may display components of both masculinity and femininity to different degrees and in particular contexts.
Masculine performance varies over the life course, but also from one context to another. For instance, the sports world may elicit more traditionally normative masculinities in participants than would other settings. Men who exhibit a tough and aggressive masculinity on the sports field may display a softer masculinity in familial contexts. Masculinities vary by social class as well. Studies suggest working class constructions of masculinity to be more normative than are those from middle class men and boys. As these contexts and comparisons illustrate, theorists suggest a multiplicity of masculinities, not simply one single construction of masculinity.
Traditional avenues for men to gain honor were providing for their families and exercising leadership.Raewyn Connell has labeled traditional male roles and privileges hegemonic masculinity, encouraged in men and discouraged in women: "Hegemonic masculinity can be defined as the configuration of gender practice which embodies the currently accepted answer to the problem of the legitimacy of patriarchy, which guarantees the dominant position of men and the subordination of women".:77 Connell (1987) placed emphasis on heterosexuality and its influence on the construction of gender. From this perspective, in every social system there is a dominant (hegemonic) and idealised form of masculinity and an apotheosised form of femininity that is considered as proper for men and women. This idealised form of masculinity (hegemonic masculinity) legitimates and normalises certain performances of men, and pathologises, marginalises, and subordinates any other expressions of masculinities or femininities (masculine and feminine subject positions). Alongside hegemonic masculinity, Connell postulated that there are other forms of masculinities (marginalised and subordinated), which according to the findings of a plethora of studies are constructed in oppressive ways (Thorne 1993). This is symptomatic of the fact that hegemonic masculinity is relational, which means that it is constructed in relation to and against an Other (emphasised femininity, marginalised and subordinated masculinities). In addition to describing forceful articulations of violent masculine identities, hegemonic masculinity has also been used to describe implicit, indirect, or coercive forms of gendered socialisation, enacted through video games, fashion, humour, and so on.
Researchers have argued that the "precariousness" of manhood contributes to traditionally-masculine behavior. "Precarious" means that manhood is not inborn, but must be achieved. In many cultures, boys endure painful initiation rituals to become men. Manhood may also be lost, as when a man is derided for not "being a man". Researchers have found that men respond to threats to their manhood by engaging in stereotypically-masculine behaviors and beliefs, such as supporting hierarchy, espousing homophobic beliefs, supporting aggression and choosing physical tasks over intellectual ones.
In 2014, Winegard and Geary wrote that the precariousness of manhood involves social status (prestige or dominance), and manhood may be more (or less) precarious due to the avenues men have for achieving status. Men who identify with creative pursuits, such as poetry or painting, may not experience manhood as precarious but may respond to threats to their intelligence or creativity. However, men who identify with traditionally-masculine pursuits (such as football or the military) may see masculinity as precarious. According to Winegard, Winegard, and Geary, this is functional; poetry and painting do not require traditionally-masculine traits, and attacks on those traits should not induce anxiety.[dubious ] Football and the military require traditionally-masculine traits, such as pain tolerance, endurance, muscularity and courage, and attacks on those traits induce anxiety and may trigger retaliatory impulses and behavior. This suggests that nature-versus-nurture debates about masculinity may be simplistic. Although men evolved to pursue prestige and dominance (status), how they pursue status depends on their talents, traits and available possibilities. In modern societies, more avenues to status may exist than in traditional societies and this may mitigate the precariousness of manhood (or of traditional manhood); however, it will probably not mitigate the intensity of male-male competition.
