Young Vic
Get Young Vic essential facts below. View Videos or join the Young Vic discussion. Add Young Vic to your topic list for future reference or share this resource on social media.
Young Vic

Young Vic
Young Vic theatre London sept 07.jpg
AddressThe Cut
London, SE1
United Kingdom
Coordinates51°30?12?N 0°06?27?W / 51.50323°N 0.10748°W / 51.50323; -0.10748Coordinates: 51°30?12?N 0°06?27?W / 51.50323°N 0.10748°W / 51.50323; -0.10748
Public transitLondon Underground Waterloo; Southwark
National Rail Waterloo; Waterloo East
OwnerThe Young Vic Company
TypeNon-commercial resident company
Capacity420 Main house
150 Maria (studio)
70 Clare (studio)
ProductionRepertory seasons
Opened1970; 50 years ago (1970)
Rebuilt2006: Haworth Tompkins
ArchitectHaworth Tompkins

The Young Vic theatre is a performing arts venue located on The Cut, near the South Bank, in the London Borough of Lambeth.

The Young Vic was established by Frank Dunlop in 1970. Kwame Kwei-Armah has been Artistic Director since February 2018,[1] succeeding David Lan.


In the period after World War II, a Young Vic Company was formed in 1946 by director George Devine[2] as an offshoot of the Old Vic Theatre School for the purpose of performing classic plays for audiences aged nine to fifteen.

This was discontinued in 1948 when Devine and the entire faculty resigned from the Old Vic, but in 1969 Frank Dunlop became founder-director of The Young Vic theatre with Scapino, his free adaptation of Molière's The Cheats of Scapin, presented at the new venue as a National Theatre production, opening on 11 September 1970 and starring Jim Dale in the title role with designs by Carl Toms (decor) and Maria Björnson (costumes).[3]

Initially part of the National Theatre, the Young Vic Theatre became an independent body in 1974.[4]

In the words of Laurence Olivier, then director of the National Theatre: "Here we think to develop plays for young audiences, an experimental workshop for authors, actors and producers." The aim was to create an accessible theatre which offered high quality at low cost in an informal environment. The aim was to appeal to young audiences, but this time not specifically to children.

Young Vic Theatre

Young Vic Theatre, Southwark

Frank Dunlop completed creation of the theatre venue in 1970, a breeze-block building on The Cut constructed out of a former butcher's shop and an adjacent bomb-site. It was intended to last for five years, but has become permanent.

The auditorium, with a thrust stage, has an approximate capacity of 420, although the configuration and capacity can vary depending on the design of each production.

In addition to the Young Vic's main house, there are now two smaller theatre spaces. The Maria, named after theatre designer Maria Björnson, is the larger of the two with a capacity of 150. The Clare, named after the former artistic director of the Sheffield Crucible, Clare Venables,[5] seats 70. Like the main house, both smaller theatres have flexible seating configurations which can be arranged to suit the production design. In the two smaller auditoriums seating is usually unreserved, with the actors performing in close proximity to the audience.[6]

The Young Vic primarily performs classic plays, but often in innovative productions. Many well-known actors have worked at the Young Vic including Ian Charleson, who made his memorable professional debut with the Young Vic 1972-74, and who played Jimmy Porter in Look Back in Anger and Hamlet in the first revival of Stoppard's Rosencrantz and Guildenstern Are Dead in 1973. Others include Vanessa Redgrave, Helen Mirren, Judi Dench, Timothy Dalton, Robert Lindsay, Willard White, John Malkovich, Michael Sheen and Arthur Lowe.

Quintessential rock band The Who held free, weekly concerts at the Young Vic in early 1971 in order to rehearse what would become their masterpiece album, Who's Next. One of these shows was released on the Deluxe edition of this album.

