|Publisher||Harcourt, Brace and World|
Mumford argues for a world not in which technology rules, but rather in which it achieves a balance with nature. His ideal vision is what can be described as an "organic city," where culture is not usurped by technological innovation but rather thrives with it. Mumford contrasts these cities with those constructed around wars, tyrants, poverty, etc. However, the book is not an attack on the city, but rather an evaluation of its growth, how it came to be, and where it is heading, as evidenced by the final chapter "Retrospect and Prospect."
Mumford notes apologetically in his preface that his "method demands personal experience and observation," and that therefore he has "confined [him]self as far as possible to cities and regions [he is] acquainted with at first hand."
Mumford's florid writing style is also "organic" compared to the cold, mechanical style of many history texts. Stylistically, his works are full of metaphors and similes, as well as quotations from famous novelists, giving his prose shades of poetry. He refers to such texts as Great Expectations and Hard Times, sometimes using citations to illustrate to the reader what life was like during the industrial era and the city in which Dickens lived.
Articles have been written on Mumford's use of metaphors and how his works can often be read as "fiction," in the sense that they have narrative flow. That is evident in this book, in which, instead of a human protagonist on which the story centers, we have the city and its growth in a quasi-bildungsroman fashion.