Although often ignored in discussions of masculinity, women can also express masculine traits and behaviors. In Western culture, female masculinity has been codified into identities such as "tomboy" and "butch". Although female masculinity is often associated with lesbianism, expressing masculinity is not necessarily related to a woman's sexuality. In feminist philosophy, female masculinity is often characterized as a type of gender performance which challenges traditional masculinity and male dominance. Zachary A. Kramer argues that the discussion of masculinity should be opened up "to include constructions of masculinity that uniquely affect women." Masculine women are often subject to social stigma and harassment, although the influence of the feminist movement has led to greater acceptance of women expressing masculinity in recent decades. Women with stereotypically masculine personality traits are more likely to gain access to high-paying occupations than women with feminine personality traits.[non-primary source needed]
Women who participate in sports, especially male-dominated sports, are sometimes derided as being masculine. Even though most sports emphasize stereotypically masculine qualities, such as strength, competition, and aggression, women who participate in sports are still expected to conform to strictly feminine gender norms. This is known as the "female/athlete paradox". Although traditional gender norms are gradually changing, female athletes, especially those that participate in male-dominated sports such as boxing, weight lifting, American football, ice hockey, and motor sports, are still often viewed as deviating from the boundaries of femininity and may suffer repercussions such as discrimination or mistreatment from administrators, harassment by fans, and decreased media attention.
Evidence points to the negative impact of hegemonic masculinity on men's health-related behavior, with American men making 134.5 million fewer physician visits per year than women. Men make 40.8 percent of all physician visits, including women's obstetric and gynecological visits. Twenty-five percent of men aged 45 to 60 do not have a personal physician, increasing their risk of death from heart disease. Men between 25 and 65 are four times more likely to die from cardiovascular disease than women, and are more likely to be diagnosed with a terminal illness because of their reluctance to see a doctor. Reasons cited for not seeing a physician include fear, denial, embarrassment, a dislike of situations out of their control and the belief that visiting a doctor is not worth the time or cost.
Studies of men in North America and Europe show that men who consume alcoholic drinks often do so in order to fulfill certain social expectations of manliness. While the causes of drinking and alcoholism are complex and varied, gender roles and social expectations have a strong influence encouraging men to drink.
In 2004, Arran Stibbe published an analysis of a well-known men's-health magazine in 2000. According to Stibbe, although the magazine ostensibly focused on health it also promoted traditional masculine behaviors such as excessive consumption of convenience foods and meat, alcohol consumption and unsafe sex.
Research on beer-commercial content by Lance Strate yielded results relevant to a study of masculinity. In beer commercials, masculine behavior (especially risk-taking) is encouraged. Commercials often focus on situations in which a man overcomes an obstacle in a group, working or playing hard (construction or farm workers or cowboys). Those involving play have central themes of mastery (of nature or each other), risk and adventure: fishing, camping, playing sports or socializing in bars. There is usually an element of danger and a focus on movement and speed (watching fast cars or driving fast). The bar is a setting for the measurement of masculinity in skills such as billiards, strength, and drinking ability. Men engage in positive health practices, such as reducing fat intake and alcohol, to conform to masculine ideals.[clarification needed]
Gay men are considered by some to "deviate from the masculine norm" and are benevolently stereotyped as "gentle and refined", even by other gay men. According to gay human-rights campaigner Peter Tatchell:
Contrary to the well-intentioned claim that gays are "just the same" as straights, there is a difference. What is more, the distinctive style of gay masculinity is of great social benefit. Wouldn't life be dull without the flair and imagination of queer fashion designers and interior decorators? How could the NHS cope with no gay nurses, or the education system with no gay teachers? Society should thank its lucky stars that not all men turn out straight, macho and insensitive. The different hetero and homo modes of maleness are not, of course, biologically fixed.
Psychologist Joseph Pleck argues that a hierarchy of masculinity exists largely as a dichotomy of homosexual and heterosexual males: "Our society uses the male heterosexual-homosexual dichotomy as a central symbol for all the rankings of masculinity, for the division on any grounds between males who are "real men" and have power, and males who are not".Michael Kimmel adds that the trope "You're so gay" indicates a lack of masculinity, rather than homosexual orientation. According to Pleck, to avoid male oppression of women, themselves and other men, patriarchal structures, institutions and discourse must be eliminated from Western society.
