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The American Academy of Arts and Letters
Audubon Terrace, the campus that the academy shares
The academy's galleries are open to the public on a published schedule. Exhibits include an annual exhibition of paintings, sculptures, photographs and works on paper from contemporary artists nominated by its members, and an annual exhibition of works by newly elected members and recipients of honors and awards. A permanent exhibit of the recreated studio of composer Charles Ives was opened in 2014.
The auditorium is sought out by musicians and engineers wishing to record live because the acoustics are considered among the city's finest. Hundreds of commercial recordings have been made there.
The American Academy and Institute of Arts and Letters was formed from three parent organizations. The first, the American Social Science Association, was founded in 1865, at Boston. The second was the National Institute of Arts and Letters, which ASSA's membership created in 1898. The qualification for membership in the NIAL was notable achievement in art, music, or literature. The number of NIAL members was at first limited to 150 (all men). The third organization was the American Academy of Arts, which NIAL's membership created in 1904, as a preeminent national arts institution, styling itself after the French Academy.
The AAA's first seven academicians were elected from ballots cast by the entire NIAL membership. They were William Dean Howells, Samuel L. Clemens, Edmund Clarence Stedman, and John Hay, representing literature; Augustus Saint-Gaudens and John La Farge, representing art; and Edward MacDowell, representing music. The number of NIAL members was increased in 1904, by the introduction of a two-tiered structure: 50 academicians and 200 regular members. Academicians were gradually elected over the next several years. The elite group (academicians) were called the "Academy," and the larger group (regular members) was called the "Institute." This strict two-tiered system persisted for 72 years (1904-76).
In 1908, poet Julia Ward Howe was elected to the AAA, becoming the first female academician.
In 1976, the NIAL and AAA merged, under the name American Academy and Institute of Arts and Letters. The combined Academy/Institute structure had a maximum of 250 living United States citizens as members, plus up to 75 foreign composers, artists, and writers as honorary members. It also established the annual Witter Bynner Poetry Prize in 1980 to support the work of young poets. The election of foreign honorary members persisted until 1993, when it was abandoned.
Federally chartered corporation
The Academy holds a Congressional charter under Title 36 of the United States Code (42 USC 20301 et seq.), which means that it is one of the comparatively rare "Title 36" corporations in the United States. The 1916 statute of incorporation established this institution amongst a small number of other patriotic and national organizations which are similarly chartered. The federal incorporation was originally construed primarily as an honor. The special recognition neither implies nor accords Congress any special control over the Academy, which remains free to function independently.
Active sponsors of Congressional action were Senator Henry Cabot Lodge of Massachusetts and former-President Theodore Roosevelt. The process which led to the creation of this federal charter was accompanied by controversy; and the first attempt to gain the charter in 1910 failed. Sen. Lodge re-introduced legislation which passed the Senate in 1913. The Academy was incorporated under the laws of the State of New York in 1914, which factors in decision-making which resulted in Congressional approval in 1916.
The Academy occupies three buildings on the west end of the Audubon Terrace complex created by Archer M. Huntington, the heir to the Southern Pacific Railroad fortune and a noted philanthropist. To help convince the American Academy of Arts and Letters and the National Institute of Arts and Letters, which were separate but related organizations at the time, to move to the complex, Huntington established building funds and endowments for both.
The first building, on the south side of the complex, along West 155th Street, was designed by William M. Kendall of the firm of McKim, Mead & White; Kendall was himself a member of the Academy. This Anglo-Italian Renaissance administration building was designed in 1921 and opened in 1923. On the north side, another building housing an auditorium and gallery was designed by Cass Gilbert, also an Academy member, and was built from 1928-30. These additions to the complex necessitated considerable alterations to the Audubon Terrace plaza, which were designed by McKim, Mead & White.
In 2007, the American Numismatic Society, which had occupied a Charles P. Huntington-designed building immediately to the east of the Academy's original building, vacated that space to move to smaller quarters downtown. This building, which incorporates a 1929 addition designed by H. Brooks Price, has become the Academy's Annex and houses additional gallery space. In 2009, the space between the Annex and the administration building was turned into a new entrance link, designed by Vincent Czajka with Pei Cobb Freed & Partners.
Members of the Academy are chosen for life and have included some of the leading figures in the American art scene. They are organized into committees that award annual prizes to help up-and-coming artists. Although the names of some of the members of this organization may not be well known today, each of these men were well known in their own time. Greatness and pettiness are demonstrable among the Academy members, even during the first decade during which William James declined his nomination on the grounds that his little brother Henry had been elected first. One of the giants of the academy in his time, Robert Underwood Johnson, casts a decades-long shadow in his one-man war against encroaching modernism, blackballing such writers as H. L. Mencken, F. Scott Fitzgerald, and T. S. Eliot (before his emigration to England disqualified him for full membership). The former President of Harvard, Charles W. Eliot declined election to the Academy "because he was already in so many societies that he didn't want to add to the number."
Although never explicitly excluded, women were simply not elected to membership in the early years. The admission of Julia Ward Howe in January 1908 (at the age of 88) as the first woman in the Academy was only one incident in the intense debate about the very consideration of female members. In 1926, the election of four women - Edith Wharton, Margaret Deland, Agnes Repplier and Mary E. Wilkins Freeman - was said to have "marked the letting down of the bars to women."
Below is a partial list of past members of the American Academy of Arts and Letters and its successor institution, the National Institute and Academy of Arts and Letters:
The academy gives out numerous awards, with recipients chosen by committees made up of Academy members. Candidates for all awards must be nominated by Academy members, except for the Richard Rodgers awards, for which an application may be submitted.
Marc Blitzstein Award - The $5,000 award is given periodically to a composer, lyricist, or librettist, "to encourage the creation of works of merit for musical theater and opera". The award was established in 1965 by the friends of Marc Blitzstein, an Academy member.
Benjamin H. Danks Award - The $20,000 award is given in rotation to a composer of ensemble works, a playwright, and a writer (fiction, non-fiction, poetry). Since 2002 the Academy has administered the prize established by Roy Lyndon Danks in honor of his father, Benjamin Hadley Danks.
Jimmy Ernst Award - Established by Dallas Ernst in memory of her husband, the Jimmy Ernst Award of $5,000 is given to a painter or sculptor "whose lifetime contribution to his or her vision has been both consistent and dedicated". The award has been presented annually since 1990.
E. M. Forster Award - E.M. Forster, a foreign honorary member of the Academy, bequeathed the U.S. royalties of his posthumous novel Maurice to Christopher Isherwood, who transferred them to the Academy to establish this $15,000 award. It is given to a young English writer for an extended visit to the United States.
Walter Hinrichsen Award - The Walter Hinrichsen Award is given for the publication of "a work by a mid-career American composer."
William Dean Howells Medal - This award is given once every five years in recognition of the most distinguished American novel published during that period. It was established in 1925.
The Charles Ives Prize - Six scholarships of $7500 and two fellowships of $15,000 are now given annually to young composers. In 1998, the Academy established the Charles Ives Living, an award of $75,000 a year for a period of three years given to an American composer. The award's purpose is to free "a promising talent from the need to devote his or her time to any employment other than music composition" during that period.
Goddard Lieberson Fellowships - Two Goddard Lieberson Fellowships of $15,000 are given annually to young composers of extraordinary gifts. The CBS Foundation endowed the fellowships in memory of the late president of CBS Records.
American Academy of Arts and Letters Award of Merit - The Award of Merit, a medal and $10,000, is given each year, in rotation, to an outstanding person in America representing one of the following arts: Painting, the Short Story, Sculpture, the Novel, Poetry, and Drama.
Metcalf Awards - In 1986, the Academy received a bequest from Addison M. Metcalf, son of the late member Willard L. Metcalf, for two awards to honor young writers and artists of great promise. The Willard L. Metcalf Award in Art and the Addison M. Metcalf Award in Literature are biennial awards of $10,000.
Katherine Anne Porter Award - This biennial award of $20,000 goes to a prose writer who has demonstrated achievements and dedication to the literary profession.
Arthur Rense Prize - In 1998, the $20,000 award was established to honor "an exceptional poet" once every third year.
Richard Rodgers Awards for Musical Theater - These awards subsidize full productions, studio productions, and staged readings of musicals put on by nonprofit theaters in New York City. The plays are by composers and writers not already established in this field. These are the only awards for which the Academy accepts applications.
Rome Prize in Literature - Every year the Academy selects and partly subsidizes two young writers for a one-year residence at the American Academy in Rome.
Richard and Hinda Rosenthal Foundation Awards - Each of these two awards are for $5,000. The first, established in 1956, is for a fiction work of "considerable literary achievement" published in the previous year. The second, created in 1959, is for a young painter "who has not yet been accorded due recognition".
Medal for Spoken Language - This medal, awarded from time to time, recognizes individuals who set a standard of excellence in the use of spoken language.
The Mildred and Harold Strauss Livings - These Livings provide an annual stipend of $50,000 a year for five years, awarded to two writers of English prose literature to enable them to devote their time exclusively to writing.
Harold D. Vursell Memorial Award - This $10,000 award is given each year to honor a writer of "recent prose that merits recognition for the quality of its style".
Morton Dauwen Zabel Award - This $10,000 biennial award is given in rotation to a poet, writer of fiction, or critic, "of progressive, original, and experimental tendencies".