Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and others, the main innovation being to simplify the footwork by removing syncopation such as chasse. The term "French Jive" is occasionally used instead, reflecting the origins of the style. The word "modern" distinguishes it from ballroom Jive.
Modern Jive was developed in the United Kingdom during the 1980s at three London clubs: Ceroc, Le Roc, and Cosmopolitan Jive. The style was based on a type of Jive that evolved in France after World War II when American dances such as the jitterbug were popular due to the presence of the American military.
Modern Jive was not created in France, but its origin owes something to the French version of Le Bop. The dance commonly known as Modern Jive is different from Le Bop, a high tempo dance. Michel Ange Lau played a major role in the change from Le Bop to Modern Jive at a club called Centre Charles Peguy). Two British people, James Cronin and Christine Keeble, saw Le Bop in France and wanted to learn the dance when they returned to London. They were among Lau's students.The style of music played at discos was changing, and high tempo that dances like Rock and Roll and Le Bop were becoming less popular.
The change in music prompted the birth of Modern Jive; in 1980 Lau and Le Bop dancers changed the timing of Le Bop, causing a revolution in the dance. This change in timing not only allowed him and his students to dance to a much larger variety of music but also to create more intricate move.
Modern Jive adapts moves from dance styles like West Coast Swing, Salsa, Ballroom and Latin. The key to understanding Modern Jive is the beginner moves. These 20-plus moves continually reinforce the absolutes to the dance. The consistencies allow modern jive dancers to dance together, despite their preferences.
Due to Modern Jives unique timing it has the ability to be dance to a wide variety of tempos (extremes 60bpm - 180bpm, typically 110bpm - 140bpm), the dance is generally danced to 2 beats in 4. Danced to the heavy beats 1,3,5, & 7, its on these beats the dancers are in position (moving through the high beats 2,4,6, & 8), e.g. Yo Yo has 8 positions danced to 16 beats of music.
The step back at the start of each move; this derived from the Rock Step and changed to a simple step back when the timing changed. The step back creates the in & out motion, both dancers step away from each other at the start of a move / pattern, to achieve tension & compression in the hands to assist lead and follow technique, more importantly the step back is the consistent that allows the 100s of moves to be joined, depending on which hand the lead is using - any order.
The follows right hand is key to the dance, each beginner move starts with the follows right hand (sometimes both hands), whenever the follow spins or hand is released it's the right hand that's they needs to offer.
The motion of the dance, for the majority of the beginner moves the follow steps in to the leads right side on count two (this is not always consistent at intermediate level moves, and the lead often signals with their right hand behind their back to bring the follow down the left side) e.g. Pretzel, (a lead technique can also be developed to bring the follow down the left hand side).
Off phrase dancing, Modern Jive is a 'Off phrase' dance. This means a move does not always have to start on a particular beat e.g. beat 1 or beat 2 (Cha Cha) of the music - this allows the massive flexibility, diversity, and high level of musicality that's often seen in the dance. Moves often have varying numbers of beats to them e.g. Catapult 8 counts (16 beats of music), Octopus 7 counts (14 beats of music).
Dancing to slower tempos (referred to as Modern Jive Blues). Slower tempos in Modern Jive allow for more styling and music interpretation. The slower tempo allows the follower to indicate when they want freestyle time, the dance can also use body leads at slower tempos and dancers often dance a lot closer. Dancing to slower music allows a lot more two way communication, allowing more freedom, and music interpretation, however good Modern Jive dancers should be able to adapt their dancing and dance to a full spectrum of tempos. At higher tempos timing becomes more of a skill, where two way communication is reduced, at higher tempos musicality (e.g. hitting the music phrasing / breaks and interpreting the music), is more difficult to achieve as both dancers have to be in tune together but also with the music. Most dancers dancing Modern Jive Blues originate from Modern JIve and are familiar with Modern Jive Beginners moves and associated absolutes.