In the documentary The Butch Factor, gay men (one of them transgender) were asked about their views of masculinity. Masculine traits were generally seen as an advantage in and out of the closet, allowing "butch" gay men to conceal their sexual orientation longer while engaged in masculine activities such as sports. Effeminacy is inaccurately associated with homosexuality, and some gay men doubted their sexual orientation; they did not see themselves as effeminate, and felt little connection to gay culture. Some effeminate gay men in The Butch Factor felt uncomfortable about their femininity (despite being comfortable with their sexuality), and feminine gay men may be derided by stereotypically-masculine gays.
Feminine-looking men tended to come out earlier after being labeled gay by their peers. More likely to face bullying and harassment throughout their lives, they are taunted by derogatory words (such as "sissy") implying feminine qualities. Effeminate, "campy" gay men sometimes use what John R. Ballew called "camp humor", such as referring to one another by female pronouns (according to Ballew, "a funny way of defusing hate directed toward us [gay men]"); however, such humor "can cause us [gay men] to become confused in relation to how we feel about being men". He further stated:
[Heterosexual] men are sometimes advised to get in touch with their "inner feminine." Maybe gay men need to get in touch with their "inner masculine" instead. Identifying those aspects of being a man we most value and then cultivate those parts of our selves can lead to a healthier and less distorted sense of our own masculinity.
A study by the Center for Theoretical Study at Charles University in Prague and the Academy of Sciences of the Czech Republic found significant differences in shape among the faces of heterosexual and gay men, with gay men having more "stereotypically masculine" features ("undermin[ing] stereotypical notions of gay men as more feminine looking.")
Gay men have been presented in the media as feminine and open to ridicule, although films such as Brokeback Mountain are countering the stereotype. A recent development is the portrayal of gay men in the LGBT community as "bears", a subculture of gay men celebrating rugged masculinity and "secondary sexual characteristics of the male: facial hair, body hair, proportional size, baldness".
Second-wave pro-feminism paid greater attention to issues of sexuality, particularly the relationship between homosexual men and hegemonic masculinity. This shift led to increased cooperation between the men's liberation and gay liberation movements developing, in part, because masculinity was understood as a social construct and in response to the universalization of "men" in previous men's movements. Men's-rights activists worked to stop second-wave feminists from influencing the gay-rights movement, promoting hypermasculinity as inherent to gay sexuality.
Masculinity has played an important role in lesbian culture, although lesbians vary widely in the degree to which they express masculinity and femininity. In LGBT cultures, masculine women are often referred to as "butch".
Study of the history of masculinity emerged during the 1980s, aided by the fields of women's and (later) gender history. Before women's history was examined, there was a "strict gendering of the public/private divide"; regarding masculinity, this meant little study of how men related to the household, domesticity and family life. Although women's historical role was negated, despite the writing of history by (and primarily about) men, a significant portion of the male experience was missing. This void was questioned during the late 1970s, when women's history began to analyze gender and women to deepen the female experience. Joan Scott's seminal article, calling for gender studies as an analytical concept to explore society, power and discourse, laid the foundation for this field.
According to Scott, gender should be used in two ways: productive and produced. Productive gender examined its role in creating power relationships, and produced gender explored the use and change of gender throughout history. This has influenced the field of masculinity, as seen in Pierre Bourdieu's definition of masculinity: produced by society and culture, and reproduced in daily life. A flurry of work in women's history led to a call for study of the male role (initially influenced by psychoanalysis) in society and emotional and interpersonal life. Connell wrote that these initial works were marked by a "high level of generality" in "broad surveys of cultural norms". The scholarship was aware of contemporary societal changes aiming to understand and evolve (or liberate) the male role in response to feminism.:28John Tosh calls for a return to this aim for the history of masculinity to be useful, academically and in the public sphere.