A memorial at the theatre's south-east corner commemorates the 54 people killed in 1941 while sheltering in the cellars of the former building on the site, during the Blitz.[7]

In 1982 the theatre hosted a Poetry Olympics, where comedian Pat Condell took part.[8]

Artistic Directors

  • Frank Dunlop (1968-1971, also Administrative Director)
  • Michael Bogdanov (1971-1973)
  • David Thacker
  • Julia Bardsley and Tim Supple (jointly)
  • Tim Supple
  • David Lan (2004-2018)
  • Kwame Kwei-Armah (2018-present)


Refurbishment 2004-2006

In 2003, the Young Vic launched a campaign to raise £12.5 million for a major reconstruction of its building and closed in 2004 for work to start.

Designed by architects Haworth Tompkins - also known for their refurbishment of the Royal Court Theatre, Regent's Park Open Air Theatre, and two temporary venues for the Almeida - and with Jane Wernick Associates as the structural engineers, and consulting engineers Max Fordham LLP designing the building services, the refurbishment was completed in October 2006.

The main auditorium has been left intact, but refurbished and technically enhanced. The butcher's shop has also been retained as the main entrance to the building and also the box office.

The remainder of the 1970s structure has been rebuilt to provide new foyers, dressing rooms, two studio theatres, and workshop spaces. An award of £5 million was received from the Arts Council of England.

The Young Vic re-opened on 11 October 2006, with a production of the community opera Tobias and the Angel; with music by Jonathan Dove and a libretto by David Lan.[9]

On 16 May 2007, the refurbished Young Vic won the RIBA London Building of the Year Award.[10] Following this award, the Young Vic was also shortlisted for the RIBA Stirling Prize on 27 July 2007.[11]

A rebranding exercise by Sense Worldwide in 2010 resulted in the abandonment of its 30-year-old "sit anywhere" policy and a new strapline, "It's a big world in here".[12]

Notable Productions

February 2019 - Present

March 2018 - February 2019

March 2014 - February 2015

March 2012 - February 2014

January 2011 - February 2012

September 2010 - January 2011

October 2009 - January 2010

May 2009 - August 2010

January 2009 - April 2009

July 2008 - January 2009

January 2008 - June 2008

June 2007 - January 2008

October 2006 - June 2007

Digital Theatre

The Young Vic was one of the launch theatres for Digital Theatre, a project that makes theatre productions available in video download form. The first performances that were filmed were Kafka's Monkey and The Container.[16]


  1. ^ Ellis-Petersen, Hannah (26 September 2017). "Kwame Kwei-Armah named new artistic director of Young Vic". The Guardian. ISSN 0261-3077. Retrieved 2019.
  2. ^ The Theatres of George Devine by Irving Wardle, Cape 1978 ISBN 0-224-01415-3
  3. ^ Frank Dunlop's CV for Who's Who in the Theatre 17th edition, Gale (1981). ISBN 0-8103-0235-7
  4. ^ The Oxford Companion to the Theatre, OUP (1983). ISBN 0-19-211546-4
  5. ^ Thornber, Robin (20 October 2003). "Obituary: Clare Venables". the Guardian. Retrieved 2018.
  6. ^ "What to Expect". Young Vic. Retrieved 2011.
  7. ^ "Young Vic war memorial plaque rededicated". Bankside Press. 21 June 2007. Retrieved 2011.
  8. ^ "Poets' marathon at Young Vic 'Olympics'". The Times. 30 November 1982. Retrieved 2009.
  9. ^ Review in The Stage.
  10. ^ RIBA London Building of the Year Award. Retrieved 27 July 2007.
  11. ^ RIBA announcement online. See also the RIBA profile of the Young Vic. Retrieved 27 July 2007.
  12. ^ ["Market Research Agency of the Year" Marketing Magazine (8 December 2010) p. 30.]
  13. ^ Tracey Sinclair (8 February 2011). "Exeunt: Vernon God Little". Retrieved 2011.
  14. ^ "London Theatre Tickets, Theatre News and Reviews - WhatsOnStage". whatsonstage. Retrieved 2018.
  15. ^ Billington, Michael (20 March 2009). "Michael Billington: Kafka's Monkey / Young Vic, London". the Guardian. Retrieved 2018.
  16. ^ "Leading theatres launch downloadable shows". 23 October 2009. Retrieved 2017.

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.



Music Scenes