In geometry, stellation is the process of extending a polygon in two dimensions, polyhedron in three dimensions, or, in general, a polytope in n dimensions to form a new figure. Starting with an original figure, the process extends specific elements such as its edges or face planes, usually in a symmetrical way, until they meet each other again to form the closed boundary of a new figure. The new figure is a stellation of the original. The word stellation comes from the Latin stell?tus, "starred", which in turn comes from Latin stella, "star".
In 1619 Kepler defined stellation for polygons and polyhedra as the process of extending edges or faces until they meet to form a new polygon or polyhedron.
He stellated the regular dodecahedron to obtain two regular star polyhedra, the small stellated dodecahedron and great stellated dodecahedron. He also stellated the regular octahedron to obtain the stella octangula, a regular compound of two tetrahedra.
Stellating a regular polygon symmetrically creates a regular star polygon or polygonal compound. These polygons are characterised by the number of times m that the polygonal boundary winds around the centre of the figure. Like all regular polygons, their vertices lie on a circle. m also corresponds to the number of vertices around the circle to get from one end of a given edge to the other, starting at 1.
A regular star polygon is represented by its Schläfli symbol {n/m}, where n is the number of vertices, m is the step used in sequencing the edges around it, and m and n are coprime (i.e. have no common divisor). Making m = 1 gives the convex {n}. m also must be less than half of n; otherwise the lines will either be parallel or diverge, preventing the figure from ever closing.
If n and m do have a common divisor, then the figure is a regular compound. For example {6/2} is the regular compound of two triangles {3} or hexagram, while {10/4} is a compound of two pentagrams {5/2}.
Some authors use the Schläfli symbol for such regular compounds. Others regard the symbol as indicating a single path which is wound m times around vertex points, such that one edge is superimposed upon another and each vertex point is visited m times. In this case a modified symbol may be used for the compound, for example 2{3} for the hexagram and 2{5/2} for the regular compound of two pentagrams.
A regular ngon has stellations if n is even (assuming compounds of multiple degenerate digons are not considered), and stellations if n is odd.
The pentagram, {5/2}, is the only stellation of a pentagon 
The hexagram, {6/2}, the stellation of a hexagon and a compound of two triangles. 
The enneagon (nonagon) {9} has 3 enneagrammic forms: {9/2}, {9/3}, {9/4}, with {9/3} being a compound of 3 triangles. 

Like the heptagon, the octagon also has two octagrammic stellations, one, {8/3} being a star polygon, and the other, {8/2}, being the compound of two squares.
A polyhedron is stellated by extending the edges or face planes of a polyhedron until they meet again to form a new polyhedron or compound. The interior of the new polyhedron is divided by the faces into a number of cells. The face planes of a polyhedron may divide space into many such cells, and as the stellation process continues then more of these cells will be enclosed. For a symmetrical polyhedron, these cells will fall into groups, or sets, of congruent cells  we say that the cells in such a congruent set are of the same type. A common method of finding stellations involves selecting one or more cell types.
This can lead to a huge number of possible forms, so further criteria are often imposed to reduce the set to those stellations that are significant and unique in some way.
A set of cells forming a closed layer around its core is called a shell. For a symmetrical polyhedron, a shell may be made up of one or more cell types.
Based on such ideas, several restrictive categories of interest have been identified.
We can also identify some other categories:
The Archimedean solids and their duals can also be stellated. Here we usually add the rule that all of the original face planes must be present in the stellation, i.e. we do not consider partial stellations. For example the cube is not usually considered a stellation of the cuboctahedron.
Generalising Miller's rules there are:
Seventeen of the nonconvex uniform polyhedra are stellations of Archimedean solids.
In the book The FiftyNine Icosahedra, J.C.P. Miller proposed a set of rules for defining which stellation forms should be considered "properly significant and distinct".
These rules have been adapted for use with stellations of many other polyhedra. Under Miller's rules we find:
Many "Miller stellations" cannot be obtained directly by using Kepler's method. For example many have hollow centres where the original faces and edges of the core polyhedron are entirely missing: there is nothing left to be stellated. On the other hand, Kepler's method also yields stellations which are forbidden by Miller's rules since their cells are edge or vertexconnected, even though their faces are single polygons. This discrepancy received no real attention until Inchbald (2002).
Miller's rules by no means represent the "correct" way to enumerate stellations. They are based on combining parts within the stellation diagram in certain ways, and don't take into account the topology of the resulting faces. As such there are some quite reasonable stellations of the icosahedron that are not part of their list  one was identified by James Bridge in 1974, while some "Miller stellations" are questionable as to whether they should be regarded as stellations at all  one of the icosahedral set comprises several quite disconnected cells floating symmetrically in space.
As yet an alternative set of rules that takes this into account has not been fully developed. Most progress has been made based on the notion that stellation is the reciprocal or dual process to facetting, whereby parts are removed from a polyhedron without creating any new vertices. For every stellation of some polyhedron, there is a dual facetting of the dual polyhedron, and vice versa. By studying facettings of the dual, we gain insights into the stellations of the original. Bridge found his new stellation of the icosahedron by studying the facettings of its dual, the dodecahedron.
Some polyhedronists take the view that stellation is a twoway process, such that any two polyhedra sharing the same face planes are stellations of each other. This is understandable if one is devising a general algorithm suitable for use in a computer program, but is otherwise not particularly helpful.
Many examples of stellations can be found in the list of Wenninger's stellation models.
The stellation process can be applied to higher dimensional polytopes as well. A stellation diagram of an npolytope exists in an (n − 1)dimensional hyperplane of a given facet.
For example, in 4space, the great grand stellated 120cell is the final stellation of the regular 4polytope 120cell.
The first systematic naming of stellated polyhedra was Cayley's naming of the regular star polyhedra (nowadays known as the KeplerPoinsot polyhedra). This system was widely, but not always systematically, adopted for other polyhedra and higher polytopes.
John Conway devised a terminology for stellated polygons, polyhedra and polychora (Coxeter 1974). In this system the process of extending edges to create a new figure is called stellation, that of extending faces is called greatening and that of extending cells is called aggrandizement (this last does not apply to polyhedra). This allows a systematic use of words such as 'stellated', 'great, and 'grand' in devising names for the resulting figures. For example Conway proposed some minor variations to the names of the KeplerPoinsot polyhedra.
Wenninger noticed that some polyhedra, such as the cube, do not have any finite stellations. However stellation cells can be constructed as prisms which extend to infinity. The figure comprising these prisms may be called a stellation to infinity. By most definitions of a polyhedron, however, these stellations are not strictly polyhedra.
Wenninger's figures occurred as duals of the uniform hemipolyhedra, where the faces that pass through the center are sent to vertices "at infinity".
Alongside from his contributions to mathematics, Magnus Wenninger is described in the context of the relationship of mathematics and art as making "especially beautiful" models of complex stellated polyhedra.^{[1]}
The Italian Renaissance artist Paolo Uccello created a floor mosaic showing a small stellated dodecahedron in the Basilica of St Mark, Venice, c. 1430. Uccello's depiction was used as the symbol for the Venice Biennale in 1986 on the topic of "Art and Science".^{[2]} The same stellation is central to two lithographs by M. C. Escher: Contrast (Order and Chaos), 1950, and Gravitation, 1952.^{[3]}