|Born||July 20, 1980|
Washington, D.C., U.S.
|Education||New York University (BFA)|
Columbia University (MFA)
|Jake Heinrichs (m. 2011)|
Rachel Chavkin is an American stage director, best known for directing the musicals Natasha, Pierre, & The Great Comet of 1812 and Hadestown, receiving Tony Award nominations for both and winning for the latter.
Chavkin was born in Washington, D.C., where her parents were civil rights lawyers. She was raised in the Washington suburb of Silver Spring, Maryland. Chavkin has a BFA from New York University's Tisch School of the Arts and an MFA from Columbia University School of the Arts (2008).
She directed Three Pianos which ran Off-Off-Broadway at the Ontological-Hysteric Theater in March 2010 and then at the New York Theatre Workshop in December 2010 to January 2011. She won the 2010 Obie Award, Obie Special Citation for Three Pianos.
Chavkin directed Dave Malloy's Natasha, Pierre & The Great Comet of 1812, which ran Off-Broadway in 2013-2014.Natasha, Pierre & The Great Comet of 1812 received the 2013 Obie Award, Special Citation. Under her direction, the musical opened on Broadway at the Imperial Theatre on November 14, 2016. At the 71st Tony Awards, the musical received twelve nominations, the highest number for the 2016-17 season, including a nomination for Chavkin for Best Director of a Musical.
She directed The Royale by Marco Ramirez, Off-Broadway at Lincoln Center, which opened in March 2016. She was nominated for the 2016 Drama Desk Award for Outstanding Director of a Play for directing The Royale. She received the 2016 Obie Award, Direction, for The Royale.
Chavkin directed the folk opera Hadestown, written by Anaïs Mitchell, which opened officially at the Off-Broadway New York Theatre Workshop on May 23, 2016. Following productions in Edmonton and London, Hadestown opened on Broadway in April 2019 at the Walter Kerr Theatre. She went on to win the Tony Award for Best Direction of a Musical. She directed Anything That Gives Off Light at the Edinburgh International Festival in August 2016, in a co-production with The TEAM and The National Theatre of Scotland.
In an article in American Theatre, Diep Tran noted that she has a "diverse slate of work" united with "a distinctively multisensory sensibility.... When she staged Meg Miroshnik's The Fairytale Lives of Russian Girls at Yale Repertory Theatre, she included a live female punk band; her work with the TEAM routinely blends text, video, and pervasive sound design. 'She can squeeze a lot into a small space, and yet it feels epic and sprawling,' said Ars Nova artistic director Jason Eagan."
|2013||Obie Award||Special Citations||Natasha, Pierre & The Great Comet of 1812||Won|
|Drama Desk Award||Outstanding Director of a Musical||Nominated|
|2014||Lucille Lortel Award||Outstanding Director||Nominated|
|2016||Obie Award||Best Director||The Royale: A Play in Six Rounds||Won|
|Elliot Norton Award||Outstanding Director, Large Theatre||Natasha, Pierre & The Great Comet of 1812||Won|
|2017||Drama Desk Award||Outstanding Director of a Musical||Won|
|Tony Award||Best Direction of a Musical||Nominated|
|American Ingenuity Award||History||Won|
|2019||Tony Award||Best Direction of a Musical||Hadestown||Won|
|Drama Desk Award||Outstanding Director of a Musical||Won|
|Outer Critics Circle Awards||Outstanding Director of a Musical||Won|