Mathnawi (Arabic: mathnaw?) or masnavi (Persian: ) is the name of a poem written in rhyming couplets, or more specifically, "a poem based on independent, internally rhyming lines". Most mathnaw? poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. Typical mathnawi poems consist of an indefinite number of couplets, with the rhyme scheme aa/bb/cc.
Mathnaw? poems have been written in Persian, Arabic, Turkish, Kurdish and Urdu cultures. Certain Persian mat?h?naw? poems, such as Rumi's Masnavi-e Ma'navi, have had a special religious significance in Sufism.
Arabic mathnawi poetry, also known as muzdawidj (Arabic: , literally "doubled," referring to the internal rhyme scheme of the lines), emerged and was popularized during the Abbasid era. Unlike the older poetic styles in Arabic, mathnawi verses are not monorhymes. Instead, they include an internal rhyme scheme within each bayt with an extensive use of alliteration and follow a specific meter. Arabic mathnawi (or muzdawidj) poetry is very similar to the Persian, Urdu, and Turkish equivalents, though with one major difference: most muzdawidj poems follow an aaa/bbb/ccc pattern, while the other mathnawi poems follow an aa/bb/cc pattern.
In Persian mat?h?naw? (), the poems strictly adhere to a meter of 11 syllables, occasionally ten. While the length of a mat?h?naw? is not prescribed and is therefore unlimited, most of the better known mat?h?naw? are within a range of 2,000-9,000 bayts (verses). The first known mat?h?naw? poem was written in the S?m?nid period (4th/10th century). Despite certain dates indicating a possibility otherwise, modern scholars believe it is a continuation of an Iranian verse form, not of its Arabic counterpart (there is some debate in view of the fact that the word mat?h?naw? is derived from Arabic, but most scholars believe that the Persians coined the word themselves).
Mat?h?naw? are usually associated with the didactic and romantic genres, but are not limited to them. There is a great variety among Persian mat?h?naw?, but there are several conventions that can help a reader recognize a mat?h?naw? poem. Most mat?h?naw? have a distinction between the introductory and body paragraphs (although it is not always easy to determine where that is), praise of the one God and prayers, a eulogy of the Prophet, reflections on the value of poetry, and occasionally a description of an object as a significant symbol.
Certain Persian mat?h?naw? have had a special religious significance in Sufism, such as Rumi's Mathnawi-i Ma'nawi, which consists of 6 books/25,000 verses and which has been used in prayer among many Sufi's, such as the Whirling Dervishes. While some Islamic legalists find the practice unconscionable, The Sufi scholar and jurist Abu Hamid al-Ghazali supported the use of poetry as worship.
Turkish mathnawi began developing in the 8th/14th century. Persian mathnawi influenced Turkish authors as many Turkish mathnaw? were, at first, creative translations and adaptations of Persian mathnaw?. The oldest known Turkish mathnaw? is a didactic poem called Kutadgu Bilig.
Turkish mathnaw? are strongly driven by their plot, and are usually categorized into three genre--mutarib (heroic), ramal (religio/didactic), and hazadj (romantic). Some mat?h?naw? were written with an understanding that the audience would appreciate the importance of the subject of the poem, but some were also written purely for entertainment purposes.
Mat?h?naw? remained prominent in Turkish literature until the end of the Ottoman Empire, when it began to transform into more conversational and rhetorical literature. Few Turkish mat?h?naw? have been translated into a modern language.
Urdu masnaw? are usually divided into three categories- early, middle, and late.
Early Urdu masnaw? began in the 11th/17th century. In the beginning of this period, many masnaw? were religious in nature, but then grew to include romantic, heroic, and even secular stories. Early Urdu masnaw? were influenced by Dakkan? literature, as well as Persian mat?h?naw?. Because of this influence, many early Urdu masnaw? were translations of Persian masnaw?, although there are some original early Urdu masnaw?s.
Middle Urdu masnaw? became prominent in the 12th/18th century, when Urdu literature broke away from the Dakkan? tradition. In the 12th/18th century, romantic masnaw? became very popular. Another new convention that appeared in middle Urdu masnaw? was authors using their own personal experiences as a subject for their poem.
Modern Urdu masnaw? began in the 13th/19th century, during a time of literary reform. Masnaw? as a whole became much shorter, and the traditional meters stopped being observed. These masnaw? deal more with everyday subjects, as well as providing a medium for children's poetry. A well-known masnavi-writer in Urdu in recent times was Allama Dr. Syed Ali Imam Zaidi "Gauhar Lucknavi" (great-grandson of Mir Baber Ali Anees).