|The Age of Innocence|
Theatrical release poster
|Directed by||Martin Scorsese|
|Produced by||Barbara De Fina|
|Based on||The Age of Innocence|
by Edith Wharton
|Narrated by||Joanne Woodward|
|Music by||Elmer Bernstein|
|Edited by||Thelma Schoonmaker|
|Distributed by||Columbia Pictures|
|Box office||$32.3 million (US)|
The Age of Innocence is a 1993 American historical romantic drama film directed by Martin Scorsese. The screenplay, an adaptation of the 1920 novel The Age of Innocence by Edith Wharton, was written by Scorsese and Jay Cocks. The film stars Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder and Miriam Margolyes, and was released by Columbia Pictures. The film recounts the courtship and marriage of Leland Archer (Day-Lewis), a wealthy New York society attorney, to May Welland (Ryder); Archer then encounters and legally represents the Countess Olenska (Pfeiffer) prior to unexpected romantic entanglements.
The Age of Innocence was released theatrically on September 17, 1993 by Columbia Pictures. It received critical acclaim, winning the Academy Award for Best Costume Design, and being nominated for Best Actress in a Supporting Role (Winona Ryder), Best Adapted Screenplay, Best Original Score and Best Art Direction. However, it was a box office failure, grossing $32.3 million against a $34 million budget. Scorsese dedicated the film to his father, Luciano Charles Scorsese, who had died the month before the film was released. Luciano and his wife, Catherine Scorsese, had a small cameo appearance in the film.
In 1870s New York City, gentleman lawyer Newland Archer is planning to marry the respectable young May Welland. May's cousin, the American heiress Countess Ellen Olenska, has returned to New York after a disastrous marriage to a dissolute Polish Count. At first she is ostracized by society and vicious rumors are spread, but, as May's family boldly stands by the Countess, she is gradually accepted by the very finest of New York's old families.
The Countess was snubbed at one social party arranged by her family, though with the help of Archer is able to make a comeback at an event being hosted by the wealthy Van der Luyden's. There she makes the acquaintance of one of New York's established financiers, Julius Beaufort, who has a reputation for risky affairs and dissipated habits. He begins to openly flirt with the Countess both in public and in private. Archer prematurely announces his engagement to May, but as he comes to know the Countess, he begins to appreciate her unconventional views on New York society and he becomes increasingly disillusioned with his new fiancée May and her innocence, lack of personal opinion, and sense of self.
After the Countess announces her intention of divorcing her husband, Archer supports her desire for freedom, but he feels compelled to act on behalf of the family and persuade the Countess to remain married. When Archer realizes that he has unwittingly been falling in love with the Countess, he abruptly leaves the next day to be reunited with May and her parents, who are in Florida on vacation. Archer asks May to shorten their engagement, but May becomes suspicious and asks him if his hurry to get married is prompted by the fear that he is marrying the wrong person. Archer reassures May that he is in love with her. When back in New York, Archer calls on the Countess and admits that he is in love with her, but a telegram arrives from May announcing that her parents have pushed forward the wedding date.
After their wedding and honeymoon, Archer and May settle down to married life in New York. Over time, Archer's memory of the Countess fades. When the Countess returns to New York to care for her grandmother, she and Archer agree to consummate their affair. But then suddenly, the Countess announces her intention to return to Europe. May throws a farewell party for the Countess, and after the guests leave, May announces to Archer that she is pregnant and that she told Ellen her news two weeks earlier.
The years pass: Archer is 57 and has been a dutiful, loving father and faithful husband. The Archers have had three children. May had previously died of infectious pneumonia and Archer had mourned her in earnest. Archer's engaged son, Ted, persuades him to travel to France. There, Ted has arranged to visit the Countess Olenska at her Paris apartment. Archer has not seen the countess in over 25 years. Ted confides to his father May's deathbed confession that "... she knew we were safe with you, and always would be. Because once, when she asked you to, you gave up the thing you wanted most." Archer responds, "She never asked me." That evening outside the Countess' apartment, Archer sends his son alone to visit her. While sitting outside the apartment, he recollects their time together and eventually gets up and departs.
Scorsese's parents, the actors Charles and Catherine Scorsese, have a small cameo appearance during the sequence in which Archer meets the Countess at the Pennsylvania Terminus in Jersey City. Scorsese himself has a cameo as the "fussy bustling photographer who later takes the official wedding photographs", while Day-Lewis' sister, Tamasin Day-Lewis, has a cameo admiring May's engagement ring.
The Age of Innocence was filmed on location primarily in Troy, New York. The opera scenes were filmed at the Philadelphia Academy of Music in Philadelphia, Pennsylvania. The scenes set in the home of Mrs. Mingott were filmed in "The Castle", a fraternity house belonging to the Alpha Tau chapter of Pi Kappa Phi at Rensselaer Polytechnic Institute. Formerly known as the Paine Mansion, after its completion in 1896 (then-estimated to cost $500,000), it was heralded as the grandest house in all of Troy. The scenes depicting the country house in snow were filmed inside the circa 1737 Dutch-colonial Luykas Van Alen House, in Kinderhook, New York. Only one major set was built, for an ornate ballroom sequence at the Beaufort residence. The triangular Victorian Gothic Rice Building was used as the setting for the law office.
The film's title sequence was created by Elaine and Saul Bass. The famous paintings featured in the film were newly created high-quality reproductions. The bursts of color employed as a fade out were inspired by the films Black Narcissus (1947), by Michael Powell, and Rear Window (1954), by Alfred Hitchcock.
The film grossed $32.3 million in the US from a $34 million budget.
On review-aggregator website Rotten Tomatoes, the film holds an approval rating of 83% based on 52 reviews, and an average rating of 7.4/10. On Metacritic, the film has a weighted average score of 90 out of 100, based on 35 critics, indicating "universal acclaim".
|"||Taking The Age of Innocence, Edith Wharton's sad and elegantly funny novel about New York's highest society in the 1870s, Martin Scorsese has made a gorgeously uncharacteristic Scorsese film...The film is the work of one of America's handful of master craftsmen.||"|
|"||The story told here is brutal and bloody, the story of a man's passion crushed, his heart defeated. Yet it is also much more, and the last scene of the film, which pulls everything together, is almost unbearably poignant.||"|
He then added the film to his "Great Movies" collection, and defined the film as "one of Scorsese's greatest films".
|"||A superlative cast catches Wharton's urgency. Ryder, at her loveliest, finds the guile in the girlish May - she'll use any ruse that will help her hold on to Archer. Day-Lewis is smashing as the man caught between his emotions and the social ethic. Not since Olivier in Wuthering Heights has an actor matched piercing intelligence with such imposing good looks and physical grace. Pfeiffer gives the performance of a lifetime as the outcast countess.||"|
|"||There's an alert, thinking presence behind the camera. And, in front of the camera, performers Daniel Day-Lewis, Michelle Pfeiffer and Winona Ryder suffuse this saga of repressed longing and spiritual suffering with elegant authority.... Known primarily for modern street pictures, such as Taxi Driver and GoodFellas, Scorsese shows he can flex an entirely different set of muscles and still make a great movie.||"|
Todd McCarthy in Variety wrote:
|"||For sophisticated viewers with a taste for literary adaptations and visits to the past, there is a great deal here to savor....Day-Lewis cuts an impressive figure as Newland... The two principal female roles are superbly filled.... Scorsese brings great energy to what could have been a very static story, although his style is more restrained and less elaborate than usual.||"|
Rita Kempley, also in the Washington Post, wrote:
|"||Perhaps it shouldn't come as such a grand surprise that he [Martin Scorsese] is as deft at exploring the nuances of Edwardian manners as he is the laws of modern-day machismo.||"|
Time Out wrote:
|"||The performances are excellent, while the director employs all the tools of his trade to bring his characters and situations vividly to life... Scorsese's most poignantly moving film.||"|
But not all the critics had positive remarks. Marc Savlov in the Austin Chronicle wrote:
|"||At two hours and 13 minutes, Scorsese has allowed himself enough time to follow Wharton's book to the letter, and also enough time to include long stretches of painfully wearisome society functions and banter. As a period piece, it's a joy to behold, but with such an indecisive little newt of a protagonist, it's just hard to give a damn what happens.||"|
At the Academy Awards, The Age of Innocence won the Academy Award for Best Costume Design (Gabriella Pescucci), and was nominated for the awards for Best Supporting Actress (Winona Ryder), Best Adapted Screenplay (Jay Cocks, Martin Scorsese), Best Original Score (Elmer Bernstein) and Best Art Direction (Dante Ferretti, Robert J. Franco). Day-Lewis was ineligible for Oscar consideration, as he was nominated for Best Actor for his performance in In the Name of the Father.
At the Golden Globe Awards, The Age of Innocence won the Golden Globe Award for Best Supporting Actress - Motion Picture (Winona Ryder), and was nominated for the awards for Best Motion Picture - Drama, Best Director - Motion Picture (Martin Scorsese) and Best Actress - Motion Picture Drama (Michelle Pfeiffer).
At the British Academy Film Awards (BAFTAs), The Age of Innocence won the BAFTA Award for Best Actress in a Supporting Role (Miriam Margolyes). The film received another nomination in this category, for Winona Ryder, and was also nominated for the awards for Best Cinematography (Michael Ballhaus) and Best Production Design (Dante Ferretti).
In addition to her Academy Award and BAFTA Award nominations and Golden Globe Award win, Winona Ryder won the National Board of Review Award for Best Supporting Actress and the Southeastern Film Critics Association Award for Best Supporting Actress.
In addition to his Academy Award and Golden Globe Award nominations, Martin Scorsese won the National Board of Review Award for Best Director and the Elvira Notari Prize at the Venice Film Festival (shared with Michelle Pfeiffer), as well as a nomination for the Directors Guild of America Award for Outstanding Directing - Feature Film.
|Academy Awards||Best Supporting Actress||Winona Ryder||Nominated|
|Best Adapted Screenplay||Jay Cocks, Martin Scorsese||Nominated|
|Best Original Score||Elmer Bernstein||Nominated|
|Best Art Direction||Dante Ferretti, Robert J. Franco||Nominated|
|Best Costume Design||Gabriella Pescucci||Won|
|British Academy Film Awards||Best Actress in a Supporting Role||Miriam Margolyes||Won|
|Best Actress in a Supporting Role||Winona Ryder||Nominated|
|Best Cinematography||Michael Ballhaus||Nominated|
|Best Production Design||Dante Ferretti||Nominated|
|Directors Guild of America Awards||Outstanding Directorial Achievement in Motion Pictures||Martin Scorsese||Nominated|
|Golden Globe Awards||Best Motion Picture - Drama||Nominated|
|Best Director - Motion Picture||Martin Scorsese||Nominated|
|Best Actress - Motion Picture Drama||Michelle Pfeiffer||Nominated|
|Best Supporting Actress - Motion Picture||Winona Ryder||Won|
|Grammy Awards||Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television||Elmer Bernstein||Nominated|
|National Board of Review||Best Director||Martin Scorsese||Won|
|Best Supporting Actress||Winona Ryder||Won|
|Southeastern Film Critics Association||Southeastern Film Critics Association Award for Best Supporting Actress||Winona Ryder||Won|
|Venice Film Festival||Elvira Notari Prize||Martin Scorsese, Michelle Pfeiffer||Won|
|The Age of Innocence|
|Film score by|
|Released||September 14, 1993|
The Hit Factory, New York City, New York
|Producer||Elmer Bernstein, Emilie A. Bernstein|
|Elmer Bernstein chronology|