|Music of Bangladesh|
|Media and performance|
|Nationalistic and patriotic songs|
|National anthem||Amar Shonar Bangla|
|Other||Notuner Gaan (National March) |
Ekusher Gaan (Ode to the Language Movement)
Bangladesh claims some of the most renowned singers, composers and producers in South Asia. Bangladeshi music spans a wide variety of styles. Music has served the purpose of documenting the lives of the people and was widely patronized by the rulers. It comprises a long tradition of religious and regular song-writing over a period of almost a millennium.
Bangladeshi classical music is based on modes called ragas. In composing these songs, the melodies of north indian ragas are used. As far as the Charyagiti (9th century), ragas have been used in Bengali music. Jaydev's Gitagovindam, Padavali Kirtan, Mangal Giti, Shyamasangit, Tappa, Brahma Sangeet and Tagore songs have been inspired by Ragas. The use of north indian ragas in Bangla songs began in 18th Century.This trend gathered momentum during the 19th and 20th century. The pioneers of these trend were Ramnidhi Gupta, Kali Mirza, Raghunath Roy and the founder of the Bishnupur Gharana, Ramshanker Bhattacharya.Nawab of Lakhnau, Wajid Ali Shah played an important role in this trend. He was dethroned by the British empire in 1856 and banished to Metiaburuz, Kolkata. During his 30 year exile, he patronized music, specially dhrupad, tappa, thumri and kheyal. And, thus made a lasting impact on Bangladeshi music.All traditional Bengali music tend to be based on various variations of Hindustani Classical Music. Rabindranath Tagore had a deep appreciation for North Indian ragas, successfully introduced ragas in his songs. He was followed by Dwijendralal Roy, Rajanikanta Sen and Atulprasad Sen.
Folk has come to occupy the lives of Bangladeshis almost more than any other genre of Bengali music. Among the luminaries of the different folk traditions are Lalon Fokir, Radharaman Dutta, Hason Raja, Khursheed Nurali (Sheerazi), Ramesh Shil, Kari Amir Uddin Ahmed and Abbas Uddin. Folk songs are characterised by simple musical structure and words. Before the advent of radio, entertainment in the rural areas relied on a large extent on stage performances by folk singers. With the arrival of new communication technologies and digital media, many folk songs were modernised and incorporated into modern songs (Adhunik songeet).
Folk music can be classified into several subgenres:
Baul is the most commonly known category of Bangladeshi folk songs. It is mostly performed by hermits who are followers of Sufism in Bangladesh. Present day Sufis earn mainly from performing their music. Baul songs incorporate simple words expressing songs with deeper meanings involving creation, society, lifestyle and human emotions. The songs are performed with very little musical support to the main carrier, the vocal. Instruments used include the Ektara ("one-string"), Dotara ("two-strings"), ba(n)shi (country flute made from bamboo) and cymbals. In recent times[when?], Baul geeti has lost popularity, due to urbanisation and westernisation.
Rabindra Sangeet (Bengali: Robindro shonggit, Bengali pronunciation: [?obind?o ?oit]), also known as Tagore Songs, are songs written and composed by Rabindranath Tagore. They have distinctive characteristics in the music of Bengal, popular in India and Bangladesh. "Sangeet" means music, "Rabindra Sangeet" means Songs of Rabindra.
Nazrul Geeti or Nazrul Sangeet, literally "music of Nazrul," are songs written and composed by Kazi Nazrul Islam, a Bengali poet and national poet of Bangladesh and active revolutionary during the Indian Independence Movement. Nazrul Sangeet incorporate revolutionary notions as well as more spiritual, philosophical and romantic themes.
Adhunik sangeet literally means "modern songs". Although, to outsiders, this may seems like an ambiguous nomenclature, it has particular motivations.
