The Pop Group
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The Pop Group

The Pop Group are an English band formed in Bristol in 1977 by vocalist Mark Stewart, guitarist John Waddington, bassist Simon Underwood, guitarist/saxophonist Gareth Sager, and drummer Bruce Smith.[1] Their work in the late 1970s crossed diverse musical influences including funk, free jazz and dub with radical politics and the avant-garde, helping to pioneer post-punk music.[2][3]

The group released two albums, Y (1979) and For How Much Longer Do We Tolerate Mass Murder? (1980), and the singles "She Is Beyond Good and Evil" (1979) and "We Are All Prostitutes" (1979), before breaking up in 1981. Its members would go on to work on a variety of subsequent projects, including New Age Steppers and Rip Rig + Panic. In 2010, the band reunited, touring and releasing new material.


Original run (1977-1981)

The Pop Group was formed in 1977 in Bristol, when teenager Mark Stewart set out to start a funk group with schoolmates John Waddington and Simon Underwood.[1][4] Inspired by the energy of punk rock but feeling the style to be too conservative, the group drew influence from the avant-garde, black music styles such as free jazz and dub, and radical political traditions.[3][4] Guitarist Gareth Sager and drummer Bruce Smith were eventually added to the group.[4] Soon after forming, they began to gain notoriety for their live performances and were subsequently signed to Radar Records.[4] They appeared on the cover of the NME.[5] They issued their debut single, "She Is Beyond Good and Evil," in March 1979 and their debut album, Y, in April of that year, both to acclaim but relatively low sales figures.[6] Regardless, their moderate success was sufficient to convince Rough Trade to sign the band. During this period, Dan Catsis replaced Underwood on bass.[6]

The band's career with Rough Trade commenced with the release of the single "We Are All Prostitutes." This was followed by the release of their second album, For How Much Longer Do We Tolerate Mass Murder? (1980). Shortly afterwards the Pop Group released a split single, "Where There's a Will...", with the Slits, a band with whom they now shared a drummer (Bruce Smith) and manager Dick O'Dell. The band's last live performance was in 1980 to a crowd of 500,000 people at Trafalgar Square as part of the Campaign for Nuclear Disarmament protest.[1] They split in 1981, after legal wranglings and internal disagreements. Members of the group went on to collaborate and join bands including Pigbag, Maximum Joy, Head, the Slits and Rip Rig + Panic, the latter notable for the involvement of Neneh Cherry.[6] Stewart collaborated with the On-U Sound posse, issuing records backed by the Maffia, then as a solo artist.

Reformation (2010-present)

It was reported on 24 May 2010 that the Pop Group would be reuniting and touring, with three of the original five members returning.[7] The Pop Group's 1980 LP We Are Time saw its first reissue worldwide on 20 October 2014. The band also released a compilation of rarities titled Cabinet of Curiosities. In support of the reissues the band undertook a 7-day UK tour. On 23 February 2015, the Pop Group released Citizen Zombie, their first studio album in 35 years. They subsequently undertook a worldwide tour, performing dates in the US, Japan, and Australia. An extensive European tour culminated in festival appearances including two live sets at Glastonbury.[8]

February 2016 saw the reissue of their 1980 album For How Much Longer Do We Tolerate Mass Murder?, released on CD and digitally for the first time. This was accompanied by the release of a colour vinyl edition of "We Are All Prostitutes," referred to by The Vinyl Factory.[9] A previously unseen video for "We Are All Prostitutes", shot at the Electric Ballroom in November 1979 but thought to be lost, was recovered from the attic of video artist Chris Reynolds and unveiled. In May, the band released a collection of live recordings, entitled The Boys Whose Head Exploded. In July 2016, the band announced they were teaming once again with producer Dennis Bovell to record a new album.[10] On 31 August, the band revealed the title would be Honeymoon On Mars, and that it would be released on 28 October via the Freaks R Us label. They also revealed the track listing and album artwork.[11][12] On 6 September, the first single from the album, "Zipperface" was released to streaming services, YouTube, and iTunes.