Two concerns over the study of the history of masculinity are that it would stabilize the historical process (rather than change it) and that a cultural overemphasis on the approach to masculinity lacks the reality of actual experience. According to John Tosh, masculinity has become a conceptual framework used by historians to enhance their cultural explorations instead of a specialty in its own right. This draws attention from reality to representation and meaning, not only in the realm of masculinity; culture was becoming "the bottom line, the real historical reality". Tosh critiques Martin Francis' work of in this light because popular culture, rather than the experience of family life, is the basis for Francis' argument. Francis uses contemporary literature and film to demonstrate that masculinity was restless, shying away from domesticity and commitment, during the late 1940s and 1950s. Francis wrote that this flight from commitment was "most likely to take place at the level of fantasy (individual and collective)". In focusing on culture, it is difficult to gauge the degree to which films such as Scott of the Antarctic represented the era's masculine fantasies. Michael Roper's call to focus on the subjectivity of masculinity addresses this cultural bias, because broad understanding is set aside for an examination "of what the relationship of the codes of masculinity is to actual men, to existential matters, to persons and to their psychic make-up" (Tosh's human experience).
According to Tosh, the culture of masculinity has outlived its usefulness because it cannot fulfill the initial aim of this history (to discover how manhood was conditioned and experienced) and he urged "questions of behaviour and agency". His work on Victorian masculinity uses individual experience in letters and sketches to illustrate broader cultural and social customs, such as birthing or Christmas traditions.
Stefan Dudink believes that the methodological approach (trying to categorize masculinity as a phenomenon) undermined its historiographic development. Abigail Solomou-Godeau's work on post-revolutionary French art addresses a strong, constant patriarchy.
Tosh's overall assessment is that a shift is needed in conceptualizing the topic back to the history of masculinity as a speciality aiming to reach a broader audience, rather than as an analytical tool of cultural and social history. The importance he places on public history hearkens back to the initial aims of gender history, which sought to use history to enlighten and change the present. Tosh appeals to historians to live up to the "social expectation" of their work, which would also require a greater focus on subjectivity and masculinity. This view is contrary to Dudink's; the latter called for an "outflanking movement" towards the history of masculinity, in response to the errors he perceived in the study. This would do the opposite of what Tosh called for, deconstructing masculinity by not placing it at the center of historical exploration and using discourse and culture as indirect avenues towards a more-representational approach. In a study of the Low Countries, Dudink proposes moving beyond the history of masculinity by embedding analysis into the exploration of nation and nationalism (making masculinity a lens through which to view conflict and nation-building). Martin Francis' work on domesticity through a cultural lens moves beyond the history of masculinity because "men constantly travelled back and forward across the frontier of domesticity, if only in the realm of the imagination"; normative codes of behavior do not fully encompass the male experience.
Media images of boys and young men may lead to the persistence of harmful concepts of masculinity. According to men's-rights activists, the media does not address men's-rights issues and men are often portrayed negatively in advertising. Peter Jackson called hegemonic masculinity "economically exploitative" and "socially oppressive": "The form of oppression varies from patriarchal controls over women's bodies and reproductive rights, through ideologies of domesticity, femininity and compulsory heterosexuality, to social definitions of the value of work, the nature of skill and the differential remuneration of 'productive' and 'reproductive' labor."
According to a paper submitted by Tracy Tylka to the American Psychological Association, "Instead of seeing a decrease in objectification of women in society, there has just been an increase in the objectification of both sexes. And you can see that in the media today." Men and women restrict food intake in an effort to achieve what they consider an attractively-thin body; in extreme cases, this leads to eating disorders. Psychiatrist Thomas Holbrook cited a recent Canadian study indicating that as many as one in six people with eating disorders are men.
