Allison in 1975
|Mose John Allison Jr.|
November 11, 1927|
Tippo, Mississippi, United States
|Died||November 15, 2016
Hilton Head, South Carolina, U.S.
Mose John Allison Jr. (November 11, 1927 - November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings.
He is described as having been "one of the finest songwriters in 20th-century blues." His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his "Young Man Blues" for the Who's "Live At Leeds" album in 1970. John Mayall was one of dozens who recorded his classic, "Parchman Farm", and Georgie Fame used many of Allison's songs. Others who recorded his songs included Leon Russell ("I'm Smashed") and Bonnie Raitt ("Everybody's Crying' Mercy").
The 1980s saw an increase in his popularity with new fans drawn to his unique blend of modern jazz. In the 1990s he began recording more consistently. Van Morrison, Georgie Fame and Ben Sidran collaborated with him on a tribute album, Tell Me Something: The Songs of Mose Allison. The Pixies wrote the song "Allison" as a tribute.
Allison's music had an important influence on other performers, such as Tom Waits, Jimi Hendrix, the Yardbirds, the Rolling Stones, and Pete Townshend. He was inducted into the Long Island Music Hall of Fame in 2006.
Allison was born outside Tippo, Mississippi, on his grandfather's farm, known as the Island, "because Tippo Bayou encircles it." He took piano lessons at 5, picked cotton, played piano in grammar school and trumpet in high school, and wrote his first song at 13.
Allison attended the University of Mississippi for a while and then enlisted in the U.S. Army for two years. Shortly after mustering out, he enrolled at Louisiana State University, from which he graduated in 1952 with a Bachelor of Arts in English with a minor in philosophy.
In 1956, Allison moved to New York City and launched his jazz career, performing with artists such as Stan Getz, Gerry Mulligan, Al Cohn, Zoot Sims, and Phil Woods. His debut album, Back Country Suite, was issued by Prestige in 1957. He formed his own trio in 1958, with Addison Farmer on bass and Nick Stabulas on drums.
It was not until 1963 that his record label allowed him to release an album entirely of vocals. Entitled Mose Allison Sings, it was a compilation of songs from his previous Prestige albums that paid tribute to artists of the Mojo Triangle: Sonny Boy Williamson ("Eyesight to the Blind"), Jimmy Rogers ("That's All Right"), and Willie Dixon ("The Seventh Son"). However, an original composition [Correction: Original by Booker T. Washington White, a.k.a. "Bukka" White and "Bucca" White and Washington White, 1906-1977, song titled "Parchman Farm Blues", recorded 1940 after serving time in Parchman Farm Prison 1937-1939, on "Aberdeen Mississippi Blues: The Vintage Recordings 1930-1940, label Document Records DOCD-5679] on the album brought him the most attention: "Parchman Farm". For more than two decades, "Parchman Farm" was his most requested song. He dropped it from his playlist in the 1980s because some critics felt it was politically incorrect. Allison explained in an interview, "I don't do the cotton sack songs much anymore. You go to the Mississippi Delta and there are no cotton sacks. It's all machines and chemicals."
Prestige tried to market Allison as a pop star, but Columbia and later Atlantic tried to market him as a blues artist. Because he sang blues, Jet magazine thought that he was black and wanted to interview him.
His album The Way of the World, released in March 2010, was his first after a 12-year absence from the recording studio. In 2012, Allison was honored with a marker on the Mississippi Blues Trail in his hometown of Tippo. On January 14, 2013, he was named a Jazz Master by the National Endowment for the Arts, the nation's highest honor in jazz, in a ceremony at Lincoln Center in New York.
Allison wrote some 150 songs. His performances were described as being "delivered in a casual conversational way with a melodic southern accented tone that has a pitch and range ideally suited to his idiosyncratic phrasing, laconic approach and ironic sense of humour."
