|Studio album by|
|Released||September 12, 1989|
|Recorded||January-June 1989 at Little Mountain Sound Studio|
|Singles from Pump|
|The Daily Vault||A|
Pump incorporates the use of keyboards and a horn section on many of the singles ("Love in an Elevator", "The Other Side"), and contains straightforward rockers ("F.I.N.E.", "Young Lust"), the ballad "What It Takes", songs about issues such as incest and murder ("Janie's Got a Gun") and drug and alcohol abuse ("Monkey on My Back"), as well as a variety of instrumental interludes such as "Hoodoo" and "Dulcimer Stomp."
The album has certified sales of seven million copies in the U.S. to date, and is tied with its successor Get a Grip as Aerosmith's second best-selling studio album in the U.S. (Toys in the Attic leads with eight million). It produced a variety of successes and "firsts" for the band including their first Grammy Award ("Janie's Got a Gun"). "Love in an Elevator" became the first Aerosmith song to hit #1 on the Mainstream Rock Tracks chart. Additionally, it is the only Aerosmith album to date to have three Top 10 singles on the Billboard Hot 100 and three #1 singles on the Mainstream Rock Tracks chart. The album was the fourth bestselling album of the year 1990.
In the UK, it was the second Aerosmith album to be certified Silver (60,000 units sold) by the British Phonographic Industry, achieving this in September 1989.
A video documentary on the recording, The Making of Pump, was released in 1990.
In December 1988, Aerosmith got together at Rik Tinory Productions in Cohasset, Massachusetts to rehearse and compose new songs, as the band members thought the isolated nature of the studio would help their creativity. Over 19 songs were written, split between an "A-list" with songs considered possible hits, such as "Love in an Elevator" and "What It Takes", and the "B list" having songs yet to be developed such as "Voodoo Medicine Man". Producer Bruce Fairbairn focused on getting as many hooks on the songs as possible.
Some songs proposed for the album, though never released, include "Girl's Got Somethin'", "Is Anybody Out There", "Guilty Kilt", "Rubber Bandit", "Sniffin'", and "Sedona Sunrise". Many songs also had alternate titles, for example, "Voodoo Medicine Man" was originally titled "Buried Alive" and "News For Ya Baby". The majority of these songs can be seen in photos of the studio's whiteboard and in footage from "The Making Of Pump".
In January 1989, the band went to Vancouver to again record at Fairbairn's Little Mountain Sound, where the producer had helmed Bon Jovi's Slippery When Wet and New Jersey. "I don't even listen to Bon Jovi," Steven Tyler protested, "so we didn't say, 'Oh, shit, they had a great album,' and go up there."
The intention with the album was exploring a rawness that had been glossed over for a commercial sound in Permanent Vacation.Joe Perry declared that "When we went to do this album, we knew what we wanted, we wanted to strip off a little fat we felt on our last one. We didn't say 'We need a drug song or a child abuse song,' but when they fit, we used them. That's Aerosmith: we aren't bound by any rules." This escape from the rules lead to the instrumental interludes between the songs. The interludes were done with the collaboration of musician Randy Raine-Reusch, who was brought to the studio after Perry and Tyler visited his house to search for unusual instruments to employ. Many of the lyrics employ sexual themes, which Tyler attributed to having "making up for the lost time" he spent using drugs instead of having sex in the 1970s.
Steven Tyler regretted not putting lyrics in the album booklet, something that happened because Geffen was afraid the Parents Music Resource Center would protest over lyrical content with many sex and drugs references. To remedy this omission, the lyrics were included in the tour programme. The album cover features a black and white photo of a smaller International K Series truck on top of a larger International KB Series truck, with the letters F.I.N.E (an acronym for "Fucked Up, Insecure, Neurotic, and Emotional", as stated in the album's liner notes) in place of the chrome International markings on the side of both hoods.
|1.||"Young Lust"||Steven Tyler, Joe Perry, Jim Vallance||4:18|
|2.||"F.I.N.E."||Tyler, Perry, Desmond Child||4:09|
|3.||"Going Down/Love in an Elevator"||Tyler, Perry||5:39|
|4.||"Monkey on My Back"||Tyler, Perry||3:57|
|5.||"Water Song/Janie's Got a Gun"||Tyler, Tom Hamilton||5:38|
|1.||"Dulcimer Stomp/The Other Side"||Tyler, Vallance, Brian Holland, Lamont Dozier, Eddie Holland||4:56|
|2.||"My Girl"||Tyler, Perry||3:10|
|3.||"Don't Get Mad, Get Even"||Tyler, Perry||4:48|
|4.||"Hoodoo/Voodoo Medicine Man"||Tyler, Brad Whitford||4:39|
|5.||"What It Takes"||Tyler, Perry, Child||5:11|
|10.||"What It Takes" (Includes an instrumental hidden track composed & performed by Randy Raine-Reusch)||6:28|
|11.||"Ain't Enough"||Tyler, Perry||4:57|
Aerosmith found themselves in law school textbooks after a small rock band named Pump sued Aerosmith's management company for service mark infringement. Aerosmith won the case. Aerosmith also found themselves in legal trouble when the songwriting team Holland-Dozier-Holland threatened to sue the band over the main melody in Aerosmith's song "The Other Side" which sounded similar to the melody in the song "Standing in the Shadows of Love". As part of the settlement, Aerosmith agreed to add "Holland-Dozier-Holland" in the songwriting credits for "The Other Side".
"At a time when young guns from Mötley Crüe to Poison were doing their level best to hoist the heavy metal crown from the likes of Def Leppard and Bon Jovi," noted Q, "it took a bunch of hoary, addled old stagers like Aerosmith to come up with the year's best metal album."
"Aerosmith is still the reigning king of the hard-rock double entendre..." wrote Rolling Stone. "But Pump - like, real subtle - has more going for it than locker-room laughs, such as the vintage high-speed crunch (circa Toys in the Attic) of 'Young Lust', the sassy slap 'n' tickle of 'My Girl' and the kitchen-sink sound of 'Janie's Got A Gun'."
"Messrs Tyler and Perry," observed Hi-Fi News & Record Review, "have cleaned up their act, hoovered their nostrils, added a few more items of choice veg to their cod-pieces and come up with a stonker."
|Dutch Albums (Album Top 100)||33|
|German Albums (Offizielle Top 100)||13|
|Japanese Albums Chart||10|
|Norwegian Albums (VG-lista)||9|
|Swedish Albums (Sverigetopplistan)||8|
|Swiss Albums (Schweizer Hitparade)||9|
|UK Albums (OCC)||3|
|US Billboard 200||5|
Singles - Billboard (North America)
|1989||"Love in an Elevator"||Mainstream Rock Tracks||1|
|The Billboard Hot 100||5|
|"F.I.N.E."||Mainstream Rock Tracks||14|
|"Janie's Got a Gun"||Mainstream Rock Tracks||2|
|The Billboard Hot 100||4|
|1990||"Monkey on My Back"||Mainstream Rock Tracks||17|
|"What It Takes"||Mainstream Rock Tracks||1|
|The Billboard Hot 100||9|
|"The Other Side"||Mainstream Rock Tracks||1|
|The Billboard Hot 100||22|
|U.S. Billboard 200||73|
|Canada (Music Canada)||7× Platinum||700,000^|
|New Zealand (RMNZ)||Platinum||15,000^|
|United Kingdom (BPI)||Gold||100,000^|
|United States (RIAA)||7× Platinum||7,000,000^|
^shipments figures based on certification alone
|1990||"Janie's Got a Gun"||Best Rock Performance By A Duo Or Group With Vocal|