Urdu poetry (Urdu: Urd? S̱ẖir?) is a rich tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. According to Naseer Turabi there are five major poets of Urdu which are Mir Taqi Mir, Mirza Ghalib, Mir Anees, Allama Iqbal and Josh Malihabadi. The language of Urdu reached its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition.
It is fundamentally performative poetry and its recital, sometimes impromptu, is held in Mushairas (poetic expositions). Although its tarannum saaz (singing aspect) has undergone major changes in recent decades, its popularity among the masses remains unaltered. Mushairas are today held in metropolitan areas worldwide because of the cultural influence of South Asian diaspora. Ghazal singing and Qawwali are also important expository forms of Urdu poetry.
The principal forms of Urdu poetry are:
- Ghazal , is a set of two liner couplets, which strictly should end with the same rhyme and should be within one of the predefined meters of ghazals. There has to be a minimum of five couplets to form a ghazal. Couplets may or may not have the same thought. It is one of the most difficult forms of poetry as there are many strict parameters that one needs to abide by while writing ghazal. It is important to think about the topic as well as the theme of a ghazal before starting to write it. The first line of a ghazal must include a refrain, which is a word or a phrase that can be easily fitted into the other couplets. Each couplet of a ghazal is known as Sher.
- Hamd ? is a poem in praise of Allah. The word "hamd" is derived from the Qur'an, its English translation is "Praise".
- Manqabat is a Sufi devotional poem, in praise of Ali ibn Abi Talib, the son-in-law of Muhammad, or of any Sufi saint.
- Marsiya is an elegy typically composed about the death of Hasan, Husain, or their relatives. Each stanza has six lines, with the rhyme scheme AAAABB. The famous marsia writers who inherited the tradition of Mir Anis among his successive generations are Mir Nawab Ali 'Munis', Dulaha Sahab 'Uruj', Syed Mohammed Mohsin (Jaunpuri), Mustafa Meerza urf Piyare Sahab 'Rasheed', Syed Muhammad Mirza Uns, Ali Nawab 'Qadeem', Syed Sajjad Hussain "Shadeed" Lucknavi, Allama, Dr.Syed Ali Imam Zaidi, "Gauher" Luckhnavi the great-grandson of Mir Babber Ali Anis, Syed Karrar Hyder (Jaunpuri) and Syed Yadullah Haider (son of Syed Karrar Hyder).
- Masnavi is a poem written in couplets in bacchic tetrameter with an iambus for last foot. The topic is often romance.Mir Taqi Mir and Sauda wrote some of this kind. The Religious Masnavi History of Islam (Tarikh-e-Islam Az Quran) written by Dr Syed Ali Imam Zaidi Gauher Lucknavi.
- Na`at is a poetry that specifically praises the Islamic prophet Muhammad.
- Nazm Urdu nazm is a major part of Urdu poetry. From Nazeer Akarabadi, Iqbal, Josh, Firaq, Akhtarul Iman to down the line Noon Meem Rashid, Faiz, Ali Sardar Jafri and Kaifi Azmi. They have covered common life, philosophical thinking, national issues and the precarious predicament of an individual human being. As a distinct form of Nazm many Urdu poets influenced by English and other European poets took to writing sonnets in the Urdu language. Azmatullah Khan (1887-1923) is believed to have introduced this format to Urdu Literature. The other renowned Urdu poets who wrote sonnets were Akhtar Junagarhi, Akhtar Sheerani, Noon Meem Rashid, Zia Fatehabadi, Salaam Machhalishahari and Wazir Agha.
- Qasida, usually an ode to a benefactor, a satire, or an account of an event. It uses the same rhyme system as the ghazal, but is usually longer.
- Ruba'i , is a poetry style, the Arabic term for "quatrain". The plural form of the word, rubiy?t, often anglicised rubaiyat, is used to describe a collection of such quatrains.
- Tazkira is a biographical anthology of poetry.
The principal collection forms of Urdu poetry are:
Urdu poetry forms itself with following basic ingredients:
The major genres of poetry found in Urdu are:
In the Urdu poetic tradition, most poets use a pen name called the Takhallus (?). This can be either a part of a poet's given name or something else adopted as an identity. The traditional convention in identifying Urdu poets is to mention the takhallus at the end of the name.
The word takhallus is derived from Arabic, meaning "ending". This is because in the Ghazal form, the poet would usually incorporate his or her pen name into the final couplet () (maqta) of each poem.
Scripts used in poetry
In Pakistan and Deccan region of India, Urdu poetry is written in the standard Nasta'liq calligraphy style of the Perso-Arabic script. However, in north India, where Urdu poetry is very popular, the Perso-Arabic is often found transliterated into the Devan?gar? script, as an aid for those Hind?-speakers, who can comprehend Urdu, but cannot read the Perso-Arabic script. With the dawn of the internet and globalization, this poetry is often found written in Roman Urdu as well as in Hindi script.
Example of Urdu ghazal
The following is a verse from an Urdu ghazal by Sher Khwaja Mir Dard:
- dosto dekh? tamh? ya?haN k? bas.
- tum raho ab hum to apne ghar chale
- Friends, I've seen the spectacle of this place - enough!
- You stay here; I'm heading home.