Bengali music traditionally has been classified mainly by the region of origin and the creators of the musical genre, such as Nazrul geeti (written and composed by Kazi Nazrul Islam), ghombhira (unique to a specific area in Bangladesh), etc. However, this prevented the ability to classify any music that failed to fit into any of the classes. In the period just before Indian independence, several new minor musical genres emerged, mainly in the form of playback songs for movies. A miscellaneous category, Adhunik sangeet, was created, since, at that time, this music was "modern".
Modernisation of Bengali music occurred at different times and, for the most part, independent of western influence. Most notable of these changes were:
The film industry of Bangladesh supported music by according reverence to classical music while utilizing the western orchestration to support melodies.
Bangladeshi rock was introduced in 1972 by singer, songwriter, music composer Nasir Ahmed Apu of Spondan band, pioneer of Bengali pop/rock and re-invented Bengali folk music in Bangladesh. Spondan was founded in Dhaka, Bangladesh on 17 January 1972. Spondan's " Emom Ekta Ma Deana ', " Sritiro Shai pote ajo " songs written, tune and music by Nasir Ahmed Apu, Vocal by Ferdous Wahid, Record label Bangladesh Gramophone company, 1975 are all time hit. Other popular songs created by Nasir Ahmed Apu of Spondan are "Paglar mon Nacchaya", (Vocal by Ferdous Wahid, record label- Dhaka Record, 1974) "Ai Montare Daana mele diechi vocal by Nasir Ahmed Apu (recorded in 1974), Shajiey gujie de more (recorded in 1976) and further more. Uccharon was formed in 1973 and their first released album was "Ore Saleka, and High court er Majhare" vocal by Azam Khan of Uccharon, record label Dhaka Record, 1973. Subsequently, other contributory bands areSouls, Miles, Nagar Baul, Warfaze, RockStrata, LRB and Ark.1990 || blue birds formed in chittagong first girls band of Bangladesh. their album name was saikat e ekdin 2010 || Bisharjan || Dhaka
|Formed||Name||Genre||Language||City of origin|
|1980||Nagar Baul||Hard rock, psychedelic rock||Chittagong|
|1984||Warfaze||Hard rock, heavy metal music||Chittagong|
|1986||Nova||Rock music, Hard rock, Psychedelic rock|
|1991||Love Runs Blind||Alternative rock||Chittagong|
|1993||Cryptic Fate||Progressive metal||Dhaka|
|1996||Shironamhin||Folk music, alternative rock, psychedelic rock|
|1998||Aurthohin||Rock music, Heavy Metal|
|Black||Rock music, alternative rock, grunge|
|Poizon Green||Thrash/Power Metal||English|
|1999||Artcell||Progressive metal, progressive rock||Bangla|
|Scarecrow||Thrash Metal, metal core|
|2001||Stentorian||Hard rock, heavy metal|
|2002||Arbovirus||Experimental music, alternative rock, Nu metal||Bangla|
|2004||Severe Dementia||Death Metal||English|
|Funeral Anthem||Power Metal||Bangla|
|2006||De-illumination||Symphonic rock, symphonic metal|
|Sent Men Revolt||Spiritual Thrash, Thrash, Heavy Metal||Dhaka|
|GrooveTrap||Funk, R&B, Soul||English|
Fusion, traditional music with Western instrumentation to revitalize and re-popularize Bengali music. Joler Gaan and Lampost are one of the best popular Fusion bands in Bangladesh. A new growing genre of Bangladesh music is contemporary urban music. The Bangla Youth Project by DJ AKS was one of the first Urban Bangla, RnB/Pop Music album in 2010. Most of the songs contained English and Bengali lyrics. Contemporary Urban music got popularity with the introduction of American and British television channels and Hollywood movies. Recently, there has been an 'Urban Bangla' scene growing in North America, Australia, and in particular the Asian Underground in the United Kingdom where there is also fusion going on between Sylheti music as well. Notable Urban Bangla artists include DJ AKS, Master-D, Shahrar Nizam, Stoic Bliss, Iksy, Char Avell, Bilal Shahid, Fuad, Mumzy Stranger, Redz & Ashboii, Muza and Nish.
Common instruments are: