Symphony No. 5 (Piston)
Get Symphony No. 5 Piston essential facts below. View Videos or join the Symphony No. 5 Piston discussion. Add Symphony No. 5 Piston to your topic list for future reference or share this resource on social media.
Symphony No. 5 Piston

The Symphony No. 5 by Walter Piston was composed in 1954.


Piston's Fifth Symphony was commissioned by the Juilliard School of Music on the occasion of their 50th anniversary. It was completed in 1954, but premiered only on February 24, 1956 by the Juilliard Orchestra, conducted by Jean Morel. The program also included premieres of works by Peter Mennin, Lukas Foss, Milton Babbitt, Irving Fine, Ross Lee Finney, and William Schuman (Pollack 1982, 117).


The work is in three movements:

  • Lento - Allegro con spirito
  • Adagio
  • Allegro lieto

A typical performance will last around 21 minutes.[]

The first movement is in sonata-allegro form, with an introductory Lento, which returns at the end in varied form as a coda. The slow movement begins with a twelve-tone row, the intervals of which are related to motives from the first movement. The main theme of the Adagio is also related to the intervals of this row, but is more diatonic in construction. The movement is in variation form, but the variations are continuous rather than sectional, and are begun in succession by the clarinet, divisi strings, and tuba. The finale is a rondo, and is the most diatonic of the three movements. As is usual with Pistonian finales, it is drivingly rhythmic (Keyes 1965). The impression of a strong "American" sound is produced in this movement by a spaciousness of melodies and textures. The main theme, in C major, spans more than two octaves in jagged fourths, and the secondary theme is marked by jaunty syncopations (Archibald 1978, 266). These jazzlike figures are indebted to up-tempo Broadway cabaret songs. Piston's treatment of them are at the same time witty and dated. The three movements do not form as satisfactory a symphonic whole as is found in the Fourth and Sixth Symphonies (Pollack 1982, 117).


  • Archibald, Bruce. 1978. "Reviews of Records: Walter Piston: Symphony No. 7, Symphony No. 8, Louisville Orchestra, Jorge Mester; Walter Piston: Symphony No. 5, Louisville Orchestra, Robert Whitney; Walter Piston: Concerto for Viola and Orchestra, Paul Doktor, viola, Louisville Orchestra, Robert Whitney; Walter Piston: The Incredible Flutist, Louisville Orchestra, Jorge Mester". The Musical Quarterly 64, no. 2:263-68.
  • Keyes, Nelson. 1965. Liner notes to Walter Piston: Symphony No. 5; William Kraft: Concerto Grosso. Louisville Orchestra, Robert Whitney, cond. LP recording. Louisville Orchestra First Edition Records LS-653.
  • Pollack, Howard. 1982. Walter Piston. Studies in Musicology. Ann Arbor: UMI Research Press. ISBN 0-8357-1280-X.

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.



Music Scenes