Rotating Slot Modern Jive naturally rotates (normally clockwise). This is due to 2 or 3 consistencies that can be seen in the beginner moves and more often than not in the intermediate moves. a) the follow continually steps into the leads right side, causing a clockwise rotation - rarely to the leads left side, b) Often on count three the follow is turned or spun clockwise (1st move basic, Yo Yo, Hatchback.....), c) a lot of the beginner moves finish with an anti clockwise return - causing the follow to stabilise on the left foot stepping slightly to her left (clockwise), instead of directly back. This is Modern Jive danced in its natural form, and should not be confused with a really bad technique where the follow continually skips around the lead (also known as 'Roundy Roundy' in the UK), despite his lead. This 'Roundy Roundy' style is often found at higher tempos by inexperienced follow dancers and is totally different from the slightly rotating slot (of the natural dance).
Slotted dancing Over roughly the last decade, Modern Jive has been influenced by West Coast Swing, an American partner dance developed from Lindy Hop with the addition of the 'slot' meaning it is danced up and down an imaginary line. As WCS is far more technique focused, it tends to attract experienced dancers from Modern Jive, who then bring elements of the dance back into M-J. The slot concept is one that has taken a hold in Modern Jive and is now very often taught even from beginner level, although more commonly in the Ceroc franchise venues than independents such as LeRoc.
Dancing slotted allows the follow (and lead) to always complete a full turn, which helps to avoid dizziness, and has many other technical advantages. However at high tempos (140BPM and above) it is easier to abandon the slot and revert to a rotational style. Many of the older Modern Jive moves such as the YoYo, the Catapult and the Push Spin work better at higher tempos, and are less suitable for slow tempos (100BPM or lower) where other moves and a more elastic style of dancing are more appropriate.
Although Modern Jive is often taught on stage in two directions, this is simply to allow large classes to observe the instruction and instructors often compensate to be seen. At beginner level (even at intermediate level), directional leads are often not taught effectively and as soon as the class goes to freestyle dancing the dancers start to rotate in a rotating slot style. Dancing in the slot is an advanced technique / preference that can be developed and adds another dimension to Modern Jive, it can also looks impressive when a group of dancers are dancing slotted in the same area in the same direction.
Presenting forward Presenting forward is a skill often developed by Professionals, Competition dancers or Showcase dancing and requires further skills and additional techniques. Here the dancers develop the skill of presenting often in one consistent direction (forward as opposed to facing each other). Dips, drops, poses, exiting moves / lifts and even smiling consistently in one direction towards spectators, judges or audiences. a
The term Modern Jive was coined in 1990 by Christine Keeble on a program called 'How to Jive', designed to promulgate this new style of jive. At that time the dance was known variously as Ceroc, LeRoc, French Jive or Party Dance Style. Christine Keeble used the term 'modern jive' to encompass all of these names.
The term 'modern jive' was adopted, despite the absence of chasse or triple step (typical of "real" jive forms). Various clubs promalgating the name as the dance spread out from its two earliest centres of London and Bristol and it later became accepted as a generic term for the dance. It is now used by a large number of independent teachers across the UK and internationally. It is also used by many of the franchise operators, although these companies still prefer to use their own branding.
In the English-speaking world, Modern Jive classes and events are often franchised or run under various brand names, including, Blitz, DanceJive, ViBe Dance Nights, "Revolution Dance" Northwest, Ceroc, LeRoc, Ginger Jive, Mo'Jive, Cloud9, Jiveasy, South Coast Modern Jive, The Thing, and others. Beyond the bounds of the English-speaking world, modern jive has still to make an impact. In Europe there are JiveNation Poland in Poland, M-Jive and Jive.Berlin in Germany and Leroc Zürich and Modern Jive Zürich in Switzerland which are slowly bringing the dance style to a wider audience.
Following a different but similar evolutionary path, dance styles such as Discofox (in Germany and Switzerland and derived from Foxtrott ) and Bugg (found in Sweden) may sometimes be indistinguishable from the Modern Jive found in the UK and elsewhere in Europe.
While these forms of Modern Jive have Swing and Rock-and-Roll dance moves in common, moves from many forms of dance including Salsa and Tango may be included, according to the specific franchise or even the particular dance teacher. Because of its eclectic nature there are hundreds of moves and variations that can be learnt, introduced or adapted.
Although dance routines are developed and rehearsed for competitions, Modern Jive is most frequently danced freestyle, providing additional challenges to more advanced dancers in terms of musical interpretation and expression.
Different franchises or teachers often have different names for identical moves, and different signals to indicate the next move. The Man's Spin taught at one venue may be identical to the Man's Pass taught by a different venue. Due to its origins, Modern Jive moves may be similar to moves from other dance styles; the First Move Triple Steps in Modern Jive is similar to the Lindy Hop Jockey, for example. Despite this there is rarely a problem dancing with people who have been taught other styles, at least with the less advanced moves.
Like many Western partner dances, Modern Jive is most often a male-led dance.
Modern Jive is also occasionally danced by three dancers, with one lead and two followers (a variant known as "Double Trouble" in the UK or "Triples" in Australia/New Zealand).
It can also be danced with two leads smoothly and continuously swapping with each other to dance with one follow, or two follows doing the same with one lead (known in the UK as "Tag", and in Australia/New Zealand as "Swaps 'n' Steals")
Many of the Australian offshoots of ceroc transitioned to a footwork coined "Step" in about 1995.
The original "rock" footwork specifies a step back with either foot, transferring the weight to the moved foot on each of the odd numbered beats (1, 3, 5, 7) The moved foot is returned to its starting position on the even beats. (2, 4, 6, 8).
"Step" footwork specifies that the leader takes a step back with the right foot on the half beat or "and" count and "closes", stepping backwards with the left foot on the numbered count. "closing" implies that the feet end up close together. On the next count the leader steps forward with their right foot on the "and" count and closes with their left on the numbered count. The follower mirrors this by stepping back on their left and "closing" with their right and then stepping forward with their left and closing with their right.
Rock footwork was originally offered as a "beginner" footwork in Australia. More recently it has been dropped. The reason for it being dropped is pedagogical. The problem appeared to be that the transition from beginner to intermediate dancer (so-called) meant one had to "unlearn" one and then "re-learn" another rhythm and weight change components of the dance. Unfortunately, the "rock" footwork is actually more suited to fast music (leaning towards "advanced" dancers) as it reduces the number of weight changes required during any rhythm unit. Thus, the preference for "step" footwork has reduced the "terminal velocity" modern jive can be danced at - because it forces a weight change every beat.
Modern Jive is generally danced to music with four beats to the bar (Quadruple or Common time), from latest chart hits to big band music and everything between, in a wide variety of tempos from slow to very fast. Some teachers or franchises may concentrate on particular musical styles, such as swing. Music is typically between 108 and 160 bpm. Experienced jivers occasionally dance to music outside those broad constraints.
Around the world there are a number of "weekenders" (short dance-focused holidays, typically running from Friday - Monday) running annually.
Jive Time originally started weekenders in the UK but now Ceroc run the majority of the weekenders; with independent organisers still running a number of other weekender events, such as the Jive Addiction, Jive Time or MJ Roc events.
Modern Jive competitions are typically judged based on the following criteria:
Depending on how the scoring is done, the judges may award marks for each of these, or may just give an overall mark or place, based on considering each of these factors.
As of 2015, Modern Jive Competitions in the United Kingdom include:
As of 2019, Modern Jive Competitions in New Zealand include:
As of 2019, Modern Jive Competitions in Australia include:
Ceroc Pan Asia Dance Championships, Hong Kong (October)
Some competition categories are more serious (Freestyle and Dance With A Stranger) while others are more about having fun (Battle of the Sexes, Steals).