A quadriga (Greek: , translit. tethrippos, lit. "four horses") is a car or chariot drawn by four horses abreast and favoured for chariot racing in Classical Antiquity and the Roman Empire until the Late Middle Ages. The word derives from the Latin contraction of quadriiuga, from quadri- : four, and iugum : yoke;
The four-horse abreast arrangement in quadriga is distinct from the more common four-in-hand array of two horses in the front and two horses in the back.
Quadriga was raced in the Ancient Olympic Games and other contests. It is represented in profile as the chariot of gods and heroes on Greek vases and in bas-relief. The quadriga was adopted in ancient Roman chariot racing.
Quadrigas were emblems of triumph; Victory or Fame often are depicted as the triumphant woman driving it. In classical mythology, the quadriga is the chariot of the gods; Apollo was depicted driving his quadriga across the heavens, delivering daylight and dispersing the night.
The word quadriga may refer to the chariot alone, the four horses without it, or the combination.
Modern sculptural quadrigas are based on the four bronze Horses of Saint Mark or the "Triumphal Quadriga", a set of equine Roman or Greek sculptures, the only representation of a quadriga to survive from the classical world, and the pattern for all that follow.[1][need quotation to verify] Their age is disputed. Originally erected in the Hippodrome of Constantinople, possibly on a triumphal arch, they are now in St Mark's Basilica in Venice. Venetian Crusaders looted these sculptures in the Fourth Crusade (which dates them to at least 1204) and placed them on the terrace of St Mark's Basilica. In 1797, Napoleon carried the quadriga off to Paris, but, after Napoleon's fall, in 1815, the horses were returned to Venice by Louis XVIII, King of France. The legitimate king did not want to be the illegitimate owner of a treasure. Due to the effects of atmospheric pollution, the original quadriga was retired to a museum and replaced with a replica in the 1980s.
Quadrigae also appear on the frieze of the Libyco-Punic Mausoleum of Dougga, which dates to the 2nd century BC.
Lucanian fresco from Paestum depicting a quadriga, 340-330 BC (Paestum Archaeological Museum)
Frieze on the 2nd-century BC Libyco-Punic Mausoleum of Dougga
Jupiter and Minerva riding a quadriga drawn by pegasi on a 4th-century BC gold Etruscan bulla (Museo Gregoriano Etrusco)
Apollo as the sun god; cast of the "sarcofago matti" (c. 220 AD) (Museum of Roman Civilization)
Detail from a plaster cast of the late 4th-century so-called Sarcophagus of Stilicho (Museum of Roman Civilization)
11th-century rook from Northern Italy in the form of Charlemagne in a quadriga (Cabinet des Médailles)
Though quadrigae were usually drawn by horses, occasionally, other animals or mythological creatures were employed in spectacles and in art. Elephants were sometimes used to draw quadrigae in the Roman imperial period, and more frequently elephant quadrigae were depicted on coins and other official images. In art and sculpture, quadrigae ridden in by the gods were appropriate to their characters; Neptune's quadriga was drawn, for example, by hippocampi (mythological sea-horses).
The triumph of Neptune and Venus in a quadriga drawn by hippocampi in a mosaic from Utica in Africa (Bardo National Museum)
Medallion of the co-augusti Diocletian and Maximian (r. 285-305) riding in a quadriga drawn by elephants and crowned by Victory
Cybele and Adonis riding on a quadriga drawn by lions on the 4th-century Parabiago plate. (Archaeological Museum of Milan)
Buddy Bear Quadriga in Berlin, Kurfürstendamm 21
Some of the most significant full-size free-standing sculptures of quadrigas include, in approximate chronological order:
Brandenburg Gate Quadriga at night.
The Quadriga dell'Unità at Vittoriano, Rome
Quadriga, Wellington Arch, London
Brabant Raising the National Flag or Quadriga of Brabant, Parc du Cinquantenaire, Brussels
Quadriga, Arc de Triomphe du Carrousel, Paris
Quadriga, Grand Theatre, Warsaw
A quadriga sculpted by Peter Clodt von Jürgensburg at Bolshoi Theater
Daniel Chester French & Edward Clark Potter, Minnesota State Capitol 1905
The Seiugae of the Arch of Peace in Milan
Quadriga in the Parc de la Ciutadella in Barcelona
Wayne County Building, Detroit, Michigan, by J. Massey Rhind