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Richard Arthur Wollheim (5 May 1923 - 4 November 2003) was a British philosopher noted for original work on mind and emotions, especially as related to the visual arts, specifically, painting. Wollheim served as the president of the British Society of Aesthetics from 1992 onwards until his death in 2003.
In 1962, he published an article "A paradox in the theory of democracy", in which Wollheim argued that a supporter of democracy faces a contradiction when he votes. On the one hand he wants a particular party or candidate to win, but on the other hand he wants whoever wins the most votes to win. This has become known as Wollheim's paradox.
His Art and its Objects was one of the twentieth century's most influential texts on philosophical aesthetics in English. In a 1965 essay, 'Minimal Art', he seems to have coined the phrase, although its meaning eventually drifted from his. As well as for his work on the philosophy of art, Wollheim was known for his philosophical treatments of depth psychology, especially Sigmund Freud's. His posthumously-published autobiography of youth, Germs: A Memoir of Childhood, with complementary essays, discloses a good deal about his family background and his life up to early manhood, providing valuable material for understanding his interests and sensibility.
For an extensive bibliography of Richard Wollheim's publications by a professional bibliographer, see Eddie Yeghiayan's UC-Irvine site. See also the 'Philweb' listing.
Note: given his unique mind, personality, and distinctive writing styles, along with his curiosity and sociability, many of Richard Wollheim's publications are outside academic categories. Besides books, he published many articles, in journals and edited collections, book reviews, and gallery catalogues for shows. He also left writings in manuscript, letters and recordings of his talks.
Books and separately published works (selected)
F. H. Bradley. Harmondsworth; Baltimore: Penguin, 1959. 2d edition, 1969.