Though the tradition of the Three Marys arriving in France stems from the high Middle Ages, appearing for instance in the 13th century Golden Legend, Saint Sarah makes her first appearance in Vincent Philippon's book The Legend of the Saintes-Maries (1521), where she is portrayed as "a charitable woman that helped people by collecting alms, which led to the popular belief that she was a Gypsy." Subsequently, Sarah was adopted by Romani as their saint.
Another account has Sarah welcoming the Three Marys into Gaul. Franz de Ville (1956) writes:
One of our people who received the first Revelation was Sara the Kali. She was of noble birth and was chief of her tribe on the banks of the Rhône. She knew the secrets that had been transmitted to her... The Rom at that period practiced a polytheistic religion, and once a year they took out on their shoulders the statue of Ishtari (Astarte) and went into the sea to receive benediction there. One day Sara had visions which informed her that the Saints who had been present at the death of Jesus would come, and that she must help them. Sara saw them arrive in a boat. The sea was rough, and the boat threatened to founder. Mary Salome threw her cloak on the waves and, using it as a raft, Sarah floated towards the Saints and helped them reach land by praying.
The day of the pilgrimage honouring Sarah is May 24; her statue is carried down to the sea on this day to re-enact her arrival in France.
Some authors have drawn parallels between the ceremonies of the pilgrimage and the worship of the Hindu goddess Kali (a form of Durga), subsequently identifying the two.Ronald Lee (2001) states:
If we compare the ceremonies with those performed in France at the shrine of Sainte Sara (called Sara e Kali in Romani), we become aware that the worship of Kali/Durga/Sara has been transferred to a Christian figure... in France, to a non-existent "sainte" called Sara, who is actually part of the Kali/Durga/Sara worship among certain groups in India.
The name "Sara" itself is seen in the appellation of Durga as Kali in the famed text Durgasaptashati.
The statue of Saint Sarah makes an appearance in Tony Gatlif's 1993 film Latcho Drom (Safe Journey) where it is carried to the sea, and her landing is re-enacted.
In Korkoro, also a Tony Gatlif film, the Romani often pray to Saint Sarah with intense fervor.
In the Chilean telenovela Romané, the main character is a Roma woman named Jovanka, a devotée of Saint Sarah. She swears in Sarah's name that she'll never reveal which of her daughters is her true child.
In A.S. Byatt's novel Still Life, some of the characters visit the Camargue and discuss the legend of Saint Sarah.
In The Rozabal Line, author Ashwin Sanghi puts forward that Sara-la-Kali refers to the three Hindu goddesses - Saraswati, Lakshmi, and Kali - the goddesses of Knowledge, Wealth and Power - symbolizing the trinity of female power.
In Gypsilands 2000 Album Viva La Musica, track thirteen is titled "Santa Sarah". This track pays homage to the Patron saint of the Romani People St. Sara-Kali.
Setting of the book Light of the Moon by Luanne Rice.
In "Strangers", an episode of The Walking Dead, the protagonists are led to St. Sarah's Episcopal Church.
Tinkerscuss sing "Black Sarah" on their 2010 album "Nine Trees".
Alistair MacLean's 1970 thriller, Caravan to Vaccarès is set during the pilgrimage to Saintes-Maries-de-la-Mer.
In poet and author Sharanya Manivannan's 2016 collection of short stories, The High Priestess Never Marries, Sarala Kali appears in a story titled "Conchology" as a mysterious friend to the narrator.
The song "Black Sara" on the album Devil in the Yard by the band Achilles Wheel tells the story of Saint Sara.
Czon the Swedish artist did a portrait of Sara La Kali outside the church in "Saintes Maries de la Mer" 2018.
In the Book "Witch. Unleashed. Untamed. Unapologetic." By Lisa Lister, Sara La Kali is mentioned as the patron saint of the Gypsies. Under title 'Meet Sara La Kali' she is put forward as the Daughter of Jesus Christ and Mary Magdalene.