It was said that Allison was a social critic before Bob Dylan and a music satirist before Randy Newman. His music influenced many blues and rock artists, including Jimi Hendrix, the Rolling Stones, Tom Waits, the Yardbirds, John Mayall, J. J. Cale, the Who (who made "Young Man Blues" a staple of their live performances), and Georgie Fame, who described him as "more important than Bob Dylan". Blue Cheer recorded a version of his song "Parchman Farm" on their debut album. The Yardbirds and the Misunderstood both recorded versions of his song "I'm Not Talking". Manfred Mann also recorded a version for the BBC. John Evans, keyboardist for the band Jethro Tull, was influenced by Allison's piano playing, which he described as "so deceptively simple and impressive."
Allison helped open the "blues' racial divide, proving that a white man from rural Mississippi could hold his own in a traditionally black genre." The effort proved difficult, which he described in the lyrics of "Ever Since I Stole the Blues," one of his most famous songs: "Well the blues police from down in Dixieland / Tried to catch me with the goods on hand / Ever since the white boy stole the blues."
His song "Look Here" was covered by the Clash on their album Sandinista! Leon Russell covered Allison's song "Smashed!" on his album Stop All That Jazz. Allison performed with Van Morrison, Georgie Fame, and Ben Sidran on the album Tell Me Something: The Songs of Mose Allison. Elvis Costello recorded "Everybody's Cryin' Mercy" for his album Kojak Variety and "Your Mind Is on Vacation" for King of America (bonus tracks). Dani Klein, of the Belgian music act Vaya Con Dios, recorded "Mind on Vacation" for the album Roots and Wings.
Frank Black, of the band the Pixies, said that the song "Allison", from their album Bossanova, is about Mose Allison. The film The Whole Nine Yards begins with Allison's song "I Don't Worry About a Thing" during the opening credits.Americana singer-songwriter Greg Brown wrote and performed the song "Mose Allison Played Here" for his 1997 album Slant 6 Mind.
Mose married his wife, Audre, in 1949. They lived on Long Island, where they raised four children, including a daughter, Amy, who is a musician. Audre Allison said that when she first met Mose "I could tell that he was someone who generated his own joy." She also said that "Mose has always paid attention to what is happening in the world, and has always read voraciously both past and present histories."
Allison was reported to have strong views about "the domination of money over everything, the growing lack of empathy on the part of the powers-that-be for the population, wars and more wars, and an underlying hypocrisy in society" and the arrogance of colonizers of the Americas.
|1957||Back Country Suite||Prestige||Trio, with Taylor LaFargue (bass), Frank Isola (drums)|
|1957||Local Color||Prestige||Trio, with Addison Farmer (bass), Nick Stabulas (drums)|
|1958||Young Man Mose||Prestige||Trio, with Addison Farmer (bass), Nick Stabulas (drums)|
|1958||Ramblin' with Mose||Prestige||Trio, with Addison Farmer (bass), Ronnie Free (drums)|
|1958||Creek Bank||Prestige||Trio, with Addison Farmer (bass), Ronnie Free (drums)|
|1959||Autumn Song||Prestige||Trio, with Addison Farmer (bass), Ronnie Free (drums)|
|1959-1960||Transfiguration of Hiram Brown||Columbia||Trio, with Addison Farmer (bass), Jerry Segal (drums)|
|1960||I Love the Life I Live||Columbia||Some tracks trio, with Addison Farmer (bass), Jerry Segal (drums); some tracks trio with Henry Grimes (bass), Paul Motian (drums); some tracks trio with Bill Crow (bass), Gus Johnson (drums)|
|1959-61||Takes to the Hills||Epic||Some tracks trio, with Aaron Bell (bass), Osie Johnson (drums); other tracks previously released on Transfiguration of Hiram Brown or I Love the Life I Live; also issued as V-8 Ford Blues by Epic in 1966|
