Our Lady of Sorrows
|Venerated in||Roman Catholic Church|
|Feast||15 September |
Friday before Good Friday
|Attributes||Blessed Virgin Mary in mournful state, tears, bleeding heart pierced by seven daggers|
Our Lady of Sorrows (Latin: Beata Maria Virgo Perdolens), Our Lady of Dolours, the Sorrowful Mother or Mother of Sorrows (Latin: Mater Dolorosa), and Our Lady of Piety, Our Lady of the Seven Sorrows or Our Lady of the Seven Dolours are names by which the Virgin Mary is referred to in relation to sorrows in life. As Mater Dolorosa, it is also a key subject for Marian art in the Catholic Church.
The Seven Sorrows of Mary are a popular Roman Catholic devotion. In common religious Catholic imagery, the Virgin Mary is portrayed, sorrowful and in tears, with one or seven long knives or daggers piercing her heart, often bleeding. Devotional prayers that consist of meditation began to elaborate on her Seven Sorrows based on the prophecy of Simeon. Common examples of piety under this title are Servite rosary or the Chaplet of the Seven Sorrows of Our Lady, the Seven Joys of Mary, and, more recently, Sorrowful and Immaculate Heart of Mary.
These Seven Sorrows should not be confused with the five Sorrowful Mysteries of the Rosary.
Traditionally, the Seven Sorrows are:
Earlier, in 1232, seven youths in Tuscany founded the Servite Order (also known as the "Servite Friars", or the "Order of the Servants of Mary"). Five years later, they took up the sorrows of Mary, standing under the Cross, as the principal devotion of their order.
Over the centuries several devotions, and even orders, arose around meditation on Mary's Sorrows in particular. The Servites developed the three most common devotions to Our Lady's Sorrows, namely the Rosary of the Seven Sorrows, the Black Scapular of the Seven Dolours of Mary and the Novena to Our Sorrowful Mother. The rosary consists of a chaplet of seven septets of beads (upon which is said an Ave), separated by one bead (on which is prayed a Pater Noster. Meditations for each dolor were composed by Pope Pius VII in 1818.
The Black Scapular is a symbol of the Confraternity of Our Lady of Sorrows, which is associated with the Servite Order. Most devotional scapulars have requirements regarding ornamentation or design. The devotion of the Black Scapular requires only that it be made of black woollen cloth. From the National Shrine of Saint Peregrine spread the Sorrowful Mother Novena, the core of which is the Via Matris.
On February 2, the same day as the Great Feast of the Meeting of the Lord, Orthodox Christians and Eastern Catholics commemorate a wonder-working icon of the Theotokos (Mother of God) known as "the Softening of Evil Hearts" or "Simeon's Prophecy".
It depicts the Virgin Mary at the moment that Simeon the Righteous says, "Yea, a sword shall pierce through thy own soul also...." (Luke 2:35). She stands with her hands upraised in prayer, and seven swords pierce her heart, indicative of the seven sorrows. This is one of the few Orthodox icons of the Theotokos which do not depict the infant Jesus. The refrain "Rejoice, much-sorrowing Mother of God, turn our sorrows into joy and soften the hearts of evil men!" is also used.
The Feast of Our Lady of Sorrows grew in popularity in the 12th century, although under various titles. Some writings would place its roots in the eleventh century, especially among the Benedictine monks. The first altar to the Mater Dolorosa was set up in 1221 at the Cistercian monastery of Schönau.
The formal feast of the Our Lady of Sorrows was originated by a provincial synod of Cologne in 1423. It was designated for the Friday after the third Sunday after Easter and had the title: Commemoratio angustiae et doloris B. Mariae V. Its object was the sorrow of Mary during the Crucifixion and Death of Christ. Before the sixteenth century this feast was limited to the dioceses of North Germany, Scandinavia, and Scotland.
According to Fr. William Saunders, "... in 1482, the feast was officially placed in the Roman Missal under the title of Our Lady of Compassion, highlighting the great love our Blessed Mother displayed in suffering with her Son. The word compassion derives from the Latin roots cum and patior which means "to suffer with".
After 1600 it became popular in France and was set for the Friday before Palm Sunday. By a Decree of 22 April 1727, Pope Benedict XIII extended it to the entire Latin Church, under the title "Septem dolorum B.M.V.". In 1954, it still held the rank of major double (slightly lower than the rank of the September feast) in the General Roman Calendar. Pope John XXIII's 1960 Code of Rubrics reduced it to the level of a commemoration.
In 1668, a separate feast of the Seven Sorrows of Mary, celebrated on the third Sunday in September, was granted to the Servites. Pope Pius VII introduced it into the General Roman Calendar in 1814. In 1913, Pope Pius X, in view of his reform giving precedence to Sundays over ordinary feasts, moved this feast to September 15, the day after the Feast of the Cross. It is still observed on that date.
Since there were thus two feasts with the same title, on each of which the Stabat Mater sequence was recited, the Passion Week celebration was removed from the General Roman Calendar in 1969 as a duplicate of the September feast. Each of the two celebrations had been called a feast of "The Seven Sorrows of the Blessed Virgin Mary" (Latin: Septem Dolorum Beatae Mariae Virginis). Recitation of the Stabat Mater was made optional.
The existence of traditional manifestations of public devotion, such as processions with statues of Our Lady of Sorrows on days leading to Good Friday, has led to the maintenance on the previous Friday of the liturgical celebration of the Sorrows of Mary in some local calendars, as in Malta.
O God, who in this season
give your Church the grace
to imitate devoutly the Blessed Virgin Mary
in contemplating the Passion of Christ,
grant, we pray, through her intercession,
that we may cling more firmly each day
to your Only Begotten Son
and come at last to the fullness of his grace.
Our Lady of Sorrows is often depicted with either one or seven swords piercing her heart, the first a reference to the prophecy of Simeon, the second to the Seven Sorrows. The type dates from the latter part of the 15th century.
Our Lady of Sorrows is the patron saint of:
Our Lady of Sorrows, depicted as "Mater Dolorosa" (Mother of Sorrows) has been the subject of some key works of Roman Catholic Marian art. Mater Dolorosa is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Stabat Mater and Pietà.
In this iconography, Our Lady of Seven Sorrows is at times simply represented in a sad and anguished mode by herself, her expression being that of tears and sadness. In other representations the Virgin Mary is depicted with seven swords in her heart, a reference to the prophecy of Simeon at the Presentation of Jesus at the Temple.
Madonna in Sorrow, by Titian, 1554
Our Lady of Sorrows, by Pieter Pourbus, 1556
Madonna in Sorrow, by Juan de Juni, 1571
The Madonna in Sorrow by Giovanni Battista Salvi da Sassoferrato, 17th century
Mater Dolorosa The oldest image in the Philippines dating 1785 owned by the Macalalag Family in Iloilo City, Philippines.
Nuestra Señora de la Soledad de Porta Vaga, Philippines.
Nuestra Señora de Dolores, Metropolitan Cathedral of Chihuahua, Mexico
The core of the prayers in the novena is the Via Matris, which can be found here.