Style and influence

The Pop Group have been called pioneers of the late-'70s post-punk movement.[2]The Guardian wrote that the Pop Group "almost singlehandedly effected the transition from punk to post-punk," noting that they "- ahead of Gang of Four, PiL, A Certain Ratio and the rest - steered punk towards a radical, politicised mash-up of dub, funk, free jazz and the avant-garde."[3]Louder Than War called them "one of the most wildly innovative and barrier-shattering bands to emerge from the late '70s post-punk era."[13]Rolling Stone described the group as "an explosive mutant gene," asserting that "among their rabble-rousing post-punk contemporaries, none boasted as much sheer musical inventiveness and audacity."[1] Theorist Mark Fisher describes their sound as "both cavernous and propulsive, ultra-abstract yet driven by dance music's physical imperatives."[14][15]

The group was inspired by diverse musical sources as diverse as Ornette Coleman, King Tubby, Debussy, Funkadelic, Jacques Brel, and Steve Reich in addition to non-musical sources such as French romanticism, Antonin Artaud, Beat poetry, the Situationists,[5][16][17][18] and existential philosophy.[15][19] Discussing their early work, Mark Fisher wrote that "The Pop Group of Y were not interested in either shaking their fists at authority or in announcing their boredom and dejection. They wanted to re-mystify, not de-mystify, to combat the stupidities and atrocities of the world with new forms of fascination."[20]


Studio albums



  1. ^ a b c d Gehr, Richard (7 November 2014). "The Oral History of the Pop Group: The Noisy Brits Who Were Too Punk for the Punks". Rolling Stone. Retrieved 2018.
  2. ^ a b Everhart, John (2015-02-24). "Review: The Pop Group makes a triumphant return · Music Review · The A.V. Club". Retrieved .
  3. ^ a b c Lester, Paul (26 February 2015). "Have the Pop Group finally become a pop group?" – via The Guardian.
  4. ^ a b c d Dougan, John. "Artist Biography". Allmusic. Retrieved 2014.
  5. ^ a b Reynolds, Simon (2012). UK Post-Punk: Faber Forty-Fives: 1977-1982. Faber & Faber.
  6. ^ a b c d Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 757-758. ISBN 1-84195-017-3.
  7. ^ "Update: The Pop Group to reunite". The A.V. Club. 24 May 2010. Retrieved 2010.
  8. ^ "Premiere: The Pop Group - "Citizen Zombie"". NOISEY. Retrieved 2014.
  9. ^ "The 10 best vinyl releases this week (22nd February)".
  10. ^ "The Pop Group - Back In The Studio With Dennis Bovell & Hank Shocklee". Archived from the original on 4 September 2016. Retrieved 2016.
  11. ^ "The Pop Group announce new album Honeymoon On Mars". FACT Magazine: Music News, New Music. Retrieved .
  12. ^ "The Pop Group - FACT Magazine Announce Details of New Album & UK + EU Tour Dates". Archived from the original on 13 September 2016. Retrieved 2016.
  13. ^ Manchester, Guy (2014). "Legendary Post Punk Band The Pop Group Release Video for Colour Blind". Louder Than War. Retrieved 2014.
  14. ^ "Stealing Fire: The Pop Group`S `Y` Lp: Fact Magazine". Archived from the original on 18 March 2008. Retrieved .
  15. ^ a b O'Hagan, Sean (14 September 2010). "The Pop Group: Still Blazing a Trail That Makes Rock Look Conservative". The Guardian. Retrieved 2014.
  16. ^ "THE POP GROUP - Freaks R Us".
  17. ^ Reynolds, Simon (2006). Rip It Up and Start Again: Postpunk 1978-1984. London: Faber and Faber. ISBN 978-0-571-21570-6.
  18. ^ "Mark Stewart - Biography, Albums, & Streaming Radio - AllMusic".
  19. ^ "The Pop Group Are Back and Fighting Against the "Warm Bath of Apathy"". NOISEY. Retrieved 2014.
  20. ^ Fisher, Mark. "The Pop Group's How Much Longer Do We Tolerate Mass Murder?." Fact. February 2016.

External links

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.



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