|1962||I Don't Worry About a Thing||Atlantic||Trio, with Addison Farmer (bass), Osie Johnson (drums)|
|1962||Swingin' Machine||Atlantic||Quintet, with Jim Reider (tenor sax), Jimmy Knepper (trombone), Addison Farmer (bass), Frankie Dunlop (drums)|
|1964||The Word from Mose||Atlantic||Trio, with Ben Tucker (bass), Don Lundberg (drums)|
|1965||Wild Man on the Loose||Atlantic||Trio, with Earl May (bass), Paul Motian (drums)|
|1965||Mose Alive!||Atlantic||Trio, with Stanley Gilbert (bass), Mel Lee (drums)|
|1968||I've Been Doin' Some Thinkin'||Atlantic||Trio, with Red Mitchell (bass), Bill Goodwin (drums)|
|1969-70||Hello There, Universe||Atlantic||With Jimmy Nottingham and Richard Williams (trumpet), Jerome Richardson (flute, alto sax), Joe Farrell and Joe Henderson tenor sax; separately), Pepper Adams and Seldon Powell (baritone sax; separately); Bob Cranshaw and John Williams (bass; separately), Joe Cocuzzo (drums)|
|1971||Western Man||Atlantic||Trio, with Chuck Rainey (electric bass), Billy Cobham (drums)|
|1972||Mose in Your Ear||Atlantic||Trio, with Clyde Flowers (bass), Eddie Charlton (drums); in concert|
|1976||Your Mind Is on Vacation||Atlantic||Some tracks trio, with Jack Hannah (bass) Jerry Granelli (drums); some tracks quartet, with Al Cohn (tenor sax) added; some tracks sextet, with Joe Farrell (tenor sax), David Sanborn (alto sax), Al Porcino (trumpet), Hannah (bass), Jerry Granelli (drums)|
|1978||Pure Mose||32 Jazz||Trio, with Tom Rutley (bass), Jerry Granelli (drums); in concert; released 1996|
|1982||Middle Class White Boy||Elektra/Musician||Sextet, with Joe Farrell (tenor sax, flute), Phil Upchurch (guitar), Putter Smith (bass), John Dentz (drums), Ron Powell (congas, percussion)|
|1982||Lessons in Living||Elektra/Musician||With Lou Donaldson (alto sax), Eric Gale (guitar), Jack Bruce (bass), Billy Cobham (drums); in concert|
|1987||Ever Since the World Ended||Blue Note||Some tracks trio, with Dennis Irwin (bass), Tom Whaley (drums); some tracks quartet, with Kenny Burrell (guitar) added; some tracks have Arthur Blythe (alto sax), Bob Malach (tenor sax, alto sax), Bennie Wallace (tenor sax) added in various combinations|
|1989||My Backyard||Blue Note||Quintet, with Tony Dagradi (tenor sax), Steve Masakowski (guitar), Bill Huntington (bass), John Vidacovich (drums)|
|1993||The Earth Wants You||Blue Note||With Ratzo Harris (bass), Ray Mantilla (congas), Paul Motian (drums), Randy Brecker (trumpet), Joe Lovano (alto sax), Bob Malach (tenor sax), Hugh McCracken (harmonica), John Scofield (guitar)|
|1996||Tell Me Something: The Songs of Mose Allison||Verve||With Van Morrison (vocals, harmonica), Georgie Fame (vocals, Hammond organ), Ben Sidran (vocals, piano), Alec Dankworth (bass), Ralph Salmins (drums), Guy Barker (trumpet), Pee Wee Ellis (tenor sax), Leo Green (tenor sax), Robin Aspland (Wurlitzer piano)|
|1997||Gimcracks and Gewgaws||Blue Note||With Mark Shim (tenor sax), Russell Malone (guitar), Ratzo Harris (bass), Paul Motian (drums)|
|2000||The Mose Chronicles: Live in London, Volume 1||Blue Note||Trio, with Roy Babbington (bass), Mark Taylor (drums); in concert|
|2000||The Mose Chronicles: Live in London, Volume 2||Blue Note||Quartet, with Jim Mullen (guitar), Roy Babbington (bass), Mark Taylor (drums); in concert|
|2006||American Legend - Live in California||Ibis||Trio, with Bill Douglass (bass), Pete Magadini (drums); in concert; released 2015|
|2009||The Way of the World||ANTI-||Most tracks with Jay Bellerose (drums, percussion), Greg Leisz (guitar, Weissenborn, mandola), David Piltch (bass), Walter Smith III (tenor sax), Anthony Wilson (guitar); one track with Amy Allison (vocals) added|
With Al Cohn
With Stan Getz