Research in the United Kingdom found, "Younger men and women who read fitness and fashion magazines could be psychologically harmed by the images of perfect female and male physiques." Young women and men exercise excessively in an effort to achieve what they consider an attractively-fit and muscular body, which may lead to body dysmorphic disorder or muscle dysmorphia. Although the stereotypes may have remained constant, the value attached to masculine stereotypes has changed; it has been argued[by whom?] that masculinity is an unstable phenomenon, never ultimately achieved.:30-31
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In 1987 Eisler and Skidmore studied masculinity, creating the idea of "masculine stress" and finding three elements of masculinity which often result in emotional stress:
Because of social norms and pressures associated with masculinity, men with spinal-cord injuries must adapt their self-identity to the losses associated with such injuries; this may "lead to feelings of decreased physical and sexual prowess with lowered self-esteem and a loss of male identity. Feelings of guilt and overall loss of control are also experienced." Research also suggests that men feel social pressure to endorse traditional masculine male models in advertising. Brett Martin and Juergen Gnoth (2009) found that although feminine men privately preferred feminine models, they expressed a preference for traditional masculine models in public; according to the authors, this reflected social pressure on men to endorse traditional masculine norms.
In their book Raising Cain: Protecting The Emotional Life of Boys, Dan Kindlon and Michael Thompson wrote that although all boys are born loving and empathic, exposure to gender socialization (the tough male ideal and hypermasculinity) limits their ability to function as emotionally-healthy adults. According to Kindlon and Thompson, boys lack the ability to understand and express emotions productively because of the stress imposed by masculine gender roles.
In the article "Sexual Ethics, Masculinity and Mutual Vulnerability", Rob Cover works to unpack Judith Butler's study of masculinity. Cover goes over issues such as sexual assault and how it can be partially explained by a hypermasculinity.
A theory of "masculinity in crisis" has emerged; Australian archeologist Peter McAllister said, "I have a strong feeling that masculinity is in crisis. Men are really searching for a role in modern society; the things we used to do aren't in much demand anymore". Others see the changing labor market as a source of stress. Deindustrialization and the replacement of smokestack industries by technology have allowed more women to enter the labor force, reducing its emphasis on physical strength.:86-89
The crisis has also been attributed to the questioning of male dominance and rights granted to men solely on the basis of sex following the feminist movement.:83-86 British sociologist John MacInnes wrote that "masculinity has always been in one crisis or another", suggesting that the crises arise from the "fundamental incompatibility between the core principle of modernity that all human beings are essentially equal (regardless of their sex) and the core tenet of patriarchy that men are naturally superior to women and thus destined to rule over them".
According to John Beynon, masculinity and men are often conflated and it is unclear whether masculinity, men or both are in crisis. He writes that the "crisis" is not a recent phenomenon, illustrating several periods of masculine crisis throughout history (some predating the women's movement and post-industrial society), suggesting that due to masculinity's fluid nature "crisis is constitutive of masculinity itself". Film scholar Leon Hunt also writes: "Whenever masculinity's 'crisis' actually started, it certainly seems to have been in place by the 1970s".
In 2008, the word "herbivore men" became popular in Japan and was reported worldwide. Herbivore men refers to young Japanese men who naturally detach themselves from masculinity. Masahiro Morioka characterizes them as men 1) having gentle nature, 2) not bound by manliness, 3) not aggressive when it comes to romance, 4) viewing women as equals, and 5) hating emotional pain. Herbivore men are severely criticized by men who love masculinity.
In Chinese and Taiwanese popular culture, phrases such as "?" (literally: 'big man'), "???" (literally: 'damned hetero male'), and "" (literally: 'straight male cancer') are used as pejoratives referring to men exhibiting misogyny, dominance, and homophobia.
the [personality] theorist might classify a person as "masculine" if the person thought that person to have any or all of the following P-traits [personality traits] - GROUP Y TRAITS: strength of will, ambition, courage, independence, assertiveness, aggressiveness, ...
Gender feminists also consider traditional feminine traits (gentleness, modesty, humility, sacrifice, supportiveness, empathy, compassion, tenderness, nurturance, intuitiveness, sensitivity, unselfishness) morally superior to the traditional masculine traits (courage, strong will, ambition, independence, assertiveness, initiative, rationality and emotional control).
Their results found that homosexual men were rated as more stereotypically 'masculine' than heterosexual men, which they said undermined stereotypical notions of gay men as more feminine looking.